VI Lenin statue – Dekabrskaya Vosstanya Park, Moscow

VI Lenin statue - Dekabrskaya Vosstanya Park

VI Lenin statue – Dekabrskaya Vosstanya Park

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VI Lenin statue – Dekabrskaya Vosstanya Park, Moscow

I’m afraid that at the time of posting I have actually no information about this relaxed statue of VI Lenin whatsoever. If any information comes to light at some time in the future it will be added here. If anyone reading this post has any information it would be appreciated if they could pass it on.

That being the case I will just have to be satisfied in posting a few pictures so people are aware of what is in the park.

Location;

At the far end of Dekabrskaya Vosstanya Park from the Ulitsa 1905 Goda Metro station.

GPS;

55.759523º N

37.558902º E

How to get there by public transport;

Take the metro to Ulitsa 1905 Goda station (on Line 7). On leaving the station at its main entrance, pass the Monument to the Heroes of the 1905-1907 Revolution and cross the road into Dekabrskaya Vosstanya Park. Walk the length of the park and Comrade Lenin is seated in the centre of a small seating area close to the bottom end of the park.

More on the USSR

Monument to the Heroes of the Revolution of 1905-1907, Moscow

Monument to 1905-1907 Revolution

Monument to 1905-1907 Revolution

More on the USSR

Monument to the Heroes of the Revolution of 1905-1907, Moscow

This monument commemorates the first attempt that the Russian workers had in making a revolution in Russia in the 20th century. Although it failed the lessons learnt from that attempt (together with the lessons learnt from the Paris Commune of 1871) meant that the successful Revolution of October (old style) 1917, under the leadership of the Bolsheviks, led by VI Lenin, was possible.

The monument

The story of the monument is basically in three parts.

Monument to 1905-1907 Revolution - 01

Monument to 1905-1907 Revolution – 01

On the left there are two figures. A woman is standing and leaning against her legs is a dead or seriously injured male. The woman has both her arms fully extended above her head in the shape of a V (for victory?) and her fists are clenched. Even though the reaction is killing the people she remains defiant and angry, prepared to fight on, even if it means her death. Her face has the look of sadness for the injury/death of her Comrade but also one of determination. The reaction might win now but the future is of the workers.

Monument to 1905-1907 Revolution - 02

Monument to 1905-1907 Revolution – 02

On the right there are two workers, a man and a woman, who are taking on one of the Tsarist cavalrymen. They are on the attack even against something as large and powerful as a military horse and its rider. The woman has taken hold of the horses bridle, causing it to rear up on its hind legs. This makes the seating of the soldier unsteady as he falls back and gets lower to the ground. This gives the opportunity for the man to drag the soldier from his saddle and take away his advantage. Once on the ground he will be vulnerable to attack from the rest of the (unseen) crowd. The look of panic on the face of the cavalryman is clear. He is losing this particular battle and it could mean he will also lose his life.

Monument to 1905-1907 Revolution - 03

Monument to 1905-1907 Revolution – 02

In the centre is a symbolic grouping of Revolution. Here there are three men, one younger than the other two. The fact that there are three men and no image of a woman is a little bit unusual. I haven’t seen as many Soviet monuments of this sort as I have seen in Albania, but there, in such a circumstance, there is always a female representative to illustrate that this battle for revolution and a change in the life of the working class and peasantry is a fight of both men and women.

Two of the men are standing and one is kneeling. The oldest man in the middle is holding the pole of a huge (red) flag that flutters in the wind behind the group. The red flag is the workers’ flag and as long as that is flying the workers will never be defeated. On his left is a young man, standing with his rifle in his right hand, held high out in front of him – a sign of victory (but here not of 1905-1907 but of the victory to come in 1917). He is in the dress of a Russian peasant at the time – all such monuments stressing the unity of the workers and peasants against Tsarism. The kneeling revolutionary is on the viewers left of the group. He is dressed as an industrial worker and is holding his rifle in his right hand, with its butt resting on the ground. They are all looking ahead, into the future.

The inscription on the podium;

in Russian;

Революции 1905-1907 годов посвящается

in English;

Dedicated to the revolutionary years 1905-1907

Across the road, in Dekabrskaya Park, at the far end, there’s a fine statue of a seated Lenin.

