We are together in the fight against fascism – Park Pobeda – Moscow

We are together in the fight against fascism
We are together in the fight against fascism

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We are together in the fight against fascism

This particular sculpture, impressive as it is, poses and challenge to me when being asked ‘What is a piece of Socialist Realist art?’ Art can be realist without having any reference to socialism even though it might represent a worker or workers sympathetically. But what takes one piece of work from a mere representation of a person or an event to a different level, to imbue it with a meaning that is over and above what is merely in front of the viewer.

My simple interpretation of that has been the intention of the artist at the time of the work’s creation, the intended audience and what was hoped would be achieved by it’s presentation to the public. But these intentions and hopes are not concrete. They can exist in one period of time but can just disappear if (and unfortunately) or when the social system reverts to what it was pre-Revolution – as happened in the Soviet Union (and all the other post-Socialist societies).

But if, as it did, Revisionism took control soon after the death of Joseph Stalin in 1953 can those works of art produced after that date until 1991 still be considered works of Socialist Realism? They were still produced for the same audience as were the target in the 1930s and 1940s but for a different purpose, after the mid-50s the aim was to project an image of being in favour of revolutionary change whilst at the same time doing everything practically to avoid such a transformation occurring.

The history (or more accurately to say, its genesis) of this particular monument is quite unique and exceptional, fitting in more with the political agenda of the Russian Government at the time rather than a desire to remind future generations of the sacrifice made by those during the Great Patriotic War or the desire to foment a willingness of self sacrifice amongst a population who are attempting to build Socialism.

On 19th December 2009 a Soviet era monument, the Kutaisi Glory Memorial, which had been unveiled in 1981, was blown up by Georgian fascists under the cloak of ‘nationalism’ and ‘reconstruction’ of the city. The location of the monument was to be the site of the new Parliament building.

The original plan was for the monument to be destroyed on 21st December (coincidentally the anniversary of Stalin’s birth) and a mass demonstration had been planned to oppose this desecration of the memory of all those Soviet citizens (including those from Georgia) who had died in the fight against fascism. The decision the destruction should take place two days earlier than originally planned is considered to have made to circumvent any opposition. Because the task was rushed it was botched with pieces of concrete flying all over the place, some of it killing a woman and her eight year old daughter who lived close by.

But the destruction of this monument also has to be taken in the context of what was happening in the region at the time. This was just after the short war between Russia and Georgia, in 2008, over the separatist regions of South Ossetia and Abkhazia – one started by Georgia under the encouragement of the US. This was all part of a strategy to surround (with hostile NATO states) and eventually dismember the Russian Federation – which had been the intention of the neo-liberals in the west since the fall of the Soviet Union in 1991.

For that reason the demolition of the memorial was more than an attack on the memory of all those who died fighting fascism it was part of the present war against Russia. This created a sense of urgency, an advert for the commission was circulated and by July 2009 there were already six maquettes of the proposed statue to be erected on a site in Park Pobeda (Victory Park) in Moscow. These designs were on display in the Great Patriotic War Museum, awaiting a popular vote.

At the same time the maquettes were on display in Moscow Hilary Clinton was visiting Tbilisi, adding fuel to the conflict and mouthing her meaningless phrases about the US in support of national liberation of those countries ‘occupied’ and vowing never ending US support for ‘the fight for freedom’. Similar declarations, before and subsequently, ultimately led to the situation we have in the Ukraine at the moment and have led to continued efforts by the US to destabilise other countries in eastern Europe – cut short recently by Trump’s rethink on how to allocate resources to maintain the US’s ‘full spectrum dominance’ in the region.

So a somewhat unique genesis of a World War II monument.

The design of the monument follows many, well established tropes for such statues. In general it depicts the events surrounding the Fall of Berlin, the occupation of the fascist liar by Soviet troops, the raising of the Red Flag over the Reichstag and the first ever Victory Day Parade in Red Square in Moscow.

