Ministry of Foreign Affairs, Moscow

Ministry of Foreign Affairs, Moscow - Frank Baulo

Ministry of Foreign Affairs, Moscow – Frank Baulo

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Ministry of Foreign Affairs, Moscow

The Ministry of Foreign Affairs of Russia main building is one of seven skyscrapers from the 1950s, (the ‘Seven Sisters’) designed and overseen by Vladimir Gelfreykh and Adolf Minkus.

Ministry of Foreign Affairs - 01

Ministry of Foreign Affairs – 01

The skyscraper was laid down in 1948 and completed in 1953. According to the biography of the architect Minkus (published in 1982), draft plans were first drawn up in 1946 and ranged from 9 to 40 stories. In 1947 two designs were proposed: one utilized layered setbacks while the other called for a more streamlined construction which culminated in a blunt rectangular top. In the second and approved design a metal spire was added to the tower’s roof. Currently the building houses the offices for the Ministry of Foreign Affairs of Russia (and access is restricted at the back of the building).

Ministry of Foreign Affairs - 03

Ministry of Foreign Affairs – 03

The building has been attributed similarities with the Woolworth Building in Manhattan. The architectural appearance dates back to the English Gothic: its feature is the rigid ribs that emphasise the height of the building and its upward thrust. The building has a tiered structure with the masses gradually narrowing and easing upwards. The ends of the tiers, unlike other high-rises, are flat – without towers or vases and decorated with merlons.

Ministry of Foreign Affairs - 02

Ministry of Foreign Affairs – 02

The central part of the building consists of 27 floors and its height is 172 metres. The plinth is clad in red granite and the façade is in light ceramic blocks. On the main façade, at a height of 114 metres, there is the coat of arms of the USSR mounted in reinforced concrete and covering an area of 144 m2. The portals of the building are decorated with metal lattices and stucco made by sculptor Georgy Motovilov. The portals are flanked by large obelisks of dark grey stone. The central part of the high-rise passes into side 16-storey wings through ledges of tiers, and behind them into 6-storey wings. These enclosures link the massing of the building to the surrounding residential area.

Ministry of Foreign Affairs - 04

Ministry of Foreign Affairs – 04

The total area of all the premises of the Ministry of Foreign Affairs is 65 thousand m2 (a cubic footprint of 402,000 m³), of which about two thousand are working and service rooms. A total of 28 lifts were installed in the building at the time of its construction, including 18 high-speed lifts.

Ministry of Foreign Affairs from Ukraine Hotel

Ministry of Foreign Affairs from Ukraine Hotel

The lobby is lined with light marble. The walls, columns, friezes on the walls as well as the floors are carpeted in polished black granite. The stained glass doors, door frames, capitals and grilles are made of brass and brass-anodised aluminium. Four escalators lead from the vestibule to the underground cloakroom.

Ministry of Foreign Affairs - 1956

Ministry of Foreign Affairs – 1956

The walls of the assembly hall, which can seat 500 people, are clad in artificial marble. The furniture and woodwork are made of Karelian birch and polished walnut, the armchairs and drapes are upholstered in red velvet.

Text from Wikipedia.

Architects;

Vladimir Gelfreykh and Adolf Minkus

Location;

32/34 Smolenskaya-Sennaya Square

How to get there;

The nearest metro station is Smolenskaya on the Lines 3 (the dark blue line) and 4 (the light blue line), west of the city centre. 

GPS;

55°44′45″N

37°35′03″E

Completed;

1953

Height;

172m (564ft)

Floors;

27

Lifts/elevators;

28

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Hilton Moscow Leningradskaya

Hilton Moscow Leningradskaya - Don-vip

Hilton Moscow Leningradskaya – Don-vip

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Hilton Moscow Leningradskaya

The Hilton Moscow Leningradskaya (Russian: Гостиница Ленинградская) is one of Moscow’s Seven Sisters, skyscrapers built in the early 1950s in the neoclassical style. Russian neoclassical architecture mixes the Russian neoclassical style with the style of American skyscrapers of the 1930s. A main element of Russian neoclassicism is its use of socialist realism art. The hotel, completed in 1954, was designed to be the finest luxury hotel in Moscow.

Hilton Moscow Leningradskaya - 03

Hilton Moscow Leningradskaya – 03

The staircase features one of the longest lighting fixtures in the world—it was once in The Guinness Book of Records. The halls and corridors of the hotel’s upper floors are panelled in dark cherry wood.

