Children and crocodile fountain – Railway station square – Stalingrad

Barmaley Fountain - Stalingrad

Barmaley Fountain – Stalingrad

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Children and crocodile fountain – Railway station square – Stalingrad

Barmaley Fountain

The Barmaley (Russian: Бармалей) is an informal name of a fountain in the city of Volgograd (formerly known as Stalingrad). Its official name is Children’s Khorovod (Round Dance). The statue is of a circle of six children dancing the khorovod around a crocodile. While the original fountain was removed in the 1950s, two replicas were installed in 2013.

The original fountain was installed in 1930 when the Soviet Union was being adorned with various outdoor architectural works, including similar fountains designed by sculptor Romuald Iodko, a co-author of the Girl with an Oar. The Barmaley Fountain was made widely known from several August 1942 photographs by Emmanuil Evzerikhin that juxtaposed the carnage of the Battle of Stalingrad with the image of children at play.

Children and crocodile statue 1942

Children and crocodile statue 1942

The fountain was restored after World War II and was removed in the 1950s.

The allegory of the monument was derived from the eponymous fairy tale poem Barmaley written in 1925 by Korney Chukovsky. Excerpt (literal translation):

Little children! / For nothing in the world / Do not go to Africa / Do not go to Africa for a walk! // In Africa, there are sharks, / In Africa, there are gorillas, / In Africa, there are large / Evil crocodiles / They will bite you, / Beat and offend you – // Don’t you go, children, / to Africa for a walk / In Africa, there is a robber, / In Africa, there is a villain, / In Africa, there is terrible / Bahr-mah-ley! // He runs about Africa / And eats children – / Nasty, vicious, greedy Barmaley!

Barmaley Fountain - Stalingrad - 01

Barmaley Fountain – Stalingrad – 01

While being burned in fire by Barmaley, Doctor Aybolit asked a crocodile brought in by a gorilla to swallow up Barmaley, so that he could no longer harm little children. The crocodile did so, but Barmaley was later released after promising to change. Barmaley became nicer and proclaimed he would be kinder, that he now loved little children and would become a friendly baker.

Text above from Wikipedia.

Children and crocodile fountain - after liberation 1943

Children and crocodile fountain – after liberation 1943

As with many of the monuments in post-Socialist countries it’s not easy to get definitive and exact information about them. Very often the sources that do exist are contradictory or ask more questions than they answer.

It seems the statue had been removed but then replaced with a replica – but I have no idea what happened to the original.

When I saw the same statue that now sits outside the Volgograd Number 1 railway station on the grass below the Gerhardt Mill (the large building next to the Stalingrad Panorama Museum, demonstrating the extent of the damage during the siege) I thought that it was the original, placed there to protect it from any vandalism. However, that is not certain.

What is omitted from the ‘description’ above is that all the children are Young Pioneers, the youth organisation of the Soviet Union. This is evident from the fact that all of them wear the red neckerchief, part of the uniform of Komsomol members. This might imply a political significance of children dancing around a dangerous animal.

Barmaley Fountain - Stalingrad - 02

Barmaley Fountain – Stalingrad – 02

It’s easy to see why the people of Stalingrad adopted this statue. When it was photographed, dirty but mainly intact, surrounded by the destruction wrought by the Nazi invaders’ bombers it represented the determination of the people to resist the fascists. The children stood for the resilience of the Socialist state.

I find the ideas in the poem from which the statue gets one of its names somewhat strange.

The sculptor was Romuald Iodko and the creation date is stated to be 1930.

When I visited Stalingrad in the summer of 2024 the fountain was not working.

Children and crocodile - immediate post-war years

Children and crocodile – immediate post-war years

Related;

Mamayev Kurgan – The Motherland Calls! – Stalingrad

Stalingrad (Volgograd) Railway Station

Location;

Station Square, Volgograd. In the pedestrian square in front of the main railway station – its original location.

