The problem of the origin of the Albanian People and their language

Obelisk to the pioneers of the Albanian language

Obelisk to the pioneers of the Albanian language

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Introduction

The article below was first published in New Albania, No 4, 1977. It addresses the somewhat complex issue of the origin of the Albanian people and the roots of the Albanian language – a language very different from all others in the surrounding area. It is included here to give some background to the obelisk to this topic in Gjirokastra, which was posted some time ago. That post looked at the images and what they signified, this article puts more flesh on the bones of that explanation and answers some of the questions that might arise from the particular images.

The problem of the origin of the Albanian People and their language

by Professor Eqrem Çabej

When the problem of the origin of a people is raised, it will be examined and solved more readily from the aspect of the perseveration and continuity of its language than from the ethnic viewpoint, because language, more than other elements, is the characteristic which distinguishes one people from the others. However for any people of any country or period, such a problem is complex and in the Albanian conditions it is especially complicated. It is complex because, as we know, in the formation of a people as an independent entity with its individual features which distinguish it from other peoples, various circumstances of a geographic nature and multiple historical, ethnical, economical, cultural and linguistic processes, play a part. It is complicated because in this field of Albanian Studies the lack of historical sources and documents is keenly felt. However, despite this poverty of sources, with the constant care of the Party of Labour of Albania and comrade Enver Hoxha, the new Albanian science is striving to get to the solution of this problem with the means at its disposal. And in this field it has achieved lasting results which have taken their place in the field of international science. Because of the complex nature of the problem the method to be applied must also be complex. A number of scientific disciplines must collaborate on it. In particular historical geography, history, linguistics, ethnography and prehistoric archaeology are involved in this. The results in any one of these fields should be taken into account and duly appreciated by the other disciplines, should be combined with their results so that wide range of facts can be gathered together into a few general principles, into a few more reliable facts, in order to arrive at some sort of synthesis.

The Albanians are autochthonous or native to the Balkan Peninsula since they have been living there since early prehistoric times. Together with the Greeks, they are the most ancient people in this region; they are heirs to the ethnical situation of the period of antiquity in this part of South-eastern Europe. Under these circumstances, the question as to where the Albanian people originated can be put in other words: Under what name were the forefathers of the Albanians, that people which has spoken the language from which the present Albanian is derived, known in the Balkans in ancient times? Hence, from which ancient people of this Peninsula do the present Albanians descend?

During the last century the hypothesis was very widespread that the Albanians were the descendants of the Pellasgians. This hypothesis or theory, founded by foreign scholars, was re-echoed far and wide among the Albanian poets and writers in Albania and Italy. It found fertile soil in the ideas of romanticism which spread later in South-eastern Europe, at a time when other literary trends had emerged in the West. Subsequently the Pellasgian theory was refuted. In Greek and Roman documents, the Pellasgians are mentioned as a pre-Greek ethnical stratum no longer in existence during the ancient period. Authors like Herodotus and Strabo speak of them as of a more ancient period and describe them as barbarians, that is, not Greeks, and having a language different from the Greek language. They place them in the zone of the Aegean Sea, principally in Thessaly spreading on one side towards Epirus and on the other side towards Asia Minor, towards Crete and other islands of the Aegean zone. Meanwhile, they are presented everywhere as a legendary people, shrouded in the mists of mythology, a people without concrete historical consistency. Although in later periods there has been some acceptance of their connection with the Illyrians and Thracians, it must be said that such ethnic and linguistic element as may, with considerable reserve, be called Pellasgian, for many reasons, including those of a geographical character, is in no way sufficient to provide any scientific basis for accepting a Pellasgian origin of the Albanian people.

Proceeding from a more realistic basis, in order to clear up the problem of the origin of the Albanians, we shall turn, first of all, to history as the continuation of the prehistoric situation in the Balkan Peninsula. In the period of antiquity, this part of Southern Europe was inhabited by a number of peoples, different from the present ones and differing from one another. It is known that the western regions of the Peninsula were inhabited by the Illyrians, the eastern regions by the Thracians, the southern regions by the Greeks, and the centre by the Macedonians, who were different from the Greeks and spoke a language of their own, according to Herodotus a ‘barbarian language’, that is, not Greek. Leaving aside some minor populations, like the Iranic tribes in the eastern part of the Peninsula and certain Celtic tribes in the north-western and central regions, this was the ethnic situation during the Greco-Roman epoch. Hence the question arises: from which of these peoples do the Albanians descend, from which of these languages does the Albanian language descend? In this problem, the Greeks, or the Hellenes as they were called at that time, are automatically excluded as a different people from the Albanians. Likewise excluded are the ancient Macedonians, as a relatively small people and geographically more remote from the Albanian language region, although, because of the territorial affinity, some links cannot be completely denied. Under these circumstances, there are two peoples, the Illyrians and Thracians, who can be considered as the ancestors of the Albanians.

