Monument to the Fallen of the NKVD in the Battle for Stalingrad

Posted on 16/08/2025 by Michael

‘It is impossible to overestimate the importance of the NKVD troops during the war. They became an indestructible shield that protected our country. It was with their help that it was possible to stop the retreating army, overcome the demoralized state of a number of army units, protect the country from the invasion of enemy saboteurs and bandits with personal participation, organize a powerful partisan movement behind enemy lines, stop the enemy’s armed forces in the most important strategic directions, such as Moscow, the Caucasus , Stalingrad.’

[Introductory paragraph from ‘Pages of the history of the internal affairs bodies: the feat of the 10th division of the NKVD’

At the southern end of Stalingrad city centre there’s a small park which hosts an impressive monument to those members of the NKVD who fought and died in the Battle of Stalingrad. Even if you don’t know immediately who is commemorated by the monument if you know the name of the square you are given a clue by it’s name. The location of the park is known as Chekist Square – the colloquial name of the security organisation, established soon after the October Revolution in 1917, was the Cheka and even though the official name changed a number of times over the years the ‘nickname’ persisted.

The number of troops involved involved in NKVD formations were obviously many more than would have existed in peace time and these divisions became much more ideological – formed by those Communists who were fighting for much more than the liberation of their country from the Nazi invaders but for the international cause of Socialism. They were sent to some of the fiercest fighting and consequently suffered some of the heaviest losses and played a much more prominent role in various battlefronts than their numbers would suggest. Although the formation of such fighting forces had its positives the negative consequence of this was that after the victory of the Red Army over the fascist invader the forces of committed Communists was weakened – a consequence of which was felt in the Soviet Union after the death of JV Stalin in 1953.

The Monument

The monument consists of a pillar on top of which stands a uniformed soldier with his right arm raised high above his head and in his hand he is holding a sword. In November 1932 JV Stalin sent a message of congratulations to the then OGPU addressing them as ‘the bared sword of the working class’.

There’s a pentagon at the base of the pillar and on the five sides there’s;

a plaque (in Russian)

Чекистам, сотрудникам контрразведки Сталинградского фронта и военной полиции, погибшим при защите города от немецко-фашистских захватчиков с августа 1942 – февраль 1943 года

which translates as;

To the Chekists, to the counter-intelligence officers of the Stalingrad Front and the military police officers who died while defending the city from the Nazi invaders, August 1942 to February 1943;

a large, metal image of the symbol of the NKVD – which has the Hammer and Sickle superimposed on a vertical sword;

a large, metal image of the Medal for the Defence of Stalingrad;

another plaque (in Russian)

В СУРОВЫЙ ЧАС.

КОГДА ВРАГ ЧЕРНОЙ ТУЧЕЙ НАВЕС НАД СТАЛИНГРАДОМ,
МЫ КЛЯНЕМСЯ БЕСПОШАДНО УНИЧТОЖАТЬ НЕНАВИСТНОГО ВРАГА, ГДЕ БЫ ОН НЕ ПОЯВИЛСЯ.

МЫ ОБЕЩАЕМ, ЧТО В ТЯЖЕЛЫЙ МОМЕНТ НЕ ДРОГНЕМ ПЕРЕД ЛИЦОМ СМЕРТЕЛЬНОЙ УГРОЗЫ.

МЫ ПОКАЖЕМ СТОЙКОСТЬ, ВЫСОКУЮ ДИСЦИПЛИНУ, ВЫДЕРЖКУ.

МЫ ПОТОВЫ ЛЕЧЬ КОСТЬМИ, НО НЕ ДОПУСТИТЬ ВРАГА В СТАЛИНГРАД.

КЛЯНЕМСЯ ЧТО БУДЕМ ДОСТОЙНЫМИ СЫНАМИ СВОЕЙ РОДИНЫ!

КЛЯТВА БОЙЦОВ И КОМАНДИРОВ 10-ОЙ СТРеАКоВОЙ ВОйСК НКВА

which translates as;

In the fateful hour, when the enemy loomed over Stalingrad like a black cloud, we will never repent of relentlessly destroying the hated enemy no matter how he appears.

We promise that in difficult moments we will not flinch in the face of a deadly threat.

We will show resilience, high discipline and self control.

We would lay down our lives to prevent the enemy from entering Stalingrad.