Reading list;

VI Lenin – Pages from his life, Volume 2, the first Russian Revolution 1905-1907

VI Lenin – Lecture on the 1905 Revolution

Date of inauguration;

February 17, 1981, in honour of the 75 anniversary of the Moscow armed uprising in December 1905.

Artists:

OA Ikonnikov and VA Fedorov

Architects;

ME Konstantinov, AM Polovnikov and VM Fursov

Location;

In front of Ulitsa 1905 Goda Metro station, on Line 7, north west of the city centre.

GPS;

55.76362º N

37.56241º E

Related posts;

The bas relief on one of the pylons at the Pantheon of the Working Class Movement in the Fiumei Uti Sirkert, Budapest.

More on the USSR

Paintings, murals and sculptures of Socialist Albania

The Albanian Cultural Revolution

‘Death to Fascism’

More on Albania …..

Art as a means of promoting Socialism in Albania

Socialist mosaics and bas reliefs in Albania

The Albanian Cultural Revolution

Paintings, murals and sculptures of Socialist Albania

As with the mosaics and bas reliefs there are still many other examples of Socialist Realist art which it is possible to appreciate throughout the country. Sometimes they are on permanent show as they are out in the open air, others are in museums and art galleries. Many of these public areas of exhibition were vandalised post 1990 but there seems to be a trend, slow and often partial, to renovate some of these old exhibition spaces and to show what had been shown in pride of place in the past.

There are also a few reprints of articles published during the Socialist period. These have been reproduced in an attempt to give a wider view of the role of art in a Socialist society.

The Revolutionary Spirit in Albanian Painting and Sculpture.

This article first appeared in issue No 6, 1969 of the bi-monthly magazine New Albania which reported on the biennial exhibition of Figurative Art that was held in the National Art Gallery in Tirana earlier in the year.

1971 National Exhibition of Figurative Arts – Tirana

This article was first published in New Albania, No 6, 1971. It discusses the general idea of art in a socialist society, how the Albanians saw ‘Socialist Realism’ with mention of a handful of works (out of 180) that were displayed at the National Exhibition of Figurative Arts in Tirana in the autumn of 1971.

A Reflection of the Progress of our Figurative Arts

This article first appeared in New Albania, No 6, 1976. The bi-annual Figurative Arts Competition and Exhibition seemed to have been postponed from 1975 and instead took place in 1976 to coincide with the 35th Anniversary of the Founding of the Party of Labour of Albania.

Traditional Wedding Mural in Peshkopia

There’s a perception by some (normally the ignorant and anti-socialist) that any work of art created during the construction of Socialism is necessarily ‘Socialist Realist’ art. They don’t understand, or refuse to accept, that the construction of Socialism is a long task. When it comes to art this involves asking the people to challenge their view of what is going around them and to look at artistic works in a critical and thoughtful manner and that this involves the unmasking of the hidden messages in a painting, sculpture, film or any other creative endeavour. One such work that needs to be seen in this light is the Wedding Mural which covers one of the walls of the Korabi restaurant in the hotel of that name in the town of Peshkopia.

‘Death to Fascism’ Mural in the National Historical Museum, Tirana

The mural that covers the whole of one wall in the room of the National Historical Museum in Tirana that’s devoted to the War of Liberation against the invading fascists of 1939 to 1944 is one of the few which can still be appreciated at leisure by any visitor.

National Art Gallery ‘Sculpture Park’ – Tirana

Each time I’ve been to Tirana I’ve made it a point to visit the impromptu ‘sculpture park’ that has been created behind the National Art Gallery, just down from the main Skanderbreu Square in the centre of Tirana.

No, Vladimir Ilyich and Uncle Joe, you shall not go to the ball

No, Vladimir Ilyich and Uncle Joe, you shall not go to the ball seems to be the message given out by the pro-Western government in Albania. Vladimir Ilyich Lenin and Joseph Stalin are covered up by the Albanian reactionaries in an attempt to prevent them from spoiling their Independence party at the end of the month.