The Illyrians were one of the major peoples of ancient Europe. Leaving aside their distribution in prehistoric times, during the historical period they extended from Istria near Triest in the north-west and from the regions near the banks of the Danube in the north, to the Gulf of Arta in Gameria in the south to a city which at that time, was called Ambria. Thus, the Illyrian tribes inhabited the present regions of Albania together with Qameria, Montenegro, Bosnia and Herzegovina, Dalmatia and Croatia, hence, all the eastern seaboard of the Adriatic with its respective hinterland. The Messapians and Iapygians of Apulia in Southern Italy are, by all indications, Illyrian tribes as well. In the east the Illyrian tribes extended up to the banks of the Vardar and Morava rivers in Northern Macedonia, to Kosova, a region which in ancient times was called Dardania, and to a part of present Serbia. In those regions the Illyrians bordered the Thracian tribes and here and there were mixed with them. The Thracians, too, were one of the major peoples of ancient Europe. Herodotus calls them the greatest people next to the Indes. They extended from the borders of the Illyrians in the west up to the shores of the Black Sea in the east, from the Aegean in the south to the Carpathian mountains in the north. Thus they included part of present-day Greece and European Turkey, Bulgaria, Rumania and part of Hungary and Poland. Because of the lack of source material, mentioned above, we are able to discover very little about the fate of these peoples and their component tribes, and the further back we probe into antiquity the more this obscurity deepens. We know, for instance that the concept and name Illyrian came and was spread only after some time, emerging from a population of this name and including tribes with ethnic and linguistic affinity. In Homer’s epics this name does not appear. The names of individual peoples, like those of the Dardanians and the Peonians, who in historical times lived to the north of the Macedonians, appear on the historical scene much earlier than the general name, Illyrians. It is known, also, that under the influence of the Greco-Roman civilization and, especially, during the long period of the domination of the Roman Empire, these ancient peoples of the Balkans were eventually partly hellenized and many of them romanized. In other words, without being wiped out as peoples, they were assimilated, gave up their own language and in some regions adopted the Greek language and even more of them, the Latin language. This took place especially in cities, in administrative and military centres where the Romans had established their garrisons. However in mountain regions this assimilation was not carried out completely. The local population preserved its ethnic character and mother tongue for a longer time. Some of these peoples entirely escaped romanization. Living evidence of this is the Albanian people, who must be the descendant of one of these unromanized peoples or tribes.

The question of the paternity or line of descent of a present-day people from an ancient people, of a known modern language from an extinct ancient language, is quite simple when we have relatively accurate knowledge of the ancient people and their language. But, as we have said, in connection with the Albanians and the Albanian language this problem remains specially difficult. Because of the lack of written documents, the ancient languages of the Balkans are little known or entirely unknown. From the language of the Thracians there are a few inscriptions, from the language of the Illyrians of the Balkans up till now not a single inscription has been found. The inscriptions of the Messapians of Southern Italy can be read but up till now the interpretation of them remains uncertain. From both these languages, Illyrian and Thracian, certain so-called glossa remain, that is, few words quoted by Greek and Roman authors, together with their meanings, given in Greek and Latin. There are also quite a large number of names of places and persons engraved on stone or quoted in texts by classical authors, the majority of them of unclear linguistic significance and meaning, among which modern scholars have found a free field for what are often arbitrary judgements. Thus the two languages in question remain almost unknown by us. We do not know their linguistic structure, grammatical system, or their vocabulary. Under these circumstances the means for comparison are missing. We lack the key to compare the material of the Albanian language with that of the two languages in question.

