Socialist Realist Art in Kazakhstan and Kyrgyzstan

Posted on 15/08/2025 by Michael

The daughter of Soviet Kirghizia – SA Chukov

Socialist Realist Art in Kazakhstan and Kyrgyzstan

Introduction

It’s not just the manner in which public statues and monuments are treated that tells you a lot about a particular post-Soviet, post-Socialist society but how they choose to tell the story of the past in their art galleries. Art galleries were constructed in all towns and cities in Socialist societies, showcasing the work of local and national artists. Although all art from the past tells a political story (although then and now such a connection to politics is denied – ‘art for art’s sake’) in Socialist societies the importance of art (in all its forms) in the construction of Socialism was stated explicitly.

In all the countries that started along the road of the construction of Socialism in the 20th century the vast majority of the people would never have had the opportunity to view any of the art works that had been accumulated by the aristocracy and the wealthy – even in those ‘public’ art galleries that did exist. Even though the Hermitage Museum was open to the ‘public’ in 1852 few workers from the steel mills, sailors from the Imperial Fleet or any peasant who had reason to be in Saint Petersburg pre-1917 would have walked along such ‘hallowed’ corridors.

But as statues and monuments from the early 1990s started to disappear from the streets of those once Socialist countries so did paintings and sculptures (gradually in some places more rapidly in others) from the art galleries. Sometimes cloaked as a normal reorganisation of the collection what happened was that paintings which made an overt reference to leaders from the Socialist past or sculptures of those leaders were removed to be replaced with … what? The problem was that if the curators didn’t want to have bare walls they had to have some of those images from the Socialist period – or the galleries would just have to shut down.

It was ‘easier’ to replace public statues with something new but it also became problematic. Lenin and Stalin were deposed in Tirana to be replaced by the fascist, collaborator and self-proclaimed monarch, Zog – as well as some other ‘monuments’ . In Moscow the statues of Soviet leaders were placed in a museum park across the river from what must be one of the greatest monstrosities to be placed in the open air, that is the huge mess which is the monument to Peter the ‘Great’. In Tbilisi VI Lenin was replaced by a character from mythology, Saint George slaying a dragon. In Kazakhstan, Kyrgyzstan and Uzbekistan gaudy statues of feudal lords now ‘adorn’ squares and public spaces once occupied by Soviet leaders.

What all these replacements have in common is a separation from the working class. They bear no relationship to their daily struggles and these images only reaffirm their subservience to the capitalist ruling order.

When it comes to art galleries it’s not too easy to fill the empty places and many locations in post-Socialist societies still display (often the less ‘controversial’) examples from the period on their walls.

Below are details about the galleries and examples of the art on show at three art galleries in Kazakhstan and Kyrgyzstan.

Regional Art Museum – Atyrau – Kazakhstan

Atyrau Art gallery

This is a small art gallery, of just two storeys, with the collection of Soviet era paintings and sculptures on the first floor. It doesn’t seem to get many visitors and was very quiet on my visit. For those interested in other aspects of Kazakh culture the Regional Museum is just across the road.

Amongst the collection are still some overtly political paintings and prints. However, I am unable to include these in the slide show as I was prevented from taking pictures half way through my visit. I had only been in the country a short time and wasn’t aware that trying to take pictures with anything other than a mobile phone will get you jumped on.

Location;

11 Azattyk Avenue, which is a side street off the main road close to the Central Bridge over the ural River, on the ‘Asian’ side.

GPS;

47.10632 N

51.92281 E

Opening Hours;

Monday – Friday; 09.00 – 19.00

Saturday and Sunday; 10.00 – 19.00

Closed between 13.00 and 14.00

Entrance;

1000 Tenge (£1.40)

Kasteyev State Arts Museum – Almaty – Kazakhstan

Museum of Art – Almaty

This is a large art gallery in the city that used to be the country’s capital before that ‘honour’ being claimed by the monstrosity which is Astana. The collection covers many aspects of Kazakh art other than paintings and sculptures from the Socialist era with displays of what are normally classified as folk art. However, the slide show only includes work produced pre-1990. Of particular note, and somewhat unusual in such collections of Socialist Realist art, is the two paintings that depict a) the ‘tradition’ of bride kidnapping, which was fought against under Socialism but which has seemingly managed to be revived in the last 35 years and is still a scourge of Kazakh society, especially in the rural areas and b) the sad image of a young woman who is the victim of an arranged marriage.

Location;

Koktem-3 microdistrict, 22/1

GPS;

43.23603 N

76.91931 E

Opening times;

Tuesday – Sunday; 10.00 – 18.00

Closed Monday

Entrance;

500 Tenge (£0.70)

Kyrgyz National Museum of Fine Arts – Bishkek – Kyrgyzstan

The Kyrgyz National Museum of Fine Arts in Bishkek

This is another art gallery that displays much more than the art from the Socialist period. One picture to look out for (and which will be recognised by any readers who have an interest in Soviet Socialist Realist Art) is ‘The daughter of Soviet Kirghizia’ by SA Chuykov. This is the artist’s reproduction of the original which is in the New Tretyakov Gallery in Moscow.

Location;

196 Yusup Abdrakhmanov Street

GPS;

42.87893 N

74.61082 E

Opening times;

Every day (apart from Monday when closed); 11.00 – 18.00

Entrance;

Free

Frunze Museum – Bishkek – Kyrgyzstan

Posted on 16/07/2025 by Michael

Frunze Museum – Bishkek

Frunze Museum – Bishkek – Kyrgyzstan

The Frunze museum was originally opened in December 1925, centred on the small house where he was born. This house is now a feature on the ground floor of the modern building.