A common theme of the three, separate components of the statue is the dominance of Soviet over Nazi weaponry, imagery and culture. At the very top two Soviet soldiers are in the process of raising the Red Flag, one of the soldiers pointing his weapon at the pile of German weapons that lay discarded on the ground. Amongst this pile of weapons and debris is a toppled German eagle. We’ve won, you’ve lost!

On the left hand side we have a group of Soviet soldiers who are greeting others, unseen, as they stand beside the burnt out dome of the Reichstag building. Under their feet and before them, discarded on the ground, are Nazi weapons, ruined machinery, barbed wire, destroyed Nazi standards (with the swastika broken) and on top of all this detritus a dove of peace is in the process of alighting.

On the right hand side we have the depiction (the only example I’ve seen in a monumental form) of an episode that took place during the first Victory Parade where Soviet solders entered Red Square with dozens of captured Nazi banners, marched to the Lenin Mausoleum, upon which Comrade Stalin and other members of the Soviet leadership were standing to review the parade, and there the troops threw the Nazi standards down into the mud at the door of Lenin’s resting place. In the background of the monument can be seen the Spasskaya Tower and the building that used to be the Lenin Museum but which is now the Museum of the Patriotic War of 1812.

However, there are two aspects which differentiate this monument from those that would have been created even in the Revisionist period of the Soviet Union. And both these are on the right hand side. Amongst the group of soldiers cheering there is one face that is looking out directly at the viewer whilst all the rest are looking to the front. Also, tucked behind the folds of the flag on that side is an incongruous figure on a horse. This figure is long haired and bearded and is totally out of place. A Christ figure? And I couldn’t work out what he has in his hand.

At the rear of the monument are two plaques. One explaining the reason for its existence and the other with the names of those involved in its creation.

Translation of the plaques on the rear of the monument. (Machine translated so apologies for any eccentricities.)

Monument to the Unity of the Peoples of the Soviet Union who fought and won together in the Great Patriotic War.

Symbolising the inviolability of monuments to victorious soldiers

It was opened in 2010 in memory of the Glory Memorial which was barbarously destroyed in the city of Kutaisi on December 19, 2009

Built with folk remedies

Sculptors/Architects; – the names listed. However, I don’t know the exact level of their involvement but assume that Shcherbakov was the principal sculptor.

S A Shcherbakov

A N Kovalchuk

I N Voskresenskiy

B V Perfiliev

V V Seliverstov

A A Ustenko

E H Zhivotinsky

G J Gattenberger

In the centre of the concave, stone wall set back a few metres from the statue the high structure pays homage to the monument that was blown up in Tbilisi. The large letters (in Russian) declare the name of the ensemble – ‘We are together in the fight against fascism’. Lower down and on either side are smaller images of other memorials from other Soviet Republics. I can identify Mother Armenia in Yerevan, the original monument in Kutaisi and the Motherland Calls! in Stalingrad but have problems with the others.

On either side of the installation stand two pillars upon which is place a horizontal, large, golden star.

Closest public transport;

Park Pobeda Metro station

Location;

In Victory Park (Park Pobeda), Moscow

GPS;

55.72845 N

37.50152 E

How to get there:

From the metro station head towards the obelisk and main museum but take a path off to the left which goes beside the church. Keep on this track as it goes past the entrance to the Military Weapons Museum (on your left) and then rises as it skirts around the left of the principal, circular structure. The monument is on the left hand side of the track.

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Moscow Metro – Paveletskaya – Line 5

Paveletskaya - Line 5 - by A Savin

Paveletskaya – Line 5 – by A Savin

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Moscow Metro – a Socialist Realist Art Gallery

Moscow Metro – Paveletskaya – Line 5

Paveletskaya - Line 5 - 03

Paveletskaya – Line 5 – 03

Paveletskaya (Павеле́цкая) is a station on the Koltsevaya line and Zamotskvoretskaya line of the Moscow Metro. Opened on 1 January 1950 as part of the first segment of the fourth stage, the station is a pylon-trivault built in the style of the late 1940/early 1950s Stalinist architecture to a design by architects Nikolai Kolli and I. Kasetl. The station’s theme comes from the Paveletsky railway terminal from which trains depart towards the Volga Region. Thus agricultural influences are clearly seen, these include the square white koyelga marble columns decorated with red marble strips, flanked by marble columns with modern Ionic capitals. Bright bronze chandeliers provide lighting. The walls repeat the two tone marble, white on top, red on bottom, and the floor is laid with grey and white granite.

