Agricultural bas reliefs – Valea Morilor Park – Chișinău – Moldova

Posted on 11/11/2025 by Michael

Bas relief at the Valea Morilor Park, Chișinău

Agricultural bas reliefs – Valea Morilor Park – Chișinău – Moldova

There’s a limited amount of Soviet decoration still visible in Moldova and only one example of this art work in the form of bas reliefs (so far) in Chișinău, the capital of the country.

This is on the façade of a building which is now some banal events venue but which must have had a more official function in the Soviet past.

What we have here are two tableau depicting agricultural, collective farm, life during the period of the construction of Socialism in the Soviet Union.

These are very reminiscent of the images that can be seen on the external walls of the Republic pavilions at the Exhibition of Achievements of the National Economy (VDNKh) in Moscow, but I didn’t – at the time of my visit – note exactly what images were representing which Republic.

What we have in all such bas reliefs is a respectful representation of working people, productive and working not just for themselves but for the benefit of the collective. We have men, women and children all involved in the productive process from which all will receive the awards and not having the fruits of their labour stolen by the capitalist owners of the means of production. There was a time when the workers of the USSR (Union of Soviet Socialist Republics) had the reins of power in their hands. The fact that they allowed those reins get into the hands of the exploiting class following the death of Comrade Stalin (in 1953) is, for the sake of this discussion, irrelevant. For a time they had the power – why they allowed that power to be taken away from them is an important matter but not something which can be covered here. (That ‘debate’ is available on other pages of this blog.)

In these images there’s always a gentle relationship between the collective farmers and the animals they tend. This would always be an idyllic representation. Farm life, when it comes to livestock, is invariably cruel. The animals are there for one reason – that it to be exploited for what they can produce whilst alive and to provide protein on their deaths. But even though that would have been the reality on any Soviet State/collective farm it would have lacked the industrial slaughter that exists under capitalist food, factory production process. I don’t want to romanticise Soviet agriculture but I don’t believe it ever reached the level that was already a long established norm in the ‘killing fields’ of the like of the Chicago stock yards as was depicted in Upton Sinclair’s ‘The Jungle’. In that capitalist environment it was (and is?) difficult to work out who was the more abused, the animals or the human workers.

Whether that situation would have arisen even if revisionism and the restoration of capitalism had not occurred in the Soviet Union is a moot point. Whatever the future might have been the past of a gentile relationship between man and animal is still preserved in the bas reliefs on the building close by the Valea Morilor Lake in Chișinău.

These images also tell the history of the country, in that those agricultural products that were important in the country in the 1960s/70s (when I assume the bas reliefs were produced) are there on the wall – the grapes (for the wine), the sunflowers (for the oil), the maize (for the cobs) and wheat (for the flour).

Somewhat surprising (to me) is the lack of a significant reference to industry. The unique representation is in a male with spanner. No mechanisation, no tractor/combine harvester in the imagery, no indication that agricultural production was moving away from a situation of ‘idiocy of rural life’. This is not meant as a criticism of the skills of agricultural workers but of the fact that their working life had traditionally led them to an existence of isolation and a lack of organisation which was forced upon industrial workers with the development of factories and the concentration of hundreds (and thousands) of workers in a restricted area. They wouldn’t have chosen that move if given free will – they would have preferred working in a ‘cottage industry’ with their cow, pig and chickens on common land and a small vegetable patch – but that was stolen from working people by the first major privatisation of the modern age with the Enclosure Acts (where the rich stole from the poor in a blatant act of ‘legalised’ theft).

So these public works of art told a part of the history of the common people in Socialist societies. When they were/are obliterated in a purge of the past because capitalism doesn’t want the working class to even remember what the construction of Socialism (with the potential to lead to Communism) had meant to their lives then they will just accept the ‘norm’ that capitalism offers – to stay in your place, to accept what is given and allow the billionaires to rake in unbelievable amounts of wealth whilst the poor get poorer and as their ranks are increased.

That is why the images of Socialist Realism are being destroyed and, in an attempt to combat that revision of history, why that imagery that remains is being documented on the pages of this blog.

If you head to the lakeside to see these bas reliefs then you cannot but avoid also visiting the tableau of the three outstanding Communists – Karl Marx, VI Lenin and Georgi Dimitrov.

