Catalunya/Catalonia

'The Sun' Concert Hall - Palau de la Música Orfeó Català

‘The Sun’ Concert Hall – Palau de la Música Orfeó Català

Catalunya/Catalonia

A collection of posts covering various aspects of the Spanish (although many Catalans don’t want it to be) region. Some of the early posts might now be out of date but are included here for whatever historical merit they might have.

History

The Roman City of Baetulo, Badalona Museum

I’d think I’d be fairly safe in saying that the overwhelming majority of people who visit Barcelona aren’t there for what remains from the Roman period – many not being aware that the Romans had actually been there in the first place – most coming to view the Modernist architecture of the likes of Antonio Gaudí and Lluís Domenech i Montaner. That’s a shame as the city has remnants from 2,000 years ago, although admittedly some of them need to be searched out. Even fewer people would be aware that just a few kilometres down the Metro line to the north-east of Barcino (the Roman name for Barcelona) is the Roman City of Baetulo at Badalona Museum, one of the most important Roman archaeological sites in Catalonia.

The Spanish Civil War

Refugi 307 – A Spanish Civil War air raid shelter in Barcelona

Refugi 307 (an air-raid shelter during the Spanish Civil War, 1936-39) is one of the few existing shelters from that conflict which it’s possible to visit. Situated in the working class district of Poble Sec it’s very close to Montjuic Hill. The opening of these places to the public throughout Catalonia was part of a project called Memorial Democràtic, started under a more left leaning regional government. The right, who’ve regained control of Catalonia, have messed around with the organisation and I’ve found it impossible to discover exact details of the present state of affairs. This shelter is now under the control of the Museu d’Història de Barcelona.

The air raid shelter of Placeta Macià, Sant Adrià de Besòs

The air raid shelter (refugi antiaeri) in Placeta Macià, Sant Adrià de Besòs, Barcelona, provides an insight to what life was like for ordinary, working class, people during the Spanish Civil War, 1936-39.

Rosanes – a military airfield during the Spanish Civil War

Memorial Democratic, a programme to spread information about the history of the Spanish Civil War, tells the story of the small Republican airfield of Rosanes, just outside La Garriga in the hills just to the north of Barcelona, Catalonia.

Modernismo

Santa Creu i Sant Pau Recinte Modernista

The largest, and in many ways the most impressive, of the Modernist sites in Barcelona, indeed in all of Catalonia, is probably also one of the least known and visited. This is the Hospital de la Santa Creu i Sant Pau, designed by the architect Lluís Domènech i Montaner who was also responsible for the Palau de la Música Orfeó Català.

Arenas de Barcelona – Placa de Espanya

Arenas de Barcelona, the bull ring right next to one of Barcelona’s busiest roundabouts at the Plaça de Espanya, had been closed for years. Bull fighting has its supporters throughout the Iberian Peninsular but it never had such a fan base in Catalonia as it did, and still has, in the likes of Andalusia and Extremadura. Come the 1970s and it’s owners considered it wasn’t a viable concern. For bull fighting fans that wasn’t such a total disaster as there was another large ring only a few kilometres east along the Gran Via de Les Corts Catalanes at Monumental.

Palau de la Música Orfeó Català – Barcelona

If you have any interest at all in Modernisme (the Catalan name for what is called Art Nouveau in Britain) then any visit to Barcelona has to take in the unique Palau de la Música Orfeó Català at the Via Laietana end of the narrow Sant Pere Més Alt. The work of the Barcelonan Moderniste architect, Lluís Domènech i Montaner (whose other great monument to Modernism is the Hospital de la Santa Creu i Sant Pau) this one building encapsulates all the aspects which arose time and again in the short 20-30 year period of Moderniste dominance which straddled the 19th and 20th centuries. Love it or hate it you can’t ignore it!

Casa Barbey – A Modernist summer house in La Garriga

Modernism is not restricted to Barcelona as many towns throughout Catalonia boast at least a few examples of this late 19th early 20th century architectural style. La Garriga, about 30 kilometres north of Barcelona, developed as a spa town at the same time as the heyday for this fashion and Casa Barbey is one of the best examples in the town.