A new look, and a new resident, to the National Art Gallery ‘Sculpture Park’, Tirana

The ‘Sculpture Park’ behind the National Art Gallery in Tirana, has a new resident. Well, not so much a new resident but one who has been there for a few years but it is only recently that the authorities at the Art Gallery have decided to, literally, take off the wraps and reveal his presence to the world. The new resident is none other than Enver Hoxha, up to his death in 1985, First Secretary of the Party of Labour of Albania, Chairman of the Democratic Front of Albania and Commander-in-Chief of the Armed Forces.

Socialist Realist Paintings and Sculptures in the National Art Gallery, Tirana

This post will consist of images of the paintings (and a few sculptures) from the Socialist period of Albania’s past. The first floor of the National Art Gallery is almost now solely (with one notable exception, which I’ll come to later) devoted to the period before 1990 when things fell apart.

The ‘Archive’ Exhibition at the Tirana Art Gallery

This exhibition (that took place during the latter part of 2021) at the National Art Gallery in Tirana seemed to include virtually everything that had been in storage over the last 30 years. But calling it an exhibition was a bit of a misnomer. The word exhibition gives the impression that a bit of thought and consideration had been put into the mounting and display of a collection of art. That is supposed to be the art of a curator – although that was totally neglected in this case with all items placed in the room with consideration of context. This included works of art that had been damaged for whatever reason in the past.

Mother Albania Expelling The Priest and The Military

There are fine examples of Socialist Realism in the Armaments Museum in the Castle in Gjirokastra, but you might have to ask to go upstairs to enter this older part of the museum – especially out of the summer season. ‘Mother Albania Expelling The Priest and The Military’ is one such sculpture.

Emblem over Party HQ, Peshkopia

Originally my project to describe, in detail, the magnificent examples of Socialist Realist Art that are embodied in some of the lapidars throughout the country has now expanded as I’ve encountered other incidences of the unique manner used in Albania in its attempt to impart the message of Socialism. Whereas some of these are truly monumental in all senses of the word, such as the Drashovice Arch, many others are, if not actually hidden, difficult to find unless you are looking for them or, as in this case, are directed towards it by a knowledgeable local. The emblem over what used to be the Headquarters of the Party of Labour of Albania, in the mountain town of Peshkopia in the north-east of the country, is one such example.

Liri Gero and the 68 Girls of Fier

Many monuments, statues and lapidars from Albania’s Socialist period have suffered over the years, through outright political vandalism or just neglect. However, there has been a bit of a sea change in recent years but this has not come without its own problems. Here I want to develop the ideas of Albanian Socialist Realist art by looking at two works produced to commemorate the life of a young partisan woman, Liri Gero, and also a work in commemoration of 68 young women who also left their home town of Fier to join the partisans fighting the Fascist invaders.

The ‘Hanged Women’ of Gjirokastra

Tucked away at the top end of Sheshi Çerçiz Topulli (Square) in the old part of Gjirokastra is a small statue which you could easily miss. Next to the potted plants in front of the Tourist Information Office is a white stone statue, of the upper body, of two women. This is a representation of Bule Naipi and Persefoni Kokëdhima who were executed by the German Nazis in 1944. From that time they became known as the Hanged Women of Gjirokastra.

Traditional Musicians and Dancers

Although there are many monuments and statues that are overtly political, in that they commemorate events or people involved in national liberation struggles (whether that be against the Ottoman Empire or the Italian and German Fascists of World War Two) other aspects of Albanian life are also represented in various locations throughout the country. As Gjirokastra, in the Socialist period, had become the centre for periodic folklore festivals it’s not surprising to find a frieze depicting traditional musicians and dancers located there.

Enver Hoxha returns to Tepelene

…. although he probably never left, just ‘hiding’ for a while.

Almost thirty five years after his death and thirty years since the reaction was able to gain control in Albania it is very difficult to come across public images of Enver Hoxha, the leader of the country for just over forty years. In the 1990s the reactionaries needed to personalise any difficulties in the country and someone who had been dead for five years was an ideal candidate – even to the extent that Comrade Hoxha was considered responsible for events that had happened after his death. So he had to disappear from view.

More on Albania …..

Art as a means of promoting Socialism in Albania

Socialist mosaics and bas reliefs in Albania

The Albanian Cultural Revolution