We swear we will be worthy sons of our Homeland.

Oath of the soldiers and commanders of the 10th Infantry Division of the NKVD troops

and another emblem of the NKVD but this time with the addition of an honorific, a Star between the Hammer and Sickle and the Sword

The platform upon which all this stands has five sets of steps up to the pentagon. On two sides of the wall that flanks these steps are mirrored images of; three Soviet flags lowered as a sign of respect for the fallen, the Hammer and Sickle over which lies a sheaf of wheat and the corner is formed by a vertical sword, point at the top (similar to that in the hand of the NKVD soldier at the top of the column).

The monument is at the highest point in this small park and slightly away from the main road. There’s seating, much of it in the shade of the trees and appears to be a place where people come to rest from the hustle and bustle of the city and away from the heat in summer.

There’s another monument to the NKVD, this time over a grave of those killed in the battle, next to the statue of VI Lenin, in Lenin Square, just a couple of kilometres to the north of this monument, along the main road in the direction of Mamyev Kurgan.

Further information;

Division of the NKVD in the defense of Stalingrad. The feat of the NKVD division in the battle of Stalingrad. Participation of internal troops in interethnic conflicts

Location;

Chekistov Square and Park, located at the southern end of the Astrakhansky Bridge on the edge of the town centre.

GPS;

78.70155 N

44.50653 E

How to get there;

The Pionerskaya Metro station is on the other side of the Astrakhanskya Bridge. Also many buses pass over this bridge when heading south and west of Stalingrad city centre.

Central Museum of the Armed Forces of the USSR/Central Armed Forces Museum – Moscow

Posted on 29/06/2025 by Michael

Glory to the Soviet Union!

Central Museum of the Armed Forces of the USSR/Central Armed Forces Museum – Moscow

The main reason I wanted to go to the Central Museum of the Armed Forces of the USSR/Central Armed Forces Museum in Moscow was because I had learnt that it was there that the Nazi banners that had been thrown into the mud at the base of the Lenin Mausoleum (with Comrade Stalin accepting them on behalf of the Soviet people) on the first Victory Day on May 9th, 1945, were presently on display.

On my first visit to Moscow (way back in 1972) these banners were in a huge glass case which covered the whole floor of a room in what was then the Museum of the Revolution. This was up by Pushkin Square and close to the Izvestia offices. However, following the collapse of the Soviet Union and the chaos that followed in the 1990s anything which smacked of revolution was a no-no and that particular museum went through a number of manifestations. In the process much that had been on display pre-1990 disappeared and it is only relatively recently that some of it has begun to be, yet again, on display to the general public.

(What used to be the Museum of the Revolution is now called the Museum of the Modern History of Russia – Muzey Sovremennoy Istorii Rossii. Although there are some interesting and valuable artefacts which help in the telling of the history of the Soviet Union following the October Revolution it is generally a poor shadow of what it once was. The final section, ‘bringing things up to date’, is more like something you’d expect at an international exhibition than a museum.)

However, I think the Central Museum of the Armed Forces of the USSR/Central Armed Forces Museum has much more to offer than just the Nazi banners on the floor. There is a manner in which to display objects to show utter contempt for what they represent. From my memory that was achieved in the original location in the centre of the city but there’s less of that impression (to my mind) in their present location, even though they are still displayed in cases on the floor.

From my experience Russian museums are crammed full of artefacts. Sometimes so many that very soon you feel assaulted by so many different objects. That being the case the best approach is to ‘skim’ what you pass, taking more time on anything, perhaps more unusual, that might catch your eye.

The starting point in the first room is the War of Intervention or the Civil War. This was when the Red Army was formed, first out of Bolsheviks and irregulars who volunteered to defend the Revolution from the reactionaries, both national and international. However, within a very short time this army took on the aspects of a fully organised and structured army which eventually was able to defeat all attempts to strangle the Revolution from birth.

Later rooms go through the events of the Great Patriotic War and into later, sometimes not well chosen wars (such as that in Afghanistan) and through to the present with a small room dedicated to the Special Military Operation in the Ukraine.

In the slide show at the end of this post you will see that I have concentrated on the various banners and standards under which those fighting to defend the Revolution fought, as well as artistic representations of those battles and achievements. There’s a limited depiction of military hardware as, with a few exceptions, these are more or less generic and were used by all fighting forces in any particular epoch or conflict. I find what is unique to the Soviet Union (the way it presented itself; the battle of ideas through posters and other types of propaganda; and how the struggles were presented to the masses to be much more interesting.

