Soviet Mosaics – Bălți – Moldova

Posted on 28/11/2025 by Michael

Girl drinking from a stream

Soviet Mosaics – Bălți – Moldova

Below you can find information and images, together with locations, of some of the mosaics (so far identified) in the northern Moldovan city of Bălți.

Lenin Factory

Mosaic on the ‘Lenin Factory’

By far the best mosaic in Bălți, is, unfortunately, season specific – meaning that when the trees are in full leaf it is almost impossible to see it from any distance or to get an idea of its story as the trees are basically a green, blocking curtain. In the winter the conditions aren’t perfect but at least you can get an idea of the images and what they represent.

The mosaic is at the edge of the building fronting on to the main road of what I understand was a factory. Producing what and whether it is still functioning I don’t know. At the top of the mosaic is a large image of Vladimir Ilyich’s face, which is the height of the two top floors of the five storey building. It is a serious and unsmiling image. (I don’t know why but this is the image that is normally presented of the great Communist leader – as if he didn’t know how to have fun. The exception to this (in the images I have had the privilege to have witnessed) is the sculpture outside the factory in Karacharovskaya Street in Moscow – where Vladimir Ilyich is being carried aloft by jubilant workers.)

Below Lenin is a line of five stalwarts, mainstays, of the Socialist Revolution. From left to right we have an older male, armed peasant – perhaps representing those who stormed the Winter Palace in 1917 and initiated the October Revolution; next a Red Navy sailor – possibly from the Cruiser Aurora that fired the shot to begin the attack on Tsarism; in the middle a male Bolshevik, the Communist leadership of the Revolution; followed by a female collective farm worker who is holding a huge sheaf of wheat – this is a very common image to represent collective/State farms in the Soviet Union and also demonstrates the active involvement of women and their role in the construction of Socialism; and, finally, on this row, the image of a male steel worker – representing industrialisation.

This group are, more or less, the height of one floor of the building – as are the next row of five representatives of Socialist construction.

Separated from their comrades above by a row of geometric designs and colourful sunbursts is another group of five. They carry the story of the construction of Socialism forward from the line above.

I’m not exactly sure what the two males on the left represent. I assume engineering and technology, moving on from the heavy industry of the steel worker at the end of the line above. Then we have a contemporary Red Army man, with the Red Star proudly displayed on his helmet. He is followed by a woman holding a glass Erlenmeyer flask (as we have seen before in the mosaic on the Palace of Culture in Ribniţa) – representing the sciences and finally a male who I think represents atomic/space exploration, taking the country into the 21st century.

As far as I could see the mosaic is in an amazingly good condition. I’m assuming this is only by chance and not by any conscious effort on behalf of the Bălți authorities. The trees which effectively hide the mosaic from view in the summer also protect it in the winter. They are not so close as to create a hostile environment in difficult climatic conditions but close enough to provide protection when the conditions become harsh.

Location;

Strada Decebal 13

GPS;

47.76051 N

27.91581 E

Primary school

Primary School Mosaic

This is a one panel mosaic (as opposed to the multi-panels of the kindergarten in Cahul) which provides a colourful backdrop to the play area of the children of this small school close to the centre of Bălți.

What we have is a young girl skipping on the left hand side and a boy and a girl building a structure with wooden building blocks on the right. This small group is surrounded by geometric designs to add more colour to the art work.

Apart from a missing panel (on the bottom left) and a black graffiti scrawl below the skipping girl the mosaic seems to be in a good condition.

Location;

Mikai Eminescu Primary School, Strada Pushkin 27-29

GPS;

47.75667 N

27.91924 E

Bus station

Bus station Mosaic

I’ll never understand why so much infrastructure in the previous Soviet Republics was just left to go to rack and ruin after the collapse of the Soviet Union in 1991. This is the case in Bălți where the bus station is still the arrival/departure point for many parts of the country but the large building, which would have originally provided services for passengers, has been abandoned and concern for the welfare of the passengers has gone with it.

However, even though the building upon which it was placed might be a rotting ruin the mosaic on the façade has fared better. To me we have an abstract representation of some flowers under a large sun with the head of a bird on the right hand side – the beak and an eye all that is depicted. When the building was functioning as designed all passengers going into the building would have passed this mosaic and would have been aware of it. However, now entrance to departing buses is by the road at the left hand side of the building I wouldn’t be surprised if, when asked about the art work the reply would be ‘what mosaic?’

Location;

Strada Stefan cel Mare 2

GPS;

47.76972 N

27.94195 E

Girl in traditional dress

Apartment buildings mosaics

There are a number of mosaics (or fragments of) spread over a large area of housing estates in what is known as District 9 in Bălți so it makes sense to lump them all together.

The first is on the side of a wall which is on the edge of the city on the road that comes south from Chișinău. I’m not sure who the character is supposed to represent but as he is riding the wave over the letters БЭЛЦЪ = Bălți, I assume he is basically saying ‘Welcome to Bălți’.

The next to be found in this area is a few hundred meters up the road in the direction of the bus station. This is of a young woman, in profile, dressed in the traditional folk costume of the region. However, we don’t know the full story of the image. Ceramic tiles were the rendering of choice on these buildings and it was obviously decided that to enhance the location artists would be commissioned to create mosaics from these tiles.

But all rendering will take a battering from the elements and after the end of central control (and I have no idea of who is responsible for what when it comes to previously state owned properties and now, presumably, privately owned) any repairs to the ends of these buildings do not take into account the work of artists 40 or more years ago. That has meant that repairs are carried out in the cheapest and most effective manner possible which, it seems, doesn’t include ceramic tiles.

As can be seen in the photos the end walls of the buildings were in sections and if one section is causing a leak into the property then its replacement obliterates whatever might have been originally in place. So, in the case of the image of the young women, we don’t know what she is holding or at what she is looking.