Paveletskaya - Line 5 - 04

Paveletskaya – Line 5 – 04

The station’s vestibule is built into the corner of the Garden Ring and Zemlyannoy Val, and occupies the ground floor of the building there. Inside above the escalator is a circular mosaic panel by Pavel Korin Red Square which depicts the Lenin’s Mausoleum and the Saint Basil’s Cathedral, framed by a bas-relief with typical soviet banners and floral arrangements with names of Volga cities on the sides. The vestibule has another artwork by Iosif Rabinovich, which is a mosaic on the dome of the vestibule on the theme of the permanent end to drought in the Volga.

Paveletskaya - Line 5 - 01

Paveletskaya – Line 5 – 01

As the station was made to be a transfer point to Paveletskaya station of the Zamoskvoretskaya line, the vestibule was built as an entrance to both stations, however as the radial station of the Zamoskvoretskaya line was undergoing reconstruction the vestibule doubled as a transfer point. A direct corridor was opened only on 30 July 1955, which saw the addition of large staircases surrounded by marble balustrades in the centre of the platform. The other major change was that initially in the end of the station was a large medallion with image of Vladimir Lenin and Joseph Stalin, but during the 1961 de-Stalinization drive this was removed and instead replaced by the present artwork by Pavel Korin showing the Coat of Arms of the Soviet Union being held by a worker man and peasant woman amid floral backgrounds.

Paveletskaya - Line 5 - 02

Paveletskaya – Line 5 – 02

Text from Wikipedia.

Location:

GPS:

55.7318°N

37.6379°E

Depth:

40 metres (130 ft)

Opened:

1 January 1950

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Moscow Metro – a Socialist Realist Art Gallery

May 9th 1945 – Victory Day in the Soviet Union (Russia)

The triumph of the Conquering People - Mikhail Khmelko

The triumph of the Conquering People

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May 9th – Victory Day in the Soviet Union (Russia)

Whilst much of western Europe commemorate May 8th as the official end of the Second World War in the Soviet Union the date for the end of the Great Patriotic War was, and has been since 1945, May 9th. After the collapse of the Soviet Union at the end of 1991 the celebrations have been sporadic but in recent years Putin has realised there’s political capital to be made out of the event and it has now become a major affair, especially in Moscow, and under normal circumstances there would have been hundreds of thousands of Moscovites, covering four generations, on the streets today. It was only in the middle of April, when the covid-19 outbreak started to really take hold in Russia, that the planned parade was cancelled.

Soviet Troops - Berlin - 9th May 1945

Soviet Troops – Berlin – 9th May 1945

Why the difference in the end of the same war?

When the defeat of the Nazi forces was only a matter of time the Fascist leadership after the death of Hitler started to play a bit of a game – deadly for those needlessly killed in the last 6 or 7 days of the conflict.

The Red Army was coming from the east like a steamroller, destroying everything in its path. The British/American et al were making equally fast progress from the west. By the beginning of May it wasn’t a matter of when the Fascists had to surrender it became to whom – and when. The Fascists knew they would be able to get the best deal for themselves if they negotiated with the allies coming from the west – after all British and American capitalism wasn’t that far removed from German Fascism. They knew they would get short shrift from the Soviets.

The Soviet flag flies above the Brandenberg Gate, Berlin

The Soviet flag flies above the Brandenberg Gate, Berlin

Somehow (and I don’t know if anyone ever discovered exactly how this was allowed to happen – the documents coming into German hands during the Ardennes Offensive – also called the Battle of the Bulge which came to an end in January 1945) the Fascists got hold of a map that had been drawn up which showed how Germany would be divided between the allies. With that knowledge Karl Dönitz’s, Hitler’s ‘appointed successor’, main task was to let the war drag on for as long as possible so as many Fascists as possible could escape into those sectors that would be under the control of the British, American or French forces.