This being the case, the criterion of the language must be considered together with the geographical and historical situation. From the standpoint of historical geography it is known that the present Albanians inhabit those regions where the Illyrian tribes used to live in ancient times. From the historical point of view, it has been rightly pointed out. as far back as two centuries ago, that there is no fact, no historical reference, to show that the Albanians come from somewhere else, that they settled on this territory at a given historical period, for instance, towards the end of antiquity or during the early mediaeval period. Under these circumstances, common sense urges acceptance of the idea that the Albanian people is native, autochthonous, in these regions, if not as far back as the dawn of prehistoric times, at least since the period of antiquity. These two reasons, that of their inhabiting the former Illyrian territory and that of autochthony, automatically give rise to the idea that the present Albanians are the descendants of the Illyrian tribes of the south and that the Albanian language is the continuation of one of the ancient Illyrian dialects. Indeed it can be said that the burden of the argument falls more heavily on those who deny the Illyrian origin of the Albanians and of their language rather than on those who accept it. In this connection, it cannot be accidental that the name of the Illyrian tribe, the Albanoi, which the astronomer and geographer Ptolemy of Alexandria in Egypt, mentions during the second century of our era in the region between Durres and the Candavia mountains in Central Albania continues to exist in the form of Arbër, Arbën, Arbëresh, Arbënesh, the name by which Albania and the Albanians were known in the Middle Ages, is alive to this day. From the linguistic viewpoint, to these circumstances must be added the fact that the continuity of the names of cities, mountains and rivers of the Albanian territory of the ancient days in their present forms has developed in conformity with the phonetic rules of the Albanian language. These include such comparisons as Scardus – Shar, Scodra – Shkodra, Drivastum – Drisht, Pirustae – Qafa e Prushit, Lissu – Lesh, Isammus – Ishëm, Ishm, Dyrrachium – Durrës, Aulon – Vlonë, Vlorë, Thyamis – Çam and others. This also is evidence of the Illyrian autochthony of the Albanian people, because this development from the ancient forms of these names to the present forms cannot be explained except by means of the Albanian language. It cannot be explained either by means of the Roman or Slav languages or by any other language of the Balkan region. There are also other data from the field of linguistics of the Illyrian continuity, such as the identity between a number of names of early Illyrians and present-day Albanians. Apart from this, those few words which are known from the Illyrian language can be clearly explained by the Albanian language. And many words in Messapian inscriptions can be explained by our language. In this way the date of historical geography and of the language supplement each other. There are also a number of parallels of an ethnographic character which we shall not go into here. From the field of archaeology it is worth mentioning that in certain prehistoric settlements on the Albanian territory a continuity of the material culture can be seen, a continuity from ancient epochs to the early mediaeval period. This fact adds weight to the geographical, historical and linguistic arguments already mentioned.

As regards the Thracians and their language, on the evidence of certain historical and linguistic data (place names with Thracian features), the presence of Thracian elements in the north-western part of the Balkan Peninsula and especially along the southern Adriatic coastal regions was pointed out long ago. They must have long been mixed with Illyrian elements, but we are unable to tell from the Illyrians and the Thracians who were natives and who newcomers. In conclusion, for historical reasons also, one can say that the Illyrian element lies at the basis of the formation of the Albanian ethnos, although there may have been a Thracian component also, but certainly of smaller dimensions. At the present stage of knowledge it is difficult to determine how the process of this ethnic and linguistic formation took place and in what territorial and historical circumstances it took place. The result of the process, which is the Albanian people and their language, can be seen more clearly than the course of development which was traversed until the present situation was brought about.

Eqrem Çabej (1908-1980) was a linguist and academic specialising in the origin of the Albanian language. His name was given to the University of Gjirokastra when it was declared as such at the end of 1991.

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The Revolutionary Spirit in Albanian Painting and Sculpture

The Lathe Worker - Zef Shoshi

The Lathe Worker – Zef Shoshi

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This article first appeared in issue No 6, 1969 of the bi-monthly magazine New Albania which reported on the biennial exhibition of Figurative Art that was held in the National Art Gallery in Tirana earlier in the year.

(All the reporductions here are of works of art that were on display during the 1969 exhibition.)

The Dam of Drini - Nexhmedin Zajmi

The Dam of Drini – Nexhmedin Zajmi

The Revolutionary Spirit in Albanian Painting and Sculpture

The most important manifestation in the field of the Albanian figurative arts is the national exhibition which, as a rule, is held once in two years. This year its motto was the 25th anniversary of the liberation of Albania and it opened on the eve of this jubilee day.

Testing - 1969 - Andon Lakuriqi

Testing – 1969 – Andon Lakuriqi

The artists’ creative work in socialist Albania has been constantly expanding. We have now a great number of painters and sculptors who are not only professionally trained but have also proved their creative artistic capability. There is side by side with them a big army of amateur artists who also wants to make their contribution to the new socialist art. The Party of Labour of Albania has always paid special attention to the development of literature and arts, its main concern being that art should reflect the life of the people, that it should militate for communism, that it must have a revolutionary content. Our art which is realistic and deliberately tendentious finds this revolutionary content in the very reality of our socialist life.