Hilton Moscow Leningradskaya - 01

Hilton Moscow Leningradskaya – 01

The tower of the Hilton Moscow Leningradskaya Hotel dominates Komsomolskaya Square, with its three railway stations (the Leningradsky, Yaroslavsky and Kazansky) located nearby, along with a main ring road of downtown Moscow.

Hilton Moscow Leningradskaya - 04

Hilton Moscow Leningradskaya – 04

The influence of medieval Russian architecture was more evident in the exterior design of the building than in other 1950s skyscrapers. Contemporaries noted that the white-red-gold colouring of the walls ‘recalls the favourite colours of ancient Russian architecture’, the central section is stylistically close to the Kremlin towers. The main entrance is designed in the form of a terem porch. It is decorated with multi-cornered cornices, fanciful pediments, hanging weights and pinnacles. The ribs and emblem of the octagonal spire, the rosettes between the pylons and the orbs on the obelisks are covered in gold.

Hilton Moscow Leningradskaya - 02

Hilton Moscow Leningradskaya – 02

The stylistic borrowings in the interiors of the hotel are even more significant. Elements of decoration were copied from samples of pre-Petrine palaces and churches. The lift hall, decorated with golden smalt and Shoksha porphyry, is made in the form of an altar niche. The chandeliers in the halls and on the staircases are stylised as paniculars. Motifs from Russian history were used in the decoration of the interiors: on the ground floor, two round medallions are placed above the stairwells. One of them symbolises the Russian victory at the Kulikovo Field (1380), the other the victory at the Battle of the Ice (1242).

Hotel Leningrad and Kazan station

Hotel Leningrad and Kazan station

Text from Wikipedia.

Architects;

LM Poliakov and AV Boretski

Location;

Komsomolskaya Square, Moscow

How to get there;

The nearest metro is Komsomolskaya, north east of the city centre, on Lines 1 (the red one) and 5 (the circular line).  

GPS;

55°46′26.44″N

37°39′6.23″E

Completed;

1954

Height;

136 m (446 ft)

Floors;

21 (with 2 mechanical)

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Park of the Fallen/Muzeon Art Park, Moscow

Soviet emblem

Soviet emblem

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Park of the Fallen/Muzeon Art Park

Presented in the slide show below are images taken of some of those monuments and statues produced during the period of the construction of Socialism in the Union of Soviet Socialist Republics (USSR).

Construction worker

Construction worker

With the victory of reaction against the (admittedly weak and already corrupted revisionist) Socialist state in the 1990s many of these monuments and statues were removed from public spaces and many were left to rot. However, a re-assessment of the role of Socialist leaders of the past and with a mix of opportunism from the ruling capitalists that they could easily create another tourist attraction in the city led to the re-erection of these statues in the vicinity of the modern art gallery – which also displays art produced during the Socialist period.

The works presented here were produced over a period of about 50 years, representing the thinking of the revolutionary period as well as the period of revisionism and capitalist restoration. Those later works are included as they still represented a glimmer of the hope for a new future.

Included at images of VI Lenin, JV Stalin, Karl Marx, MI Kalinin and FE Dzerzhinsky, as well as Heroes of the Soviet Union.

Swords into ploughshares

Swords into ploughshares

Why some of these art works were considered controversial is difficult to understand. The Soviet leaders were the enemies of the new capitalist rulers so their removal can be understood. But why the references to peace or the statue of the female construction worker? Presumably it wasn’t what they are but the society that produced them and what they continue to represent.

Peace

Peace

The main concentration of the socialist art works are concentrated around the large metal emblem of the Soviet Union, in an area north west of the New Tretyakov Gallery. More contemporary sculptures are displayed in other parts of the park.

Related;

Socialist Realist Art in Albania

Museum of Socialist Art – Sofia, Bulgaria

Remnants of religious thinking in Albanian Socialist Art

The ‘Archive’ Exhibition at the Tirana Art Gallery

Socialist Realist Paintings and Sculptures in the National Art Gallery, Tirana

New Tretyakov Gallery, Moscow

Location;

In Muzeon Art Park, in which is also located the New Tretyakov Art Gallery (the gallery of 20th century Russian art).

How to get there;

The park is across the bridge over the River Moskva from the Park Kultury metro station and beside the main road that leads past the Oktyabrskaya metro station in the direction of the river. The main entrance to Muzeon Art Park is directly opposite the main entrance to Gorky Park.

GPS;

55°44′4.29″N

37°36′17.51″E

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