Location;

Strada Ghioceilor 1, Chișinău,

By the Moldexpo International Exhibitions Centre and at the edge of the Valea Morilor Lake.

GPS;

47.01631 N

28.80432 E

VI Lenin in Tiraspol – Pridnestrovie

Posted on 10/11/2025 by Michael

VI Lenin at Transnistrian Government Building, Tiraspol

VI Lenin in Tiraspol, Pridnestrovie

There are two extant images of VI Lenin in Tiraspol, the capital city of Pridnestrovie (Transnistria).

At the Transnistria Parliament Building

The first Soviet leader just seems to emerge from the tall, red, granite column on which he stands. His coat resembling the workers red flag, caught by the wind streaming out behind him.

This statue is modelled on a statue, by the same artist – Nikolai Tomsky – which used to stand in what was Leninplatz in East Berlin. The original statue was erected in 1970 but the one in Tiraspol wasn’t inaugurated until 1987. The one in Berlin was on a lower plinth and had a large panel behind VI Lenin so there wasn’t the same impression of him almost flying. The one in the German location was removed in 1992.

The list of the artists involved in the project are attached to a small plaque at the back of the statues plinth.

Nikolai Tomsky was also involved in the bas reliefs that decorate the ceiling of the Novokuznetskaya Metro station in Moscow. He also created the bust over the grave of JV Stalin which was installed when the body of the second Soviet leader was removed from the Lenin Mausoleum in October 1961.

Location;

In front of the building of the Supreme Council of the Pridnestrovian Moldavian Republic (Transnistria Parliament) at 25th October Street 45

GPS;

46.83632 N

29.60651 E

VI Lenin at Tiraspol City Hall

At the Tiraspol City Hall

Unfortunately, there’s not a great deal of available information about this monument to VI Lenin. As far as I can learn the sculptor was G. Solominov but, so far, I have been unable to find any more information about him. There’s also no information of the year it was installed. I would guess the 1980s – as this seemed to be a time when there was a major impetus to install statues of the first Soviet leader as the revisionist leaders of that time – just before the collapse of the Soviet Union – were panicking and trying to establish their legitimacy.

It’s quite a unique representation of VI Lenin. It’s only a larger than life sized bust but he is depicted as wearing an overcoat with a huge collar – something I’ve never seen in photographs of him during his life time.

Location;

In front of the Tiraspol City Hall at 25th October Street, 101

GPS;

48.83701 N

29.62812 E

VI Lenin, Karl Marx and Georgi Dimitrov – Chișinău, Moldova

Posted on 09/11/2025 by Michael

Karl Marx, VI Lenin and Georgi Dimitrov in Chisinau, Moldova

VI Lenin, Karl Marx and Georgi Dimitrov – Chișinău, Moldova

The new location of the Lenin statue is much more pleasant than its original location in the centre of town (in front of the Government building, I understand), having to endure the noise and pollution from the traffic. Now he stands in the park beside quite a large lake, used for boating, to the west of the city centre. However, in his new location Vladimir Iliych isn’t alone. On his right hand side is a large bust of Georgi Dimitrov (the Bulgarian Communist leader, defiant defendant against the Nazis over the accusation of being involved in the Reichstag fire of February 27th 1933 and General Secretary of the Communist International) and on his left Karl Marx (the founder, with Frederick Engels, of the revolutionary theory of the working class).

In translation this location is described as an ‘honour board’ or ‘hall of fame’ neither of which seem appropriate but I have been unable to come up with an alternative that sounds correct in English.

I have no idea where the the busts of Dimitrov and Marx came from but the whole group has been treated with respect and not having been dumped here as some afterthought. A formal, marble back drop, together with honorific laurel scrolls, had been created for the new location demonstrating that consideration and expense had been involved in the relocation.

Although the plinth on which VI Lenin stands bears his name there’s no indication of who his two companions are. Why that’s the case remains a mystery to me. I also don’t understand why the lettering is in Cyrillic and not also in Romanian.

Apart from a slight mark on Vladimir Ilyich’s groin, there’s no damage, as far as I can see, to any of the three statues. And the area is generally clean and shows signs of regular maintenance.

If you visit Comrades Lenin, Marx and Dimitrov be sure to have a look at the bas reliefs on either side of the main entrance to the building beside the ensemble. This is now an events venue – but which must have had a more official, governmental purpose in the past.