To get an idea of Dönitz’s ideology a couple of quotes from national radio broadcasts in the early part of May 1945.

On 1st May, just after the broadcast of the news of Hitler’s death, Dönitz added the following;

‘My first task is to save Germany from destruction by the advancing Bolshevik enemy. It is to serve this purpose alone that the military struggle continues.’

For ‘Germany’ read as many as possible Nazis and Hitlerites.

A public broadcast, so these words and intentions would have been known by all the Allies’ commanders. Added to this Dönitz had never made a secret of his sympathies, being a staunch supporter of Hitler (so much so that even the normally paranoid and suspicious ‘Führer’ had designated him ‘heir apparent’), anti-Communist and anti-Semite.

(To show how correct the new Fascist leader was in his approach to surrender he was only given a 10 year prison sentence at the Nuremberg Trials (arguing the ‘just obeying orders’ defence) – then surviving till 1980 – whilst of those sent to negotiate with the western allies one (von Friedeburg) committed suicide and two (Jodl and Keitel) were hung.)

Soviet flag flies over the Reichstag, Berlin, May 1945

Soviet flag flies over the Reichstag, Berlin, May 1945

After the end of hostilities he wasn’t arrested in Flensburg (almost in Denmark), by British forces, until 23rd May. Why it took so long demonstrates the attitude of the western allies to the Nazis especially as, on the day the unconditional surrender was signed, he had made the following broadcast.

‘Comrades, we have been set back as thousand years in our history. Land that was German for a thousand years has now fallen into Russian hands … [but] despite today’s military breakdown, our people are unlike the Germany of 1918. They have not been split asunder. Whether we want to create another form of National Socialism or whether we conform to the life imposed upon us by the enemy, we should make sure that the unity given to us by National Socialism is maintained under all circumstances.’

But back to the machinations of the Nazis, in efforts to save as many of their kind as possible, and the collaboration in this by the top commanders of both the British and American armed forces. By Montgomery sticking to protocol (and sending the Fascist envoys to Eisenhower – the Allied Supreme Commander) and then Eisenhower giving the Nazis an extra 48 hours before borders were closed) an untold number of war criminals were allowed to escape to and then later prosper in the parts of the country controlled by the western allies. Although not breaking the letter of the agreement with the Soviets it certainly went against the spirit of those agreements. But then what do you expect?

After all the time wasting, game playing and vacillation the first unconditional surrender was signed in Rheims on 7th May. However, there was a very large and angry Red Army coming in from the east and on Stalin‘s insistence any final capitulation had to be signed in the presence of the Commander of the Red Army in Germany, Marshal Zhukov.

That unconditional surrender was signed just before midnight Central European Time on 8th May – which was already 9th May in Moscow – hence the difference in dates.

Celebrations in Moscow

News of the surrender was broadcast over the radio at around 02.00 Soviet time and people congregated in Red Square soon after. Although you rarely see pictures of the reaction to news of the end of the Great Patriotic War by the citizens of the Soviet Union Red Square was as full that day as Trafalgar Square in London or Time Square in New York.

For Motherland, for Stalin - 9th May 1945

For Motherland, for Stalin – 9th May 1945

Red Square - 9th May 1945

Red Square – 9th May 1945

Red Square - 9th May 1945

Red Square – 9th May 1945

I have read reference to, but haven’t been able to confirm it or seen photographic proof, that there was a simple ceremony later in the day of the 9th when captured standards of the Nazi army were thrown down on to the ground in front of the Lenin Mausoleum with Soviet leaders on the podium. This did happen, but the only time I know for certain when it did was during the Victory Parade which took place on 24th June 1945.