Working Girls - 1969 - Bajam Mata

Working Girls – 1969 – Bajam Mata

The national exhibition of figurative arts is of special interest from the point of view of the reflection in art of the all-round revolutionization of our society. The Albanian painters and sculptors have drawn inspiration from the life, work and thought of the working class of present-day Albania, the leading class of the revolution. In big tableau which sometimes assume monumental proportions and character such as Vilson Kilica tableau ‘The workers’,

The Workers - Vilson Kilica

The Workers – Vilson Kilica

Clirim Ceka’s painting ‘The technical scientific revolution’ there have been delineated in bright and light colours characters of workers in moments of their life and work in factories and plants. The painters have shown less interests in the simple everyday fact than in the great thought, which is inclined towards epics form, that the working class who is mastering theory and technique and who is the master of this country has reached the high peaks of science and is marching forward confident in its own strength. Joyful and fully optimistic is the life in our collectivized countryside as painted in Jusuf Sulovari’s tableau ‘The harvesters’.

The new look of socialist Albania which is forging ahead has inspired the painters to create beautiful landscapes, no more of an exotic character, but of a modem country which lives a happy intensive life. We see this in the landscape ‘500 new flats’ painted with compactness of style by Skender Topi.

The National Liberation War holds the main place in the creative work of the Albanian painters and sculptors. The more so would be the case with this exhibition.

Friends of the Mechanics Factory - 1969 - Dhimiter Mborja

Friends of the Mechanics Factory – 1969 – Dhimiter Mborja

In one of the main halls, one’s eye is struck by ‘The People’s Hero Vojo Kushi’ painting by Sali Shijaku.

The painter has been inspired by an event of the National Liberation War known to everybody. It is the moment when Vojo Kushi encircled with his three other comrades by the fascists in one of the Tirana slums before laying down his life for the freedom of the people threw himself upon a tank hurling a grenade to it. The painter’s image of the hero is that of a legendary figure amidst flames; his red shirt fluttering up like a banner which will remain such for centuries. Many paintings, sculptural groups, portraits and busts evoke moments, historic events or prominent figures of the glorious struggle of our people. Such is for example, the painting ‘The order from the staff’ by Hasan Nallbani which delineates the fighting and unyielding spirit of a brave partisan unit.

Farther (Me tej) - 1969 - Shaban Hysa

Farther (Me tej) – 1969 – Shaban Hysa

The revolutionary spirit prevailing nowadays over Albanian life, the great actions of the youth who are tempered while working for the construction of big projects, the selfless spirit to serve the people whenever and wherever need be, the high patriotic spirit to be ready to defend the fatherland from all enemies, all these lofty virtues instilled in our people during this quarter of a century could not but find their reflection in the works created by the Albanian artists. Shkurte Pal Vata was a very young volunteer girl from the highlands who died bravely at her post while working for the construction of the Rrogozhina-Fier railway. Her enthusiastic and romantic portrait has been lyrically and dynamically portrayed by the sculptor Mumtaz Dhrami.

Shkurte Pal Vata - Mumtaz Dhrami

Shkurte Pal Vata – Mumtaz Dhrami

Another valiant patriotic woman who had once commanded the fighters in the struggle against the foreign invaders and who fought all her life for the freedom and independence of the fatherland, is Shote Galica whose vivid and brave portrait we see cast in bronze by the sculptor Kristaq Rama.

People's Heroine Shota Galica, Kristaq Rama

People’s Heroine Shota Galica, Kristaq Rama

Likewise, the joyful life of our youth who are moulded in the great actions they undertake for the development of the socialist fatherland has been reflected in rich colours in the tableau ‘The return of the youth brigade’ by Dhimitraq Trebicka.

Guardians of the country - 1969 - Spiro Kristo

Guardians of the country – 1969 – Spiro Kristo

Many other aspects of our life have also been touched by the painters and sculptors. The national exhibition of the figurative arts is a manifestation of the flourishing of all kinds of plastic art starting with monumental painting and ending with various graphics. What is more, the 160 works displayed here and created by 110 artists have been selected among hundreds of works presented by authors of the whole country. The artists have not hesitated to face the difficulty of the work over big tableau or big sculptural groups, which thing has been dictated to them by the themes, thoughts and great epic ideas of the time they wanted to reflect. What is important is that they express themselves clearly by using such artistic means as are communicative and understandable for the broad masses. Basing their creative activity on the best traditions of the people’s art, by using a realistic style and guided by the revolutionary and optimistic tone of the life of their socialist fatherland, the painters and sculptors have created dynamic works, using various complete forms as well as rich and bright colours.

