Memorial of Glory – Panfilov Park – Almaty – Kazakhstan

Memorial of Glory

Memorial of Glory

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Memorial of Glory – Panfilov Park – Almaty – Kazakhstan

The Memorial of Glory, the monument to the fallen of the Great Patriotic War in Almaty, is one of the largest I’ve had the opportunity of visiting. The complex consists of;

The high relief ‘Oath’ is an image of a young Red Army man leading the horses of his fallen comrades. It is located on the left side of the main axis of the memorial complex. The dates 1917-1920 are the period of the War of Intervention (Russian Civil War) when the Bolsheviks fought against, and defeated, local reactionary ‘White’ forces – who had the support of international capitalism – following the October Revolution.

Oath

Oath

The high relief ‘The Feat’ depicts images of the Panfilov Heroes. These are the 28 soldiers who fought (and most of whom died) fighting the Nazi invaders at Dubosekovo Station near Volokolamsk (Moscow) in November 1941. The bas-relief on the podium is made by the copper embossing technique and recreates a representation of the 15 Soviet Republics in the outline of the map of the Soviet Union. The words of the Panfilov Heroes’ political commander, Vasily Klochkov, are spelt out in copper relief letters on the podium; ‘Russia is great and there is no retreat. Moscow is behind us!’.

The Feat

The Feat

The high relief ‘Trumpeting Glory’ represents images that reference the victory of the Soviet Union over German Nazism. It is located on the right side of the main axis of Memorial walk. In front of this high relief are further cubes of labradorite under which are capsules with the earth of the Hero Cities.

Trumpeting Glory

Trumpeting Glory

Architects;

T.K. Basenov, R.A. Seydalin, V.N. Kim

Sculptors;

V. V. Andryushchenko, A.E. Artimovich

The Memorial of Glory was inaugurated on 8th May 1975, on the occasion of the 30th Anniversary of the defeat of Nazi Germany (Victory Day). On the same day the Eternal Flame was ignited.

Eternal Flame

Eternal Flame

Separate memorials at the complex;

  • to the 601,011 Kazakhs who died in the Great Patriotic War
  • to first discoverers of air routes in Kazakhstan; pilots T Svonio and ND Zorin and OGPU officer D Litvin who died ‘in the line of duty’ on 10th October 1931
  • the ‘sacred soil of the Hero Cities, stained with the blood of the fraternal peoples’ who died in the Great Patriotic War, is kept here’ – capsules of the soil being underneath the large cubes of labradorite bearing the names of the cities where some of the most important battles of the Great Patriotic War were fought. These are located in front of the two alto-reliefs ‘Oath’ and ‘Trumpeting Glory’.
  • to Kazyl Karibzhanov (1912-1960) – renowned for his work in the collectivisation of agriculture in Kazakhstan;
  • to Tashem Utelov, Beisenbai Umbetbayev (1885-1925) and Zhubanyshi Baribayev

all Communist Party members who worked for the Revolution in Semirech’ye, the region in which Almaty is located

  • Monument to the Afghan Warriors, commemorating the Kazakh soldiers who died in the war in Afghanistan – sculptor Kazbek Satybaldin; architects Tokhtar Yeraliev and Vladimir Sidorov.
Monument to the Afghan Warriors

Monument to the Afghan Warriors

On any visit to the memorial in the daytime it would be surprising if you did not encounter groups of schoolchildren, especially of primary school age, not being introduced to their history. Also, it appears that there’s been a re-introduction of the ceremonies that were common during the Soviet period. Until 1990 children, mainly the Young Pioneers (the organisation of Communist Youth) would mount ‘guards of honour’ beside the Eternal Flame on important national occasions, especially May 8th – Victory Day. This ceremonial involvement of school children has now been taken on by the older children of a local grammar school that bears the name of Panfilov.

There’s a pedestrian avenue in the park where the names of the local Heroes of the Soviet Union are attached to marble plinths. This avenue runs from just behind the principal sculpture of ‘The Feat’ in the direction of Gogol Street.