Architecture

Els Encants Vells, Barcelona

There’s been an open air, general and for a lot of the time unorganised and unregulated market in the area of Las Glories of Barcelona for centuries. Even though I’ve been to Barcelona many times over the last 20 plus years I’ve never made it to that place until this year (2015) – which might be a shame (in retrospect) but then shopping and markets ave never been my thing and my experiences of walking through the Madrid Rastro (never with any serious negative consequences (it’s a pickpockets and general thieves paradise) but coming away wondering why I had gone through the experience of jostling through thousands of people when there was never anything I might have wanted to buy). But I was glad that on my most recent visit to Barcelona I made it an effort to go to Els Enacants Vells, at Plaza de Las Glories.

San Joan de Reus University Hospital

Innovative modern architecture is evident in the recently opened San Joan de Reus University Hospital, on the outskirts of the city in the southern part of Catalonia. This is yet another example of where the countries of Europe lead the way when it comes to modern architecture.

Mies van der Rohe Pavilion, Barcelona

If, after a few days in Barcelona, you’re suffering from a surfeit of Modernism (too much Gaudi or Domenech i Montener) then you could do much worse than visit the Mies van der Rohe Pavilion in the exhibition and conference area, between the Plaça de Espanya and the Museu Nacional d’Art de Catalunya.

Catalan Culture

The Castellers de Sant Adrià de Besos, Barcelona

Anyone who has travelled around the not totally foreign tourist dependent areas of Catalonia in the summer months might well have come across a group of castellers, the people who construct human towers which vary in height and complexity dependent upon the number, size, experience and expertise of the colle (group). I’ve only seen these towers a few times in real life (although quite a number of times on the television – a similar experience I have to bull fighting) and didn’t really understand much about the practice until I had the chance to attend a practise session of a group that has recently been formed, the Castellers de Sant Adrià de Besos, Barcelona.

Platja d’Aro Carnival 2014

Thirty or so years ago Platja d’Aro was just a quiet village on the northern coast of Catalonia. With the development of tourism and the creation of the ‘Costa Brava’ the town mushroomed and now is predominantly a place of hotels, apartment blocks and summer homes for the Catalan wealthy. From the end of the summer season in September/October until Easter the following year the place reverts to its original population levels, summer homes being closed for the winter. Apart, that is, until it’s time for the Platja d’Aro Carnival.

Carrers Guarnits in the Festa Major de Gracia, Barcelona, 2012

Every year the Barcelona district of Gracia organises a street based competition during its Festa Major in August. The carrer guarnits (decorated streets) are a tradition going back just under a hundred years and attracts visitors from all parts of the world.

Eating and Drinking

Can Joan, Carrer del Lleo, Badalona

It’s good to travel alone as it’s possible to take the credit for every achievement but from time to time it’s relaxing to go to a place where you know people who know people. Through this network I had been given a guided tour of Baetulo (the Roman town that pre-dates anything in Barcelona) in the Badalona Museum. Not only that our guide recommended a place near-by to eat and that’s how, on a Wednesday afternoon at the end of February, I went for my lunch in Can Joan, Carrer del Lleó, Badalona.

El Glop – Taverna del Teatre – Barcelona

I had just walked around L’Eixample for three hours or so, following a route that took in various Modernist buildings, and finished down by Plaça Catalunya. I had originally planned to head off to a restaurant recommended in one of the guide books but couldn’t find it on my map and, anyway, it would have been another 10 minute or so walk so decided on one that I passed just before the end of my itinerary El Glop – Taverna del Teatre (the theatre in question being Tivoli cinema house).

Le Nou – Restaurant – Barcelona

If you’re going to eat one main meal of the day in Catalonia the best you can do, in terms of value for money and often in terms of quality, is to go for a ‘Menu’. Although in a place like Barcelona they are used to foreign tourists the pronunciation of this is phonetic, no fancy messing around with the ‘n’ as if it were a Castilian ‘ñ’.