Danish Jukniu - In the light construction site

Danish Jukniu – In the light construction site

The works of this exhibition are the fruit of the socialist realism method far from any other decadent form content, or sickly subjectivism as is the case with the bourgeois and revisionist art. They are works which communicate with the people and whose aim is to serve the people and socialism.

For more examples of Albanian Socialist Realist Art the read about the 1971 National Exhibition of Figurative Arts – Tirana.

Socialist Realist Paintings and Sculptures in the National Art Gallery, Tirana provides a comprehenive idea of the examples of Socialist Art that have been on display in the National Gallery in recent years.

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New Albania

With Spring - Nexhat Hajellari

With Spring – Nexhat Hajellari

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New Albania

New Albania was a political, social and cultural illustrated periodical appearing bi-monthly in Albanian, Chinese, Russian, French, English and Arabic. It started its publication in the early days of the Socialist Republic, in 1947, and was published until everything fell apart in Albania in 1991.

Through the use of pictures, cartoons, stories and short pieces about the people and the lifestyle of ordinary Albanian workers the magazine sought to provide a view of the country that was otherwise never publicised in the rest of the world. This covered such aspects of Albanian society as Socialist industry, collectivised agriculture and education. Also it sought to give an introduction to the history of the country with articles on archaeology, linguistics, folklore and traditional dress and activities, literature, cinema and the history of art in the pre-Socialist era.

The magazine, which was lighter in its presentation, preceded the publication of ‘Albania Today’ (from the end of 1971), which was much more of a theoretical magazine that made a contribution to the various debates in the International Communist Movement.

At the moment we only have access to a limited number of issues and they will be posted as soon as possible. As with the request made on the ‘Albania Today’ page we would always welcome the loan of missing issues so that they, too, can be made available to a wider readership.

1969

New Albania – No 6

  • JV Stalin – Lenin’s faithful disciple and comrade in arms
  • The revolutionary spirit in Albanian painting and sculpture by A Kuqali
  • A chapter from ‘The Castle’ by Ismail Kadare
  • Andrea Aleksi – a distinguished sculpture of the XV century  

1970

New Albania – No 1

  • ‘Ideas engraved on stone’ – the story of sculpture in Socialist Albania
  • Our folk dances
  • Attempt upon the king’s life
  • Our Encyclopedia – answers to questions about Albania

New Albania – No 2

  • The school which gives eyesight to the blind
  • A happy old age
  • We, the youth of the plant
  • Cadres who are engaged in production work

New Albania – No 3

  • The most ‘privileged’ – young children in Socialist Albania
  • The patient and the scalpel – medicine in Socialist Albania
  • Past Values Preservation Institute – restoration of religious buildings

New Albania – No 4

  • What do we vote for?
  • Together with the geologists
  • The Green Laboratories
  • Youth taking part in mass undertakings
  • A nation rising in arms

New Albania – No 5

  • Electrification of Albania
  • The way of copper
  • ‘The Golden Necklace’ is brought to Tirana
  • Our Riviera
  • A children’s hospital

New Albania – No 6

  • Nuclear Energy in the service of mankind
  • Albania in International Fairs and Exhibitions
  • Saplings of music
  • Illyrians and Albanians
  • The Mosaics of Lini

1971

New Albania – No 1

  • Capital investments in the years 1961-1970
  • Land and water
  • Monuments modeled in rock
  • Students in overalls
  • Our glass …

New Albania – No 2

  • Prospectors for Black Gold
  • Divjaka renewed
  • Fields with roofs
  • Horizons opened to our Power Industry
  • Bertolt Brecht on the stage of the Albanian Theatre

New Albania – No 3

  • From the spark the flame was born
  • The light and food industry
  • Compulsory education
  • Albanian Folk Costume
  • Our Agricultural Cooperatives at their present stage

New Albania – No 4

  • A preview of the New Five-Year Plan
  • The wartime press
  • Greetings to you, Mirdita!
  • Rails penetrate mountains
  • Development of horticulture