At the far end of the memorial, up a flight of steps, is the Museum of Military History. At the top of the building is a fine high relief with images of Soviet symbols of the Star and Hammer and Sickle.

Location;

Panfilov Park

GPS;

43.25893 N

76.95506 E

How to get there;

The park is within a short walking distance from the main thoroughfares of Tole Bi Street and Furmanov Avenue. Many buses and trolley buses pass along these roads from all parts of the city.

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Socialist Realist Art in Kazakhstan and Kyrgyzstan

The daughter of Soviet Kirghizia - SA Chukov

The daughter of Soviet Kirghizia – SA Chukov

Socialist Realist Art in Kazakhstan and Kyrgyzstan

Introduction

It’s not just the manner in which public statues and monuments are treated that tells you a lot about a particular post-Soviet, post-Socialist society but how they choose to tell the story of the past in their art galleries. Art galleries were constructed in all towns and cities in Socialist societies, showcasing the work of local and national artists. Although all art from the past tells a political story (although then and now such a connection to politics is denied – ‘art for art’s sake’) in Socialist societies the importance of art (in all its forms) in the construction of Socialism was stated explicitly.

In all the countries that started along the road of the construction of Socialism in the 20th century the vast majority of the people would never have had the opportunity to view any of the art works that had been accumulated by the aristocracy and the wealthy – even in those ‘public’ art galleries that did exist. Even though the Hermitage Museum was open to the ‘public’ in 1852 few workers from the steel mills, sailors from the Imperial Fleet or any peasant who had reason to be in Saint Petersburg pre-1917 would have walked along such ‘hallowed’ corridors.

But as statues and monuments from the early 1990s started to disappear from the streets of those once Socialist countries so did paintings and sculptures (gradually in some places more rapidly in others) from the art galleries. Sometimes cloaked as a normal reorganisation of the collection what happened was that paintings which made an overt reference to leaders from the Socialist past or sculptures of those leaders were removed to be replaced with … what? The problem was that if the curators didn’t want to have bare walls they had to have some of those images from the Socialist period – or the galleries would just have to shut down.

It was ‘easier’ to replace public statues with something new but it also became problematic. Lenin and Stalin were deposed in Tirana to be replaced by the fascist, collaborator and self-proclaimed monarch, Zog – as well as some other ‘monuments’ . In Moscow the statues of Soviet leaders were placed in a museum park across the river from what must be one of the greatest monstrosities to be placed in the open air, that is the huge mess which is the monument to Peter the ‘Great’. In Tbilisi VI Lenin was replaced by a character from mythology, Saint George slaying a dragon. In Kazakhstan, Kyrgyzstan and Uzbekistan gaudy statues of feudal lords now ‘adorn’ squares and public spaces once occupied by Soviet leaders.

What all these replacements have in common is a separation from the working class. They bear no relationship to their daily struggles and these images only reaffirm their subservience to the capitalist ruling order.

When it comes to art galleries it’s not too easy to fill the empty places and many locations in post-Socialist societies still display (often the less ‘controversial’) examples from the period on their walls.

Below are details about the galleries and examples of the art on show at three art galleries in Kazakhstan and Kyrgyzstan.

Regional Art Museum – Atyrau – Kazakhstan

Atyrau Art gallery

Atyrau Art gallery

This is a small art gallery, of just two storeys, with the collection of Soviet era paintings and sculptures on the first floor. It doesn’t seem to get many visitors and was very quiet on my visit. For those interested in other aspects of Kazakh culture the Regional Museum is just across the road.

Amongst the collection are still some overtly political paintings and prints. However, I am unable to include these in the slide show as I was prevented from taking pictures half way through my visit. I had only been in the country a short time and wasn’t aware that trying to take pictures with anything other than a mobile phone will get you jumped on.

Location;

11 Azattyk Avenue, which is a side street off the main road close to the Central Bridge over the ural River, on the ‘Asian’ side.

