Government of the People’s Republic of China

The Constitution of the People's Republic of China

The Constitution of the People’s Republic of China – 1975

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Government of the People’s Republic of China

Important Documents of the First Plenary Session of the Chinese People’s Political Consultative Conference, (Peking: FLP, 1949), 54 pages.

The Common Program and Other Documents of the First Plenary Session of the Chinese People’s Political Consultative Conference, (Peking: FLP, 1950), 53 pages.

Constitucion de la Republica Popular China, ELE, Pekin, 1954, 59 pages. Spanish version.

Political Report, by Chou En-lai, delivered at the Second Session of the Second National Committee of the Chinese People’s Political Consultative Conference on January 30, 1956. (Peking: FLP, 1956), 51 pages.

Ten Glorious Years – 1949-1959, essays by 19 important Chinese leaders (other than Mao) on the 10th anniversary of the founding of the People’s Republic of China, including: Liu Shao-chi, Chou En-lai, Lin Piao, Teng Hsiao-ping, Soong Ching Ling, Chen Yi, Li Fu-chun, Ho Lung, Li Hsien-nien, Ko Ching-shih, Li Ching-chuan, Ulanfu, Kang Sheng, Po I-po, Wang Chia-hsing, Liu Lan-tao, Teng Tse-hui, Nieh Jung-chen, and Lo Jui-ching. (Peking: FLP, 1960), 384 pages.

Documents of the First Session of the Fourth National People’s Congress of the People’s Republic of China, (Peking: FLP, 1975), 104 pages. Including;

  • Proclamation of the National People’s Congress of the PRC
  • The Constitution of the PRC
  • Report on the Revision of the Constitution, by Chang Chun-chiao
  • Report on the Work of the Government, by Chou En-lai
  • Resolutions and Proclamations
  • List of the members of the Presidium and the Secretary General of the 1st Session of the 4th National People’s Congress
  • Press Communique

The Constitution of the People’s Republic of China, as of 1975, (Peking: FLP, 1975), 72 pages, including the Report on the Revision of the Constitution, by Chang Chun-chiao.

The Constitution of the People’s Republic of China, as of 1978, (Peking: FLP, 1978), 52 pages.

The Constitutions of the People’s Republic of China, including the Constitutions of 1954, 1975, 1978, and 1982, in both English and Chinese, 76 pages.

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Chinese Revolutionary Art – 1975

Chairman Mao Tse-tung

Chairman Mao Tse-tung

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Chinese Revolutionary Art – 1975

So far the emphasis on this blog has been on those examples of Socialist Realist art that I have encountered on various visits to Albania in the past few years – especially the ‘lapidars’ (public monuments and sculptures). One of the drivers for starting this project was the fear that due to both active political vandalism and simple lack of care many of these unique works of socialist art were likely to disappear in the near future and would be lost to posterity.

The Albanian Lapidar Survey of 2014 meant that, at least, those monuments that still existed and were identified at the time would be recorded in as much detail as possible, including a comprehensive photographic record of their condition in 2014. The fate of those lapidars has varied in the intervening years, some suffering further decay others suffering inappropriate (if at times well meaning) and destructive ‘renovation’.

With many of the lapidars I have visited I have attempted to carry out a deep reading of what they represent and have tried to put them in their historical context. I don’t even try to maintain that I have always got it right but in lieu of any other such record (much information about the more than 650 lapidars covered in the ALS investigation – and many other works of art, such as bas reliefs, mosaics, etc. – having been destroyed or lost in the chaotic years of the 1990s) I hope my efforts can help in reconstructing a comprehensive data base for the future. Although many have already been written about on this blog there are still many to follow.

Travelling quite extensively around the country I have encountered artistic elements of the socialist past that were outside the remit of the ALS. That includes the likes of the mosaics (Bestrove, Tirana Historical Museum and on the Bashkia in Ura Vajgurore – to name a few) and bas reliefs (for example, the Durres Tobacco Factory and Radio Kukesi) already mention as well as paintings (in the National Art Gallery in Tirana), statues (including the ‘Sculpture Park‘ behind the National Art Gallery and the 68 Girls of Fier), stand alone structures (such as the Party Emblem in Peshkopia) and murals (such as the Traditional Wedding Mural in the hotel restaurant also in Peshkopia), exhibits in museums and a number of other works that have (sometimes) miraculously survived the 30 years following the success of the counter-revolution.

