- Facade – National Historical Museum – Tirana
Ukraine – what you’re not told
Restoration of ‘The Albanians’ – National Historical Museum, Tirana – or not
For the second time in less than a decade the facade of the National Historical Museum in Tirana is obscured by scaffolding and sheeting. As on the previous occasion (in 2012) the reason is, supposedly, for the renovation of the ‘The Albanians’, the huge mosaic that celebrates and commemorates the struggle for independence through the ages, the victory over Fascism and the construction of Socialism.
Under normal circumstances such work would be a cause for celebration. The mosaic is a wonderful example of Socialist Realist Art and captures the spirit of the nation at the time it was created in 1982. However, this Albania in 2021 and nothing is that simple.
The present work in progress also asks a number of questions. If, indeed, there was work done in 2012 to repair the damage caused by time and the weather why was it so badly done that it has to be done again nine years later? Was the ‘restoration’ of 2012 nothing more than an excuse to cover up the revolutionary work of art at the time the country was ‘celebrating’ the hundredth anniversary of Independence from Ottoman rule? Events would have taken place in Skenderbeu Square and for the present capitalist rulers of Albania the image of the mosaic as a backdrop to the sham celebrations would have been an ‘inconvenience’.
What was certainly the case was that chunks of the mosaic seemed to be dropping off at an alarming rate and the more pieces that fell the weaker the the rest of the structure would become. Structural damage was obvious as soon as the scaffolding was removed short after November 2012, adding credence to the ‘conspiracy theory’. This situation was pointed out in a post on this site two years ago in September 2019.
As with many of the monuments that were identified in the Albanian Lapidar Survey (many of which have already been described on this blog) ‘The Albanians’ has suffered from both conscious neglect as well as episodes of political and cultural vandalism.
Then
The Albanians Mosaic – National History Museum, Tirana
and up to 2020
‘The Albanians’ – Mosaic on the National History Museum, Tirana
At the beginning of this century one of the five original creators of the mosaic (Agim Nebiu) was paid to destroy his own creation. So much for the integrity of the artist. During that act of destruction Nebiu changed three significant aspects of the original design. He removed; the large, gold outlined five pointed star that was behind the head of the central female figure; the small golden star that was situated between the heads of the doubled-headed eagle (that being the official flag of the Peoples’ Socialist Republic of Albania); and the book from the right hand of the central male figure, replacing it with what looks like a sack (the book would have represented both education and the written works of Enver Hoxha). In the process Nebiu created the most amazingly shaped flag.
So the question I’m posing here is ‘What sort of restoration will be carried out this time?’ The chances of the original imagery and intention being re-created is only marginally more likely than that of an ice cream surviving very long in Hell.
But there are further possibilities of ‘re-writing’ history. The War of National Liberation against the invading fascists, first Italian then the German Nazis, was led by and principally carried out by Albanian Communists. This fact is indicated by the images of the red star on the headgear of the figures on the right of the mosaic. As has happened on a number of lapidars these red stars could be made to ‘disappear’ and therefore ‘deny’ the Communists the victory.
There’s obviously a change going on in the official approach to the Socialist Period in Albania. The present (September 2021) ‘Archive’ exhibition of Socialist Realist paintings and sculptures in the National Art Gallery, the covering up of those paintings that have, for years, formed the permanent exhibition in the gallery and the closure of all the rooms and galleries devoted to the National Liberation War in the National Historical Museum itself all seem to indicate that the involvement of the Communists in the war is going to be completely obliterated.
Ukraine – what you’re not told
Firstly I very much enjoy meandering through your wonderful website, especially the Albanian writings.
The tampering of this mosaic is certainly an interesting topic.
“The War of National Liberation against the invading fascists, first Italian then the German Nazis, was led by and principally carried out by Albanian Communists. ” I am not sure David Smiley would agree. I think the history Albanian resistance has not been fully understood and published. The communist regime most certainly exaggerated their effectiveness and of course set the narrative for the Ballists and Legalitit combatants.
Just as the ‘west’ tried to undermine the crucial/fundamental role of the Soviet Union in the defeat of the Nazis (all as part of their ‘Russophobe’ campaign (which began long before the Special Military Operation of February last year) so capitalism has constantly been attempting to undermine any role played by Communists in the Second World War.
But if it wasn’t the Communist who drove first the Italians and then the German fascists out of their country who did?
The ‘Nationalists?
The Communists disrupted ‘the plans of the German Nazis from establishing some element of legitimacy to their occupation of the country with the setting up of a ‘Quisling’ government. The date chosen for this sham was the 18th October 1943 and on that day the Albanian traitors met in the Victor Emmanuel III Palace on the outskirts of the city of Tirana.’
And who was it who brought the disparate groups fighting the invaders together?
‘Different nationalist groups, but especially those organised by the Communist Party of Albania (CPA) after its foundation on 8th November 1941, fought against the invaders but by the middle of 1942 it was recognised that the struggle for liberation needed co-ordination and with that in mind the Communists invited all nationalists to a conference to create a structure that would defeat the materially superior foreign forces.’
Perhaps it was the English ‘James Bonds’ who threw out the fascists, all by themselves?
But the Nazis knew who were their real enemy shown by their murder of Persefoni and Bule and the destruction of Borove.
And even the British knew who the real fighters were by finally ‘accepting’ that the Partisans were the only force that was serious in its fight for National Liberation.
But once the war was won the British did everything in its power to destroy the new Socialist Republic.
So what does a little ‘re-writing’ of history matter?