GPS;

47.10632 N

51.92281 E

Opening Hours;

Monday – Friday; 09.00 – 19.00

Saturday and Sunday; 10.00 – 19.00

Closed between 13.00 and 14.00

Entrance;

1000 Tenge (£1.40)

Kasteyev State Arts Museum – Almaty – Kazakhstan

Museum of Art - Almaty

Museum of Art – Almaty

This is a large art gallery in the city that used to be the country’s capital before that ‘honour’ being claimed by the monstrosity which is Astana. The collection covers many aspects of Kazakh art other than paintings and sculptures from the Socialist era with displays of what are normally classified as folk art. However, the slide show only includes work produced pre-1990. Of particular note, and somewhat unusual in such collections of Socialist Realist art, is the two paintings that depict a) the ‘tradition’ of bride kidnapping, which was fought against under Socialism but which has seemingly managed to be revived in the last 35 years and is still a scourge of Kazakh society, especially in the rural areas and b) the sad image of a young woman who is the victim of an arranged marriage.

Location;

Koktem-3 microdistrict, 22/1

GPS;

43.23603 N

76.91931 E

Opening times;

Tuesday – Sunday; 10.00 – 18.00

Closed Monday

Entrance;

500 Tenge (£0.70)

Kyrgyz National Museum of Fine Arts – Bishkek – Kyrgyzstan

The Kyrgyz National Museum of Fine Arts in Bishkek

The Kyrgyz National Museum of Fine Arts in Bishkek

This is another art gallery that displays much more than the art from the Socialist period. One picture to look out for (and which will be recognised by any readers who have an interest in Soviet Socialist Realist Art) is ‘The daughter of Soviet Kirghizia’ by SA Chuykov. This is the artist’s reproduction of the original which is in the New Tretyakov Gallery in Moscow.

Location;

196 Yusup Abdrakhmanov Street

GPS;

42.87893 N

74.61082 E

Opening times;

Every day (apart from Monday when closed); 11.00 – 18.00

Entrance;

Free

VI Lenin in ‘Lenin Park’ – Almaty – Kazakhstan

VI Lenin in 'Lenin Park' - Almaty

VI Lenin in ‘Lenin Park’ – Almaty

VI Lenin in Stalingrad (Volgograd)

VI Lenin in Moscow

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VI Lenin in ‘Lenin Park’, Almaty, Kazakhstan

This statue of VI Lenin, in very good condition (apart from having been painted in gold paint) sits in the centre of a small park which bears his name. I don’t think it is the official name for the park, which, as far as I can see on the maps has no name at all. However, this was how the area was referred to by the local gardeners in a bigger, nearby park, when I was searching for the statue with incomplete information.

This is an interesting statue of VI Lenin. He is seated and leaning forward slightly. In his left hand is a notebook and in his right, which is resting on the back of the chair, he is holding a pen. Comrade Lenin was renown for making notes at the very last minute before he was to give a speech so this is what could be represented here. Perhaps he has asked questions of others, seeking clarification of the facts before he includes them in his presentation. So here we have a statue with a bit of life, a bit of movement.

The statue looked in good condition – apart from (as I’ve already said) being painted in gold paint. I’m sure that wouldn’t have been its original colour but this is not the only example where the Kazakhs have painted a Lenin statue gold. It’s the same for the large, standing statue that can be found in ‘Family Park’, also in Altamy.

The plinth on which the statue stands could do with a little bit of maintenance and the grass on either side is wearing a bit thin but apart from that the location is clean and well maintained – as are many of the parks and green spaces in the city.

As is, unfortunately, often the case I have no more information about the statue, who the sculptor was or when it was installed etc.

Location;

On the corner of Seifullin Avenue and Sholokov Street, on the road to Almaty 1 Railway Station.

How to get there;

There are many buses and trolley-buses that leave the centre of the city heading to the Altamy 1 Railway Station. Many of those run along Seifullin Avenue and the nearest bus stop is only a couple of minutes walk from the park. Examples, bus 18, 30, trolleybus 7.

GPS;

43.335695 N

76.945433 E

VI Lenin in Stalingrad (Volgograd)

VI Lenin in Moscow

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