By the time the Party of Labour of Albania had achieved victory over the fascist invaders in November 1944 the idea of Socialist Realist Art as something Socialist countries should encourage had become entrenched in the thinking of revolutionary Marxist-Leninists. I presented my interpretation of this when discussing art in Albania but the same arguments would suit the use of art in the other major Socialist countries, especially the Soviet Union and China.

I intend to look at Soviet Socialist Realist Art, initially, by reading the stories being told in the Metro stations, principally of Leningrad (now St Petersburg) and Moscow.

When it comes to the People’s Republic of China there are already examples of the use of art in the struggle to establish Socialism in the pages of Chinese Literature. Various issues of that magazine are available from 1953 to 1981 (the final 5 years an example of how literature and art can be used to turn back Socialism in a similar way it was used to promote Socialism from 1949 till just after the death of Chairman Mao in 1976).

The Chinese approach to literature and art can also be gleaned from the works of the writer and cultural theorist Lu Hsun.

Here I present a slide show of a collection of posters from the last, full revolutionary year of the People’s Republic of China (1975) to give an idea of how Chinese poster art had developed to that date.

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Peking Review 1958-1978

Always keep a firm grip on the rifle

Always keep a firm grip on the rifle

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Peking Review

Soon after Chairman Mao made the Declaration of the of the People’s Republic of China in Tienanmen Square on 1st October 1949 the Communist Party of China decided that the production of a regular magazine, which would tell the world what the Chinese were attempting to create in their country, was of paramount importance. From January 1950 a magazine called People’s China was produced fortnightly until the end of 1957. This was superseded by the weekly magazine Peking Review.

Peking Review (in English) was first published in March 1958 and then continued, on a weekly basis, until the first issue of 1979 (January 5th) when it was re-branded as Beijing Review.

Unfortunately the new name also presaged a new direction. From being a revolutionary magazine, presenting the ideas and aspirations of a young (and relatively weak) Socialist state struggling along the road to the construction of Communism it has now become the open statement of aims of an outright capitalist and imperialist state – with global ambitions.

As Mao famously wrote; ‘a revolution is not a dinner party’ (Report on an Investigation of the Peasant Movement in Hunan (March 1927), Selected Works, Vol. I, p. 28.) and this means that from the very beginning the new Socialist state had to face many obstacles. There is opposition from within and without the country, from within and without the Party. Those who might have played an important role in the past in the fight for liberation are not necessarily the ones who are needed to build a radically new society. All revolutionaries bring with them the baggage of the capitalist past – some find it more difficult than others to throw off that hindrance. 

A study of all revolutions shows this to be the case and, learning from the experience of the past, Chairman Mao promoted the Cultural Revolution (which started in 1966) to expose such elements within the Party and Government structure – at all levels. This means that in the early editions of Peking Review articles written by, or about, certain individuals who were later denounced and condemned appear. Not all of what they said at that time might have been incorrect but as the struggle to build Socialism intensifies the contradictions between them and the revolutionary wing of the Party and people will inevitably come into conflict. And all conflict must have a resolution.  

All the issues that covered the revolutionary period, which included important developments such as ‘The Great Leap Forward’; the collectivisation of the countryside; the industrialisation of a previously backward, feudal society; developments in education, social welfare, health and culture; and, especially, ‘The Great Socialist Cultural Revolution’ are all documented in the pages of Peking Review from 1958-1976.

Very soon after the death of Chairman Mao Tse-tung (Mao Zedong), on 9th September 1976, those achievements came under attack by the ‘capitalist roaders’ (represented by the arch-traitor to the Chinese workers and peasants, Teng Hsiao-ping (Deng Xiaoping) and not so gradually those achievements were turned into the ‘primitive accumulation’ of the present day Chinese billionaires.

For a look at the development of literature, art and culture during the Socialist period of China’s past you can do worse than have a look at the issues of Chinese Literature.

Available issues of Peking Review:

1958, 1959, 1960, 1961, 1962, 1963, 1964, 1965, 1966, 1967, 1968, 1969, 1970, 1971, 1972, 1973, 1974, 1975, 1976, 1977, 1978

Beijing Review

From issue No. 1 of 1979 the weekly political and informative magazine Peking Review changed its name to Beijing Review. On page 3 of that number the editors made the open declaration of the change in the direction of the erstwhile ‘People’s Republic of China’.

By stating that the Communist Party of China (under the control then of Teng Hsiao-Ping/Deng Xiaoping ) sought ‘to accomplish socialist modernisation by the end of the century and turn China …. into an economically developed and fully democratic socialist country’ the CPC was openly declaring the rejection of the revolutionary path, which the country had been following since 1949, and the adoption of the road that would inevitably lead to the full scale establishment of capitalism.

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