New Albania – No 5

  • In November 1941 (Party Foundation)
  • The Agricultural Cooperative ‘Partisan’ in 1971
  • A word from those born 30 years ago
  • Albania at International Fairs
  • Folk instruments of our people

New Albania – No 6

1972

New Albania – No 1

  • For protecting and strengthening the health of the people
  • Albanian painting of the 19th century
  • Commemorative remembrance of Fan S Noli
  • Underground waters

New Albania – No 2

  • The Cooperative members discuss their problems
  • The Southern Illyrians and the origin of the Albanians in the light of a new scientific synthesis
  • Jan Myrdal on Albania
  • The making of an artist – Abdurrahim Buza
  • The trade union organization at the oil refinery
  • The young pioneers at their palace

New Albania – No 3

  • The Congress of the class in power
  • Anti-epidemic barriers
  • Our folklore during the period of the war for national liberation and that of socialist construction
  • Good care is being taken of our monuments of culture
  • In sculptor Janaq Paço’s studio

New Albania – No 4

  • On the founding of the Academy of Sciences in the People’s Republic of Albania.
  • Higher education reaches new records
  • Agricultural cooperative members receive pensions
  • The birthplace of the National Liberation Front
  • Our painters – to be touring the country

1974

New Albania – No 2

  • The iron generation
  • Industrialized Albania
  • The counter-offensive of the Albanian National Liberation Army in February and March 1944
  • The congress which solved the problem of political power
  • Guaranteeing the right to work

1975

New Albania – No 4

  • People and light
  • Fields of prosperity
  • A beautiful tradition of the younger generation
  • Physical-military tempering
  • Seven questions on the medical service
  • The occupiers were thrown back into the sea

New Albania – No 5

  • Comrade Enver Hoxha among the workers of Korça and Pogradec
  • The first revolution in the social-economic relations of the countryside
  • Six questions on education in Albania
  • At the construction sites of the five- year plan
  • Those who feel no old age
  • The medical service in a remote mountainous area

New Albania – No 6

  • November 29th – the day crowning the great victory
  • On drawing up the New Constitution of the People’s Republic of Albania
  • The day of independence
  • What do you know about the Albanian countryside?
  • What is indirect income?
  • The Lura Lakes
  • Malai – short story

1976

New Albania – No 1

New Albania – No 2

  • Comrade Enver Hoxha among the workers of Vlora
  • On the lowering of higher wages
  • On the further narrowing of the fundamental distinctions between town and countryside
  • Participation in production and in political-social life – the way to the emancipation of women
  • The village doctor
  • Albanian school – past and present
  • An entirely new town – Kukes

New Albania – No 3

  • May Day – 1976
  • They live in the hearts and work of the people
  • Comrade Enver Hoxha receives a group of workers and specialists of the metallurgical complex
  • In the days of the National Liberation War
  • Shkodra – past and present
  • Cooperative members as amateur artists

New Albania – No 4

  • The way to prosperity
  • Promoter of the Revolution and Socialist Construction
  • Mass actions of our youth
  • For self and for society
  • The upper agricultural institute
  • The hero of the new Albanian literature
  • What does this monument stand for? – Mushqeta

New Albania – No 5

New Albania – No 6

1977

New Albania – No 1

  • The Fifth Session of the People’s Assembly
  • The rapid development of Albanian science
  • Vanguard medical service aiming mainly at preventing disease
  • Public health and preventive medicine in the People’s Republic of Albania
  • Geologists without diplomas
  • Among our future artists

New Albania – No 2

  • Gjirokastra
  • Mathematics to the aid of medicine
  • Study of the methods of popular medicine
  • The 90th Anniversary of the first Albanian school
  • The opinion of the masses in the activity of our courts of justice
  • Sport among women

New Albania – No 3

New Albania – No 4

New Albania – No 5

  • The younger generation of Socialist Albania
  • Seven questions about education
  • Great achievements and projects in hydro-electric power
  • One day at the kindergarten
  • Health and Environment
  • The workshop in the field
  • Legends about musical instruments

New Albania – No 6

1978

New Albania – No 1

  • Comrade Enver Hoxha amidst pioneers
  • 30th anniversary of the magazine, ‘New Albania’
  • Fierza, 1978
  • The Albanian League founded in Prizren
  • The Socialist countryside in the works of our painters and sculptors
  • Afforestation of hills and mountains
  • Preservation and restoration of the monuments of culture
  • ‘Profarma’ – trade mark of Albanian medicines

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