In any visit to the museum here are a few suggestions of what to look out for;

the large bust of VI Lenin at the top of the stairs immediately facing the main entrance;
the whole wall covering mosaic on the wall on the first floor landing – depicting on the right the struggle to maintain the Revolution during the civil war into the 1920s and on the other the Great Patriotic War and the defeat of German invading Nazism;
the large painting in the second room (on the left had side on entering the room) which depicts the members of the Central Committee of the Bolshevik Party at the time of the October Revolution. This is an unusual way to present the individuals who were the leading cadres of the Revolution. I foolishly didn’t take note of the artist or when the painting was created but note Trotsky skulking at the extreme left hand side;
the many banners, representing factories and places of work, of the volunteers who went to fight against the Whites and the fourteen, intervening imperialist powers;
the propaganda posters produced by both sides in the conflict;
the machine gun fitted to the back of a horse drawn buggy;
the various sculptures demonstrating the unity of the workers and the peasants;
the make-shift armoured vehicles;
the multi-ethnic and multi-national extent of the revolutionary forces;
the distinctive uniform of the first Red Army;
the ceramic vase with an image of Joseph Stalin, Mikhail Frunze and other civil war military commanders;
the huge, wooden fist with the words ‘пролстарский кулак врагм ссср’ which translates as ‘the proletarian kulak is an enemy of the USSR’;
the images of VI Lenin and JV Stalin on the banners of the Great Patriotic War;
the porcelain statue of an embrace and a kiss;
images of heroism;
‘the battle in the rear’;
the Nazi standards on the floor in the Victory Room;
the Iron Crosses;
the shattered eagle that used to stand on top of the Reichstag in Berlin;
Hitler’s personal standard;
the image of Marshal Zhukov riding his horse over the Nazi standards in Red Square on May 9th 1945;
the fine bust of JV Stalin, together with his military dress uniform;
the shattered remains of the U2 American spy plane;
the Red Army and and women flanking the main entrance to the museum;

among much more.

Location;

Soviet Army Street, Moscow

GPS;

55.78503 N

36.61708 E

How to get there;

The museum is a little over a five minute walk from the Dostoyevskaya Metro station on the Line 10 (Green). Leave by the exit that leads to the Red Army Theatre. Go past the right hand side of the theatre and at the road junction/pedestrian crossing take the right, once on the other side go left and the museum is about 100 metres on the right.

Aliya Moldagulova – in Aktobe – Kazakhstan

Posted on 26/06/2025 by Michael

Sniper – Aliya Moldagulova

Aliya Moldagulova – in Aktobe, Kazakhstan

Hero of the Soviet Union

I’d be very surprised if many of the people who fly into Aliya Moldagulova International Airport, in Aktobe, Kazakhstan are aware that the airport is named in honour of a young, female Soviet sniper, who was credited with killing dozens (I’ve seen various figures) Nazis in her short ‘career’ as a sniper before being killed herself. The airport was renamed in her honour on 28th April 2021 (which probably bears relationship to the time of the celebrations of May 9th, the final and ultimate victory over Nazi Germany).

Born in 1925 it appears her childhood was neither comfortable or stable. The suggestion that her father was some sort of ‘nobleman’ wouldn’t have helped as such a short time after the revolution many people would have still held resentments about the past society – whether those resentments and the targets were deserving or not. However, she was a true patriot and defender of the new social system and – like many hundreds of thousands of other young men and women – readily joined (aged less than 16) the Red Army following the German Nazi invasion in June 1941.

She eventually ended up in a sniper training school outside of Leningrad but her training, as far as I can see, only lasted about 8 months (from starting in the military until being assigned to the front) which seems a very short time for such a young person – even taking into account the seriousness of the situation.

She was sent to the front in August 1943 and she was dead In January 1944 – she never reached her 19th birthday. There are countess ways to condemn the futility of war – even one as existential as the Great Patriotic War – but the fact that a young woman’s life ‘achievement’ was the killing, and presumably wounding, of dozens of invading Nazis, many not much older than herself, and then to be killed after barely 5 months in battle, must be one of them.