GPS;

48°42′45″N

44°30′49″E

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Moscow Metro – Polyanka – Line 9

Polyanka – Line 9

Polyanka – Line 9

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Moscow Metro – a Socialist Realist Art Gallery

Moscow Metro – Polyanka – Line 9

Polyanka (Russian: Полянка) is a Moscow Metro station in the Yakimanka District, Central Administrative Okrug, Moscow, Russia. It is on the Serpukhovsko-Timiryazevskaya Line. It was opened in 1986. The station is a column-trivault, with a large sculpture presenting a couple with a child, inside a circle, at the end.

Polyanka – Russia stamp -2019

Polyanka – Russia stamp -2019

What caused this station to be included in this section is the colourful sculpture at one end of the platform. Created in the late ‘Socialist’ period (i.e., Revisionist) it is very different from what would be considered ‘Socialist realism’ but included here for the reference it makes to earlier work in some of the older stations, with symbols of peace, an olive branch and doves. Unfortunately, to date, I have no information of the artist but assume that the sculpture dates from 1986 when the station was opened.

Architects;

S. A. Sevastianov

M. L. Trenin

Location;

Yakimanka District

GPS;

55.7379°N

37.6180°E

Opened;

23 January 1986

Depth;

36.5 metres (120 ft)

More on the USSR

Moscow Metro – a Socialist Realist Art Gallery

New Tretyakov Gallery, Moscow

Stalin and Voroshilov in the Kremlin

Stalin and Voroshilov in the Kremlin

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New Tretyakov Gallery – Moscow

The New Tretyakov Gallery [not to be confused with the nearby Tretyakov Gallery which contains many Russian icons and pre-revolutionary Russian art] houses Russian works of art from the very last years of the 19th century, through the 20th and dipping its toes into the 21st.

The exhibition attempts to show how the Russian avant-garde was allowed to flourish with the success of the October Revolution in 1917 and how the artistic direction changed towards Socialist Realism from 1932 onwards. Once the Soviet Union fell apart in the early 1990s it also possible to see, in the few examples displayed, how art degenerated and reverted to an individualism that had no reference to the rest of society.

Under Socialism the production of artistic endeavours has to be different from what was the established norm for centuries and demands a new way of thinking with a move away from the patronage and individualism that has dominated artistic production in the past. Throughout history artists have worked for and lived at the whim of the rich and powerful and with the church, of whatever domination, also having a heavy hand in what was produced.

Whilst the Revolution removes those elements (although they are always struggling to regain their influence) it still struggles to find a new approach to the sponsorship of artists in all fields. Is a Socialist society to support all those who call themselves artists and allow them to do what they wish without any involvement of the rest of society? If so, everyone would want to be an ‘artist’. But if there is some structure in which artists work who, then, is to define it?

No Socialist society existed long enough for artists to be able to develop an art form that was free from the influences of thousands of years of oppressive and exploitative societies. This can be seen by the constant Judeo-Christian references in the works of various artists who were producing work during the Socialist period. It wasn’t their fault, such influences are ingrained and it would take many Cultural Revolutions to change the way of thinking and lead to the development of something completely new and free from the past.

The slide show below aims to show the development of the artistic movements throughout the 20th century taking into account the demands of the revolution and socialist construction. This collection is not about ‘art for arts sake’.

Related;

Socialist Realist Art in Albania

Museum of Socialist Art – Sofia, Bulgaria

Remnants of religious thinking in Albanian Socialist Art

The ‘Archive’ Exhibition at the Tirana Art Gallery

Socialist Realist Paintings and Sculptures in the National Art Gallery, Tirana

Location;

Ulitsa Krymsky Val 10, in Muzeon Art Park.

How to get there;

The park is across the bridge over the River Moskva from the Park Kultury metro station and beside the main road that leads past the Oktyabrskaya metro station in the direction of the river. The main entrance to Muzeon Art Park is directly opposite the main entrance to Gorky Park.

Metro station;

Either Park Kultury or Oktyabrskaya.

GPS;

55°44′4.29″N

37°36′17.51″E

Open;

10.00-18.00 Tuesday, Wednesday and Sunday

10.00-21.00 Thursday-Saturday

Closed Monday.

Entrance;

Adult – ₽ 600

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