Park of the Fallen/Muzeon Art Park, Moscow

Soviet emblem

Soviet emblem

More on the USSR

Park of the Fallen/Muzeon Art Park

Presented in the slide show below are images taken of some of those monuments and statues produced during the period of the construction of Socialism in the Union of Soviet Socialist Republics (USSR).

Construction worker

Construction worker

With the victory of reaction against the (admittedly weak and already corrupted revisionist) Socialist state in the 1990s many of these monuments and statues were removed from public spaces and many were left to rot. However, a re-assessment of the role of Socialist leaders of the past and with a mix of opportunism from the ruling capitalists that they could easily create another tourist attraction in the city led to the re-erection of these statues in the vicinity of the modern art gallery – which also displays art produced during the Socialist period.

The works presented here were produced over a period of about 50 years, representing the thinking of the revolutionary period as well as the period of revisionism and capitalist restoration. Those later works are included as they still represented a glimmer of the hope for a new future.

Included at images of VI Lenin, JV Stalin, Karl Marx, MI Kalinin and FE Dzerzhinsky, as well as Heroes of the Soviet Union.

Swords into ploughshares

Swords into ploughshares

Why some of these art works were considered controversial is difficult to understand. The Soviet leaders were the enemies of the new capitalist rulers so their removal can be understood. But why the references to peace or the statue of the female construction worker? Presumably it wasn’t what they are but the society that produced them and what they continue to represent.

Peace

Peace

The main concentration of the socialist art works are concentrated around the large metal emblem of the Soviet Union, in an area north west of the New Tretyakov Gallery. More contemporary sculptures are displayed in other parts of the park.

Related;

Socialist Realist Art in Albania

Museum of Socialist Art – Sofia, Bulgaria

Remnants of religious thinking in Albanian Socialist Art

The ‘Archive’ Exhibition at the Tirana Art Gallery

Socialist Realist Paintings and Sculptures in the National Art Gallery, Tirana

New Tretyakov Gallery, Moscow

Related – other statues of revolutionaries in Moscow

Ernst Thälmann – German Communist leader – statue in Moscow

Karl Marx monument, Moscow

Ho Chi Minh monument

Frederick Engels statue

Location;

In Muzeon Art Park, in which is also located the New Tretyakov Art Gallery (the gallery of 20th century Russian art).

How to get there;

The park is across the bridge over the River Moskva from the Park Kultury metro station and beside the main road that leads past the Oktyabrskaya metro station in the direction of the river. The main entrance to Muzeon Art Park is directly opposite the main entrance to Gorky Park.

GPS;

55°44′4.29″N

37°36′17.51″E

More on the USSR

Soviet Army Monument – Sofia

Soviet Army Monument - Иван Иванов

Soviet Army Monument – Иван Иванов

Soviet Army Monument – Sofia

Possibly the largest existent sculptural work of Socialist Realism in Sofia, and quite possibly the whole country, is the Monument to the Soviet Army which was commissioned and erected in 1954 on the occasion of the 10 anniversary of the Liberation of Sofia by the Red Army.

The principal monument was a group sculpture of; a Red Army soldier in the centre, with his rifle held high above his head in his right hand; to his right there’s a young Bulgarian woman holding her baby; and on his left there’s a Bulgarian man. This trio was standing on a 37 metre high pedestal which is reached by a series of stepped platforms from the edge of the complex which starts near the main road.

It is ‘was’ rather than ‘is’ because this particular element of the monument was removed in December 2023. In theory this will eventually be given a place in the garden of the Museum of Socialist Art. It had not appeared there in April 2024 and the reason for the delay is unknown, possibly because it would be in need of some cleaning and restoration. It is hoped that is the only reason for the delay and that reactionaries in the Bulgarian political community are not using it as an excuse in the hope the delay will erase the sculpture from the public consciousness.

Although this trio might have been the focal point of the monument it is by no means the only element of complex.

The principal entrance is the stepped route to the pedestal which is flanked by two, low level group sculptures. Both these groups represent Red Army men and women being welcomed by the local populace. They bring food and drink for the tired soldiers and the appreciation of their efforts are being demonstrated by Bulgarians of all ages. There’s a feeling of joy and celebration as the people are freed from the dominance of the invading Nazis and the possibility of being able to build a new future.

On the sides of the platform on which the pedestal stands are three, large bas relief panels. The ones on the right and left depict war scenes from battles that would have proceeded the liberation of Bulgaria as the Red Army swept west to eventually crush the Nazi beast in its lair in Berlin the following year. The third panel, on the south side, depicts the Soviet ‘home front’ where those not in the actual fighting were making the success of the Red Army possible by their work in the factories and the fields.

All these five sculptural elements have suffered quite severe vandalism, mainly by paint, but there doesn’t seem to be any serious physical damage. At least nothing that couldn’t be rectified with careful cleaning and restoration. Whether that will be their fate or not is unknown.

Although the sculpture on the pedestal might have been recently removed access to the complex is still restricted. A 2 metre high metal fence surrounds every single element of the monument, the sculptures as well as the approach steps and platforms.

Obviously there have been efforts, some at least successful, to breach this barrier in the past but equally serious efforts have been made to repair those breaches. I walked around the whole perimeter and was unable to find any way to get inside the fence. For that reason the photographic record is not dependent upon what I would have liked to have presented rather it what was possible through gaps in the fence or standing on benches at one the edge of the barrier.

The fact that the final fate of this monument has been under discussion for 30 years indicates the uncertainty that the reactionaries in power in Bulgaria feel about the public memory of the liberation from Fascism and the role the Red Army played in that. Removing the principal trio with the ‘promise’ they would be relocated to the Museum of Socialist Art is only part of the ‘solution’. Those sculptural elements that remain are larger and more difficult to place outside of their present, and original, context.

Unfortunately, I don’t have any information about those artists and architects who were involved in the creation and installation of the monument.

How to get there:

Leave the underpass of the Sofia University Metro station by the south east exit and walk along the south side of Tsar Osvoboditel Boulevard. After about 200 metres the area of the complex is unmistakeable on the right. In April 2024 the pedestal was still surrounded by scaffolding but the shiny metal fence stands out like a sore thumb.

Location:

In the park, on the south side of Tsar Osvoboditel Boulevard, close to the Sofia University Metro station.

GPS:

2°41′26″N

23°20′4″E

Ploshchad Revolyutsii to Okhotny Ryad

Transfer from Ploshchad Revolyutsii - Alex 'Florstein' Fedorov

Transfer from Ploshchad Revolyutsii – Alex ‘Florstein’ Fedorov

More on the USSR

Moscow Metro – a Socialist Realist Art Gallery

Ploshchad Revolyutsii to Okhotny Ryad

The long corridor between the two stations is remarkable not just for the imagery that still exists but for the great number of empty spaces that, at one time, would have included sculptures and representations of the Soviet Union’s struggle to build Socialism.

Transfer from Ploshchad Revolyutsii - 01

Transfer from Ploshchad Revolyutsii – 01

Presented here is an introduction to this corridor used by thousands of people everyday, few of whom will take notice of the beauty and the work that went into the construction of the system dating from the mid-1930s. In what that remains there’s an emphasis on imagery from the Great Patriotic War

Transfer from Ploshchad Revolyutsii - 02

Transfer from Ploshchad Revolyutsii – 02

More on the USSR

Moscow Metro – a Socialist Realist Art Gallery