Contemporary Calalunya/Catalonia

Independence for Catalonia!?

As a referendum about Scottish Independence approaches I thought it would be useful to hear about another region of Europe that wants the same thing, Catalonia wanting to separate from Spain. Here are the ideas of a Catalan from Barcelona.

Charity is the answer!

Charity from the Catholic Church or asking for other hand-outs is the suggested way out of the crisis in Catalonia, according to a judge. In Britain and the US the answer is in the growing number of ‘Food Banks’ to provide emergency food aid.

One o’clock in the morning – La Rambla, Barcelona

The Rambla in Barcelona is considered to be one of the ‘must’ places to visit if you are in the city. Publicity pictures and videos will show you hoards of smiling people, brightly dressed, relaxed as they take in the sun at the same time as they take in all the sights the Rambla has to offer. There are cafés aplenty, the human statues (although they were strangely absent when I was there recently), the smell from the flower stalls half way down, the artists waiting to paint your portrait down at the bottom end. But a different form of tweeting now comes from the part of the Rambla where the bird sellers used to be based, the sale of wild birds having been banned since 2010.

IVA increases – small businesses cash in

The level of Spain’s purchase tax (IVA) went up on many goods from 18% to 21% on September 1st 2012. Are small businesses cashing in on this increase and causing inflation in the cost of some of the most basic of everyday purchases?

La lucha continua becomes La lluita continua

The practice of storming supermarkets, filling trolleys with the basic necessities of life and then leaving without paying is spreading. After starting in a couple of places in Andalusia groups with a similar agenda have carried such activities in Merida, Extremadura and most recently in a town in Catalonia.

‘Privatisation’ of Parc Guell?

The Barcelona municipal council are considering charging admission for entry into Parc Guell, one of Antonio Gaudi´s gems, in order to get more money from visiting tourists, without improving access or services. This is opposed both by tourists and the local residents.

Walking in Catalunya/Catalonia

Montseny Natural Park and the Congost Valley

The Montseny Natural Park, just to the north of Barcelona in Catalonia, contains a wide variety of flora and fauna and offers many opportunities for the walker. On its western edge is the Congost Valley, historically one of the escape routes for those fleeing the Fascists towards the end of the Spanish Civil War.

Els Tres Monts – Stage 1 – Montseny-Tagamanent

Els Tres Monts (The Three Mountains) is a waymarked route from the village Montseny (in the Natural Park of the same name) to the hilltop Monastery of Montserrat. In the process it passes through the Sant Llorenç del Munt I L’Obac Natural Park affording an opportunity to experience the diverse landscape in this part of Catalonia, from soaring peaks to sheer cliff faces, from Romanesque churches to Modernist extravagance, from large farmhouses to peasant cottages.

Four days of Els Tres Monts

Els tres monts long distance walk starts in the village of Montseny and over a (suggested) period of six days arrives at the mountain top Monastery of Montserrat, 110 kilometres away. On the way you pass through a varied countryside and after some steep climbs you arrive at other sanctuaries seemingly stuck on to hill tops, offering views of the natural parks and as far as the Pyrenees.

Els Encants Vells, Barcelona

Els Encants Vells from Jardin de los Elsines

Els Encants Vells from Jardin de los Elsines

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Els Encants Vells, Barcelona

There’s been an open air, general and for a lot of the time unorganised and unregulated market in the area of Las Glories of Barcelona for centuries. Even though I’ve been to Barcelona many times over the last 20 plus years I’ve never made it to that place until this year (2015) – which might be a shame (in retrospect) but then shopping and markets ave never been my thing and my experiences of walking through the Madrid Rastro (never with any serious negative consequences (it’s a pickpockets and general thieves paradise) but coming away wondering why I had gone through the experience of jostling through thousands of people when there was never anything I might have wanted to buy). But I was glad that on my most recent visit to Barcelona I made it an effort to go to Els Enacants Vells, at Plaza de Las Glories.

