New Tretyakov Gallery, Moscow

Stalin and Voroshilov in the Kremlin

Stalin and Voroshilov in the Kremlin

More on the USSR

New Tretyakov Gallery – Moscow

The New Tretyakov Gallery [not to be confused with the nearby Tretyakov Gallery which contains many Russian icons and pre-revolutionary Russian art] houses Russian works of art from the very last years of the 19th century, through the 20th and dipping its toes into the 21st.

The exhibition attempts to show how the Russian avant-garde was allowed to flourish with the success of the October Revolution in 1917 and how the artistic direction changed towards Socialist Realism from 1932 onwards. Once the Soviet Union fell apart in the early 1990s it also possible to see, in the few examples displayed, how art degenerated and reverted to an individualism that had no reference to the rest of society.

Under Socialism the production of artistic endeavours has to be different from what was the established norm for centuries and demands a new way of thinking with a move away from the patronage and individualism that has dominated artistic production in the past. Throughout history artists have worked for and lived at the whim of the rich and powerful and with the church, of whatever domination, also having a heavy hand in what was produced.

Whilst the Revolution removes those elements (although they are always struggling to regain their influence) it still struggles to find a new approach to the sponsorship of artists in all fields. Is a Socialist society to support all those who call themselves artists and allow them to do what they wish without any involvement of the rest of society? If so, everyone would want to be an ‘artist’. But if there is some structure in which artists work who, then, is to define it?

No Socialist society existed long enough for artists to be able to develop an art form that was free from the influences of thousands of years of oppressive and exploitative societies. This can be seen by the constant Judeo-Christian references in the works of various artists who were producing work during the Socialist period. It wasn’t their fault, such influences are ingrained and it would take many Cultural Revolutions to change the way of thinking and lead to the development of something completely new and free from the past.

The slide show below aims to show the development of the artistic movements throughout the 20th century taking into account the demands of the revolution and socialist construction. This collection is not about ‘art for arts sake’.

Related;

Socialist Realist Art in Albania

Museum of Socialist Art – Sofia, Bulgaria

Remnants of religious thinking in Albanian Socialist Art

The ‘Archive’ Exhibition at the Tirana Art Gallery

Socialist Realist Paintings and Sculptures in the National Art Gallery, Tirana

Location;

Ulitsa Krymsky Val 10, in Muzeon Art Park.

How to get there;

The park is across the bridge over the River Moskva from the Park Kultury metro station and beside the main road that leads past the Oktyabrskaya metro station in the direction of the river. The main entrance to Muzeon Art Park is directly opposite the main entrance to Gorky Park.

Metro station;

Either Park Kultury or Oktyabrskaya.

GPS;

55°44′4.29″N

37°36′17.51″E

Open;

10.00-18.00 Tuesday, Wednesday and Sunday

10.00-21.00 Thursday-Saturday

Closed Monday.

Entrance;

Adult – ₽ 600

More on the USSR

Albanian Lapidar Survey

Lushnje Martyrs' Cemetery

Lushnje Martyrs’ Cemetery

More on Albania …..

Albanian Lapidar Survey

The three volumes produced by the Albanian Lapidar Survey are the result of the work of researcher Vincent W.J. van Gerven Oei, photographer Marco Mazzi and assistant photographer Xheni Alushi who spent 50 days in June and July 2014 to quantify the monuments of Albania’s Socialist past. More information on the project can be found on the Department of Eagles website.

Volume I contains articles related to the lapidars (the generic name given to the variety of monuments, statues and mosaics) produced and inaugurated between 1944 and 1990, both historical and contemporary. Perhaps more importantly it also contains a list 659 lapidars from all over the country. This list includes the location (city, town or village); the latitude and longitude; altitude; inscriptions; and other data (such as date of inauguration, sculptor/architect, etc.).

Although comprehensive the list is being added to as more information becomes available and updates are regularly placed on the ALS blog.

Volumes 2 and 3 contain (normally) a couple of the images of each lapidar captured during the survey.

This is an invaluable resource for anyone interested in these unique works of art and it is hoped that the greater exposure to the wider world will ensure their long-term preservation.

Description and photos of the Lapidars (Monuments), statues, bas reliefs and mosaics

Sculptors and Architects of Albanian Lapidars

Volume 1

Volume 1

 

 

Containing the most comprehensive list of Albanian lapidars available to date.

 

 

 

 

 

 

Volume 2 contains pictures of those lapidars from (around about) Berat to the north of the country. Due to size they are presented here in two parts.

Volume 2

Volume 2

Volume 2

Volume 2

 

 

 

 

 

 

 

 

 

Volume 3 consists of those lapidars south of the line through Berat to the border with Greece. This is also in two parts.

Volume 3

Volume 3

Volume 3

Volume 3

 

 

 

 

 

 

 

 

 

Photos and a description of the lapidars, as well as other examples of public Socialist Realist art, staues, bas reliefs, mosaics, etc. can be found here.

More on Albania …..

Tabasco Regional Anthropology Museum, Villahermosa

Tabasco Regional Anthropology Museum, Villahermosa

Tabasco Regional Anthropology Museum, Villahermosa

More on the Maya

Tabasco Regional Anthropology Museum, Villahermosa

Museo Regional de Antropología Carlos Pellicer Cámara is supposed to be Mexico’s second largest collection of anthropological artefacts in a museum opened in 1980.

It’s in the CICOM complex, a 15-minute walk from Zona Luz and just south of the Paseo Tabasco bridge.

This is a fine museum with some quite unique (Mayan) artefacts, the like of which I haven’t seen elsewhere – and I’ve seen a lot by now. My only criticism is that items from the different cultures were all mixed up and it became difficult to get any idea of development as you moved from different cultures over different time periods.

It will be a better place to arrive when the malecon is completed but even before then it’s well worth making the effort.

In the slide shows below I’ve tried to separate the Mayan artefacts from the other cultures represented. I think I got it right – if not I apologise and my only defence being a, perhaps, faulty memory.

Location:

Periférico Carlos Pellicer Cámara 511

86080 Villahermosa

How to get there;

The museum is in a new building that is part of a cultural complex that includes the Teatro Esperanza Iris. This area is at the southern end of the malecon (the pedestrian path that follows the shore of the river) which is presently under construction.

Entrance;

M$28

More on the Maya

Maya

Olmec, Nahua and Zoque