The present building was constructed after the 50th Anniversary celebrations of the October Revolution in 1967. The murals that surround the exterior of the building were the work of Alexei Kamensky and Alexander Voronin. The murals depict events and personalities from the Civil War in which Mihkail Frunze played such an important role, especially in the Central Asia front, that part of the future Soviet Union from where he originated.

There are two exhibition floors (plus the family house on the ground floor). At the time of my visit in the summer of 2025 only the top (second floor) was open to the public. I have no idea why the first floor was closed or how long it will remain so.

The floor that is open tells the story of Frunze through photographs and documents, with an obvious emphasis on the period following the Revolution and the battle against the White (reactionary) Russian forces – assisted by the imperialist powers.

The sculptors of the large statue of Frunze at the end of the room were A Muhutdinov and V A Shestopal.

Although interesting for those who might know little about Frunze what is more impressive, I believe, and which is probably overlooked by many people who visit the museum, are the murals on the outside of the building. These include a profile image of Frunze just above the main entrance and scenes representing the Red Army in its struggle to defend the Revolution between 1918 and 1922. Unfortunately, in places the trees are starting to obscure some of the images but it is still possible to follow the story being presented.

Location;

364, Frunze Street, Biskek

GPS;

42.88068 N

74.60514 E

Entrance;

125 Kz Som (which has to be paid by card)

Opening;

Monday; closed

Tuesday-Friday; 10.00-17.00

Saturday and Sunday; 10.00-16.00

Bishkek Revolutionaries – Lenin – Marx – Engels – Dzerzhinsky – Frunze – Red Guards – Revolutionary Martyrs

Posted on 26/06/2025 by Michael

The Red Star and the Hammer and Sickle

Bishkek Revolutionaries – Lenin – Marx – Engels – Dzerzhinsky – Frunze – Red Guards – Revolutionary Martyrs

For those interested in the Soviet (and Socialist) past of Bishkek and Kyrgyzstan there are still a few remaining statues and monuments to that period of a time when the people were attempting to make a better future for workers and peasants.

Unfortunately, as is becoming almost universal now, (as yet) I have few, if any, details about any of these statues or monuments.

VI Lenin – Bishkek

VI Lenin – standing, making a speech

This statue was originally in Lenin Square (now Ala-Too Square) on the other side of the Historical Museum. The statue was originally installed in Bishkek in 1984 and the statue stands 10 metres high.

Location;

In the park behind the State Historical Museum and across the road from the House of Government.

GPS;

42.877582 N

74.606187 E

VI Lenin – in school precinct, Bishkek

VI Lenin bust – with small garden

Location;

Razzakov Street 62/103. Behind the lyceum and seemingly part of a housing estate.

GPS;

42.873294 N

74.603402 E

Karl Marx and Frederick Engels – Bishkek

Karl Marx and Frederick Engels – seated, relaxed and in discussion

Location;

At the north-west edge of Central Square Park, across the road from the Supreme Courft of the Kyrgyz Republic.

GPS;

42.878999 N

74.605547 E

‘Iron Felix’ Dzerzhinsky – Bishkek

Felix Dzerzhinsky (‘Iron Felix’)

It might be surprising for some people to realise that Felix Dzerzhinsky, the first head of the Cheka, the organisation tasked with defeating counter-revolutionary elements within the young Socialist state, is still considered with great deal affection and respect by populations throughout the former Soviet Union.

Location;

In the small park on the west side of the National Library.

GPS;

42.881221 N

74.610105 E

Mikhail Frunze – Bishkek

Equestrian statue of Mikhail Frunze

This, I think, is unusual. The Soviets weren’t really into equestrian statues – or at least as far as I knew. The only other one I’m aware of is of Marshal Zhukov, in Revolution Square by Red Square, in Moscow – but that was installed in 1991, when Socialism had been ditched and the nascent capitalists were looking for some sort of justification for their miserable existence, piggy-backing on past Soviet/Socialist glory.

The city that is now known as Bishkek was called Frunze from 1926, on the founding of the Kirghiz Autonomous Soviet Socialist Republic (ASSR).

Location;

At the bottom end of Erkindik Boulevard, opposite the station building of Bishkek 2.

GPS;

42.865110 N

74.605887 E

Martyrs of the Revolutionary Movement – Bishkek

Martyrs of the Revolutionary Movement

This was inaugurated in 1978 and is the work of a local sculptor, Tinibek Sadykov. For this work he won the All Union Lenin Prize. The female figure at the top of the colon is of a young local woman, Urkuya Saliyeva, a Socialist organiser from the south of the country, who was murdered in 1924 by reactionary locals. The figures in the rest of the monument represent the ‘awakening’ workers and peasants.

Location;

In its own park opposite Chui Avenue 100

GPS;

42.876498 N

74.610505 E

Memorial to the Red Guards – Bishkek

Memorial for the Red Guards

This was erected in 1960 and marks the common grave of of the Bolshevik dead in the Belovodsk counter-revolutionary uprising of December 6, 1918. Unfortunately, the Eternal Flame has been extinguished by the local reactionary capitalists – the same breed they died fighting against in the early days of the Socialist Republic.

Translation of text on monument;

Eternal Glory to those who fell in the struggle for Soviet power – original in Russian. [Facing the eternal flame.]

For Soviet power Glory forever for the fighters – original in Turkman.

Two commanders are buried here. [On the left hand side]