Other mosaics in this area have suffered a similar fate by being partially destroyed by renovation and a couple have been hidden by the construction of more modern buildings.

The other mosaic so far identified in Bălți is at the end of an apartment block just off the main street of Stefan cel Mare, this is one of a girl drinking water from a stream.

The location information below is just approximate but it should get anyone interested more or less to the right place. Just take a look around when you get to the GPS point.

Location;

In apartment complexes fronting on to Strada Nicolae Iorga. There’s one at No 30 (1) and the others are in the complex that is across the road from Plaza shopping centre (2) and another on Strada Stefan cel Mare opposite, more or less, Andy’s Pizza (3)

GPS;

47.75729 N

27.94077 E

47.76321 N

27.94079 E

47.76603 N

27.93663 E

VI Lenin and Palace of Culture Mosaic – Ribniţa – Pridnestrovie

Posted on 23/11/2025 by Michael

VI Lenin in Ribniţa – Pridnestrovie

VI Lenin and Palace of Culture Mosaic – Ribniţa – Pridnestrovie

The statue of VI Lenin in Ribniţa is located in a square that still bears his name (after all Ribniţa is in Pridnestrovie, a part of the territory that doesn’t want to be dominated by European diktats) in front of the Palace of Culture.

Vladimir Ilych is standing, wearing an open overcoat, the right hand side of which has been caught by the wind. (Quite a few statues of VI Lenin have him depicted with his coat being blown by the wind and I sometimes wonder if his early demise might not have been due to standing outside in adverse weather conditions.) He wears his normal flat cap and his hands are clasped behind his back. A quite informal stance as he looks out over the town and in the general direction of the steel works across the valley. As is, unfortunately, normally the case I have no information about the artist or when the statue was inaugurated.

During the Soviet period this square would have been the most important public space in the town. Outside celebrations of, for example, the anniversary of the October Revolution, would have taken place in the area surrounding his statue and any community events of a city wide importance would have taken place in the building behind him.

Palace of Culture mosaic – Ribniţa – Pridnestrovie

The mosaic, although not ‘overtly’ political (that is, with any representation of past or current Soviet leaders) still makes a political statement. On the left hand side of the huge mosaic you will see representations of science in general (with the atomic symbol) and the electrification of the country (one of the initial aims for Socialism established by Vladimir Ilych in the early days of the revolution) represented by the pylon.

Then we have a representation of the family (indicating stability but not really challenging the bourgeois relationships that were posited by the founders of Marxism, Karl Marx and Frederick Engels); then we have industry – the maquette held aloft – and it’s important to remember that to date Ribniţa is the centre of Pridnestrovie’s steel industry; then there’s chemistry with the woman holding a glass Erlenmeyer flask; next is architecture/building/planning with the image of a street plan; then we have something I’m not sure what it represents, this is a male figure with what looks like sparks coming from his hand (any ideas?).

The two different narratives of the mosaic are separated by a large, oval head and shoulders of a female figure with a smiling face – I’m not sure if this is not to represent Moldovan folk heritage.

The right hand side of the mosaic represents various forms of culture, and also indicating the sort of events that would have taken place in the Palace of Culture. There’s a female violinist and standing behind her a male – this is music and he could possibly be a singer; next is a male with an open book in his left hand and his mouth is open as if he is reciting, he’s also gesticulating as his right arm is outstretched above him – so this is theatre; behind the actor a male stands behind an easel, with a paint brush in his rights hand which is gathering paint from the palette held in his left hand – so here we have the plastic arts; the last figure shown is a seated female figure (in classical dress) – I think she might just represent the artistic Muse in general rather than anything specific.

The extreme right of the image includes a huge bunch of grapes to illustrate the importance of the production of wine in the country – something which is obvious if you travel out of the main cities and pass vast areas of vines – and finally a factory belching out smoke. At the time of the production of this mosaic chimneys belching out smoke were considered a sign of progress and industrialisation. Images of factories from Britain, for example, during the hey days of the industrial revolution often showed such images (although often with a reference to Hell) and the Soviet Union was seeking to reach the same level of industrial production. In hindsight, whether such a policy was the best is, perhaps, questionable. However, these smoking chimneys reference steel production in Ribniţa.

Location;

In Lenin Square, at the junction of Biruintei Boulavard and Strada Kirov.

GPS;

47.76599 N

29.00760 E

Leningrad (Saint Petersburg) Metro – Avtovo – Line 1

Posted on 07/02/2024 by Michael

Avtovo – Alex ‘Florstein’ Fedorov

Leningrad (Saint Petersburg) Metro – Avtovo – Line 1

Avtovo – 04

Avtovo (Russian: А́втово) is a station on the Kirovsko-Vyborgskaya Line of the Saint Petersburg Metro. Designed by architect Yevgenii Levinson, it opened as part of the first Leningrad Metro line on November 15, 1955. In 2014, The Guardian included it on the list of 12 most beautiful metro stations in the world.

Avtovo – 02

Avtovo’s unique and highly ornate design features columns faced with ornamental glass manufactured at the Lomonosov factory. Although the original plan envisaged using glass on all of the columns in the station, white marble was substituted on some due to time constraints. This marble was supposed to be temporary, but it has never been replaced. The walls are faced with white marble and adorned on the north side by a row of ornamental ventilation grilles. At the end of the platform a mosaic by V.A. Voronetskiy and A.K. Sokolov commemorates the Leningrad Blockade (1941-1944) during the Second World War.

Avtovo – 03

Unlike the other stations on the first line, Avtovo is a shallow-level station, constructed using the cut and cover method. It belongs to the shallow column class of underground stations.