Not that I am any more interested in the market itself. There might have been a bit of twisted ‘romance’ about walking through a dust ridden, rubbish strewn, unorganised and chaotic location designed to extract the greatest amount of money for the smallest amount of value but I had missed that (no tears) and have to relate to the building itself. Which, I consider, to be a minor architectural marvel.

By all accounts the remit of the tender was to provide a modern environment for an ancient market and I think that the architects (b720 Arquitectos, based in Barcelona but with offices in Madrid and also in San Paulo (Brazil)) have provided what was asked for in spades.

What they have basically produced is a very interesting roof, supported by slender metal columns (new technology allowing for some innovative ideas to be brought to fruition) and underneath an environment that takes into consideration the original, in a field, in the mud when it rained, shabby and chaotic environment of a street market of yore.

Now, I have no doubts that there were many people who didn’t like this change of venue – it moved across the Las Glories huge roundabout – or the introduction of regulations. There are, at the very bottom of the building, more or less in the basement, the same sort of stalls that would have been common in the ‘traditional’ market, i.e. all the bits and pieces up for sale on the ground, getting dirty and losing value every time they came out of the box. But they are in the minority. The overwhelming majority of the stalls are of a semi-permanent type and some are no different from the shops you might encounter on any (dying) local town.

And that’s a problem, especially when you consider the genesis of the idea of a flea market. That was a market where anybody could go and sell what little they had. Now there’s a problem with that sort of heritage. Many people went to these types of markets in the past to sell what they had to eat or pay the rent. It’s a mark of disgrace on our western societies that that situation is still with us in the 21st century.

It also meant that those not too honest people, the thieves and robbers of old, could dispose of their ill-gotten gains quickly, providing the unscrupulous poor of a way of acquiring those goods that had been stolen from their even more unfortunate peers.

The new ‘old market’ is now a place for the up and coming petite bourgeoisie. The poor have been even more marginalised in selling their chattels and the profit goes to the middle-man. Rents here will be, undoubtedly, much higher than before and would have excluded all but the more prosperous thereby making a mockery of the idea of continuing the tradition of a ‘flea market’.

Does that make the new building ‘classless’? Probably not. There’s a mix of small, pod-like shelters which can be locked up a night, next to which are basically shops, some big some not so big, but at least permanent. It’s only on the lowest floor where there is space for ‘arrive on the day with all the goods you want to sell’ space. If the poor are waiting for the state and other official capitalist institutions to bring them out of their poverty they will wait forever, and we’ll see no cultural advance, proletarian or bourgeois.

To the structure itself.

It’s a light-weight, yet must be very strong, metal roof structure supported by relatively thin, yet also strong, pillars which provide shelter for the stalls beneath but still allows for the impression of it being an open market, their being no walls.

This roof I consider to be an amazing structure. It’s made of reflective metal but it’s also fractured and in that way, each time you look up, and move even a short distance in any direction, the reflection is different. The roof is not complete in that there are areas where the sky is visible but they must be overlapping otherwise even ‘cheap seats’ in the basement would get the rain on occasions, which would create a certain amount of animosity.

How that metal doesn’t tarnish and therefore mitigate the reflection is (at present) a mystery to me. Barcelona is on the coast and Les Glòries is not that far from the Mediterranean and I would have thought that the salt in the atmosphere would have had an effect, but 18 months after opening the reflective capabilities of the roof seem unaffected.

The structure was officially opened for business on Wednesday 25th September 2013 and it cost €52,659,814, which seems a lot for a roof and a few pavements, but it’s nice work if you can get it – and as it’s the public who are paying then, obviously, money is no object. We all know that land speculators, banks, and even environmentally friendly architects are suffering in the present climate of austerity.

The roof is the most interesting aspect of the structure but the way the different floors seem to merge into one another is also unique, almost creating one of these optical illusions where you are on an endless road. You can get an idea of this from the maqueta.

Els Encants Vells - Maqueta

Els Encants Vells – Maqueta

Now to the details.

It is the result of the work of a group of architects known as ‘b720 Arquitectos’, headed by Fermín Vázquez. (The number 720 comes from the way in which architectural materials are codified – I know, I’m not really that much the wiser either.) This promotes itself as being, more or less, a collective where all ideas are considered equal but as the practice has been involved in a number of really big, multi-million Euro/Dollar projects, in Barcelona and other parts of Spain as well as Brazil, I would have my doubts about that.