However, all armies – not just the Soviet Red Army – paid homage to those who had gone that bit further in the fight against the enemy (whether they survived the conflict or not). These men and woman in the Red Army were designated ‘Heroes of the Soviet Union’ and even though the Soviet Union no longer exists you will see busts of those so awarded throughout the territory of the former Socialist country.

Aliya is among that group of celebrated individuals in an avenue of such busts alongside the avenue, in the newer part of Aktobe, which used to bear the name of VI Lenin.

Aliya Moldagulova – In Heroes Aisle

Aliya Moldagulova Memorial Park

The avenue of busts leads to what is now called Aliya Moldagulova Memorial Park. (I’m not sure if in this location previously stood a statue of VI Lenin. There are no statues of Lenin on public display in 2025.)

This complex was unveiled in 2005 on the occasion of the 80th anniversary of her birth, ‘intended to appeal to be proud for our country and it’s heroes (sic)’ – according to the official visitors site.

The backdrop to this complex follows very much a Soviet, Socialist Realist pattern. On the left hand side as you look at the statue, the panel represents Aktobe (and also Kazakhstan’s) past. It shows the fights for independence (against whom is not specified) including a female warrior – which sets up the scene for Aliya to be represented in the right hand panel. On this left hand side we also have the introduction of Kazakh culture in the form of a group of musicians playing traditional instruments.

The right hand panel, however, deals with a number of specifics. On the left edge is a group of soldiers from the Civil War period when the Bolsheviks defeated the White reactionary forces, assisted by the capitalist/imperialist powers. Only when the Bolsheviks had rid their country of these elements were they able to start on the construction of Socialism. Then we have industrialisation (with the construction of dams and providing electricity to the whole country) and the collectivisation of agriculture – both of which, somewhat surprisingly, are represented in a positive manner here.

This is followed by images from the Great Patriotic War and the incident that led to the death of Aliya in 1944. It then takes a step 20 years in to the future with the launch of the Vostok rocket which sent the first human’s into space – all the Soviet space programme was based in Baikonur, in western Kazakhstan. Finally, we are faced with images that are supposed to represent modern capitalist Kazakhstan – a veritable heaven on earth.

Although I have issues with the panels behind the statue it is the representation of Aliya I found the most offensive and insulting (to her and her memory). This follows the same pattern that happened in Albania with another young, female victim in the fight against German Nazism, Leri Gero. In both cases the capitalist elements in power have sought to appropriate the heroism of these young women from the past to substitute for their paucity of heroism in their present. In the process they distort the reality of these two (although from different countries) very similar young people according to the little we know of them. They were simple, honest and dedicated fighters for their people and their country – and for that they paid the ultimate price.

This representations of them during Socialism followed a well worn and ‘traditional’ path. A simple three dimensional image in their memory. However, the modern ‘representations’ turn both of them into silly airheads who only think of their own pleasure and vanity. Leri looks more like a young woman going clubbing at the weekend and Aliya like a fashion model who has just flung off the jacket of a haute couture ‘army’ suit at the end of a catwalk.

By stripping Aliya of any real reference to her medal they take away the reason she is in that location in the first place.

But then this is the tactic. If you cannot obliterate their achievements just try and trivialise them.

Aliya Moldagulova – memorial park in Nedw Town

In Aktobe new town;

Memorial Complex;

Aliya Moldagulova Avenue, close to the Museum

GPS;

50.287698 N

57.152472 E

Monument in the Old Town

This is a much more staid and formal representation of the young woman. It is a bust, about 1.3 metres mounted on a high stone stele – giving a combined height of 3 metres. It stands at the entrance to a small green and garden space that leads off Shimize Street – opposite No 39 – in the older part of Aktobe.

We have here a uncomplicated head and shoulders bust of a young woman in a basic and unadorned military shirt and with a military cap on her head. The only decoration is the Red Star on her cap and the medal of the Hero of the Soviet Union on her right chest.

The area around the monument is always kept neat and tidy and ceremonies in her remembrance, and of the Great Patriotic War in general, often take place in this small corner of the city.

This small monument has survived the somewhat turbulent times over the last 35 years or so which demonstrates the respect the people of the town (and the country) have for her – so many years after the end of the war. I would venture to guess that most people passing would know who she is, not something that could be said in many western countries to street sculptures commemorating individuals from the Second World War.