The practice has an ecological principle and seeks to design buildings which are in harmony with their surroundings as well as sing locally sourced materials. Among the other projects they have completed in Barcelona are the Torre Agbar (Barcelona’s smaller version of what is known as ‘The Gherkin’ in London – which I’ve never seen in reality), the Hotel Santos Porta Fira in L´Hospitalet de Llobregat (a seemingly top-heavy structure which is situated mid-way between Barcelona’s airport and the city itself) and an office building at Avinguda Diagonal 197.

Torre Agbar from Els Encants Vells

Torre Agbar from Els Encants Vells

How to get there:

Les Glòries is a stop on the Barcelona Metro, on L1, Les Glòries, Encants station on L2 is not that far away. You can also get there by Tram on line T5.

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Mies van der Rohe Pavilion, Barcelona

Mies van der Rohe Pavilion

Mies van der Rohe Pavilion

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Mies van der Rohe Pavilion, Barcelona

If, after a few days in Barcelona, you’re suffering from a surfeit of Modernism (too much Gaudi or Domenech i Montener) then you could do much worse than visit the Mies van der Rohe Pavilion in the exhibition and conference area, between the Plaça de Espanya and the Museu Nacional d’Art de Catalunya.

Many, many thousands of people walk close-by but the overwhelming majority of them – unless they are specifically looking for it – won’t even know of the existence of this building or know of its importance in the development of 20th century architecture.

The German Pavilion and the International Exhibition of 1929

The present building is on the same spot as the original (designed as the German Pavilion for the 1929 Barcelona International Exhibition) but for more than 50 years nothing was there, just an empty space, an even more extreme example of minimalism.

Although it appears to be a house there’s no accommodation, kitchen or bathroom. I don’t understand why, it just wasn’t part of the requirements of the commission. I would have thought that creating a realistic living environment would have been more useful in promoting the Minimalist argument but Mies didn’t think so and just created ‘a space’ through which the people visiting the pavilion couldn’t just use it as a shortcut to the Pobla Espanyol, they had to see all of it.

The structure followed those tenets of Minimalism established a few years earlier: angular in appearance (no ‘softening’ of the structure which was taken for granted by the Modernists); a flat roof supported by simple iron columns; large, plate-glass windows – virtually forming the exterior walls; and limited, and purely functional furnishings.

When the exhibition finished attempts were made to find a buyer for the structure, and there was even a proposal to establish a restaurant in the location, but that all fell through and the German government decided to sell the iron for scrap and sent the travertine, marble, onyx (the types of stone used in the original) and the sculpture of a female nude (Der Morgen, ‘Morning’), by George Kolbe, back to Germany.

‘Less is more’ – the Mies van der Rohe motto

The Minimalists arose as a reaction to the over decoration that had been a dominant force in European architecture and was heavily influenced by traditional Japanese design. The Minimalists sought to reduce buildings (as well as objects and art) to their necessary elements, eschewing decoration that was over and above what was used, in a practical manner, to achieve the desired result. In the Mies Pavilion this is shown by the use of colourful and imaginatively pieced together slabs of marble and onyx for the walls or the travertine used on the floor.

Entrance - Mies van der Rohe Pavilion

Entrance – Mies van der Rohe Pavilion

The Bauhaus – the inspiration for Mies

Mies van der Rohe was one of the triumvirate of Minimalist architects which were to have a considerable impact upon the architecture of the 20th century, although this is not always that obvious. The other two were the Swiss Charles-Édouard Jeanneret-Gris, but always known as Le Corbusier, and a fellow German,Walter Gropius.

It was Gropius who had designed the Bauhaus in Dessau, in the Weimar region of Germany, which was completed in 1926. This established some of the ‘ground rules’ for Minimalist architecture with its angularity, use of iron columns, concrete and a lot of glass, as well as dividing the building up (it originally functioned as an art and design college, together with accommodation for students and staff) so that the design reflected the use of each section.

However, the Bauhaus complex exposed problems (I’m not going as far as to say failings) of the Minimalist approach, something which the Pavilion in Barcelona never would as it was never ‘used’ in a real life context, only ever being an exhibition space, a concrete realisation of the ‘idea’.

To some extent these problems arose due to the use of glass and the openness that this implied. In the Bauhaus, aligned as it was to make maximum use of natural light, the students would be cooked as the sun shone through the windows in the summer – if the Bauhaus had been constructed in Britain this would not have been a problem. In order to survive the ‘solution’ was to put up curtains, a total anathema to Minimalist thinking. In the winter the problem was the reverse. Any heat created inside the buildings just dissipated through the not very insulation efficient windows with their iron framework.

Privacy perhaps wasn’t a major issue for the classrooms but it was for the teachers in their homes, situated a short distance from the college building – or at least for one of them, the Russian born painter, Wassily Kandinsky.

It seems he didn’t like living in a ‘goldfish bowel’ and painted over the glass windows to his house. He also didn’t like the minimalist decoration of the house where the walls were painted in plain colours to reflect the function of that particular space. He was reputed to have used a palate of hundreds of colours in counteracting the original, simple selection.

This situation, didn’t, couldn’t and will never arise from the Mies Pavilion as it has no real function, perhaps yet another ultra-minimalist statement.

The Pavelló Mies

After the death of the Fascist Franco the Barcelona Municipality decided to attempt a reconstruction and as all the plans, together with photographs of the original, were to hand the project was completed and the ‘new’ building opened on 2nd June 1986.

The statue of Morning, by Kolbe, had found a permanent home in a public square in the Schöneberg district of Berlin so a copy was made and that now stands where its original had in 1929, on a plinth in the small pool.

'Der Morgen' - Morning - George Kolbe

‘Der Morgen’ – Morning – George Kolbe

The Barcelona Chair

Minimalists tried, when at all possible, to not only design the building but all the interior fittings within the structure. At the Bauhaus, for example, Gropius designed the light fittings, power sockets, door and cupboard handles to mention just a few. In this way they were very similar to the Modernists the result of which can be seen in the Museu Nacional d’Art de Catalunya, at the top of the steps above the fountain a few minutes walk from the Pavilion.

For Mies this resulted in the design of what is still known as the ‘Barcelona Chair’, a simple padded chair for one person based upon a tubular steel structure. This is still made and bought in their thousands today and is one indication of the longevity and reach of Minimalist ideas which might not be recognised by those who sit in those chairs – which are said to be quite comfortable. Don’t try that at the Pavilion or you’ll be thrown out on your ear.

'Barcelona' Chair - Mies van der Rohe Pavilion

‘Barcelona’ Chair – Mies van der Rohe Pavilion

Just as an aside, another well-known everyday design from that period of the 1920s is the anglepoise lamp.

A breath of fresh air?

Although in no way as extensive as the Modernist buildings in other parts of Barcelona and Catalonia the Mies Pavilion is still worth a visit but it might be worthwhile doing a little bit of research before a visit so you know what you are looking at and the intentions of the architect. At the same time only a real aficionado of Minimalism would be there for more than a half an hour – if that.

Location and contact details:

Pavelló Mies van der Rohe

Aviguda Francesc i Guàrdia 7

Parc de Montjuic

08038 Barcelona

Tel: +34 93 4234016

Internet: The Mies van der Rohe Foundation

How to get there:

The nearest Metro station is at Plaça de Espanya – this is also a major bus intersection. From there take the exit directing you to the Palau de Congressos and the Museu Nacional d’Art de Catalunya. Walk along the right hand side of the avenue, go up the first set of escalators and then turn right alongside the sandy park space. The building is just in front of you but remember it’s minimalist so you have to look hard.

Opening times:

Everyday between 10.00 – 20.00

Entrance: €5

(At 10.00 on a Saturday a free guided tour in English is advertised. You still have to pay the entrance but there was no information of having to book in advance.)

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