Early on the day of the 9th May, Comrade Stalin issued the following Order of the Day;

ORDER OF THE DAY, No. 369, OF MAY 9, 1945,

Addressed to the Red Army and Navy

ON May 8, 1945, in Berlin, representatives of the German High Command signed the instrument of unconditional surrender of the German armed forces.

The Great Patriotic War which the Soviet people waged against the German-fascist invaders is victoriously concluded. Germany is utterly routed.

Comrades, Red Army men, Red Navy men, sergeants, petty officers, officers of the army and navy, generals, admirals and marshals, I congratulate you upon the victorious termination of the Great Patriotic War.

To mark complete victory over Germany, to-day, May 9, the day of victory, at 22.00 hours (Moscow time), the capital of our Motherland, Moscow, on behalf of the Motherland, shall salute the gallant troops of the Red Army, the ships and units of the Navy, which have won this brilliant victory, by firing thirty artillery salvoes from one thousand guns.

Eternal glory to the heroes who fell in the fighting for the freedom and independence of our Motherland!

Long live the victorious Red Army and Navy!

J. STALIN

Supreme Commander-in-Chief, Marshal of the Soviet Union

Moscow

[30 salvoes from a thousand guns – that’s quite a firework display!]

The end of the Great Patriotic War celebrated in Moscow's Red Square, May 9, 1945

The end of the Great Patriotic War celebrated in Moscow’s Red Square, May 9, 1945

Joseph Stalin’s Victory Speech

Broadcast from Moscow at 20.00 hours (Moscow time) on May 9, 1945

COMRADES! Men and women compatriots!

The great day of victory over Germany has come. Fascist Germany, forced to her knees by the Red Army and the troops of our Allies, has acknowledged herself defeated and declared unconditional surrender.

On May 7 the preliminary protocol on surrender was signed in the city of Rheims. On May 8 representatives of the German High Command, in the presence of representatives of the Supreme Command of the Allied troops and the Supreme Command of the Soviet Troops, signed in Berlin the final act of surrender, the execution of which began at 24.00 hours on May 8.

Being aware of the wolfish habits of the German ringleaders, who regard treaties and agreements as empty scraps of paper, we have no reason to trust their words. However, this morning, in pursuance of the act of surrender, the German troops began to lay down their arms and surrender to our troops en masse. This is no longer an empty scrap of paper. This is actual surrender of Germany’s armed forces. True, one group of German troops in the area of Czechoslovakia is still evading surrender. But I trust that the Red Army will be able to bring it to its senses.

Now we can state with full justification that the historic day of the final defeat of Germany, the day of the great victory of our people over German imperialism has come.

The great sacrifices we made in the name of the freedom and independence of our Motherland, the incalculable privations and sufferings experienced by our people in the course of the war, the intense work in the rear and at the front, placed on the altar of the Motherland, have not been in vain, and have been crowned by complete victory over the enemy. The age-long struggle of the Slav peoples for their existence and their independence has ended in victory over the German invaders and German tyranny.

Henceforth the great banner of the freedom of the peoples and peace among peoples will fly over Europe.

Three years ago Hitler declared for all to hear that his aims included the dismemberment of the Soviet Union and the wresting from it of the Caucasus, the Ukraine, Byelorussia, the Baltic lands and other areas. He declared bluntly; ‘We will destroy Russia so that she will never be able to rise again.’ This was three years ago. However, Hitler’s crazy ideas were not fated to come true-the progress of the war scattered them to the winds. In actual fact the direct opposite of the Hitlerites’ ravings has taken place. Germany is utterly defeated. The German troops are surrendering. The Soviet Union is celebrating Victory, although it does not intend either to dismember or to destroy Germany.

Comrades! The Great Patriotic War has ended in our complete victory. The period of war in Europe is over. The period of peaceful development has begun.

I congratulate you upon victory, my dear men and women compatriots!

Glory to our heroic Red Army, which upheld the independence of our Motherland and won victory over the enemy!

Glory to our great people, the people victorious!

Eternal glory to the heroes who fell in the struggle against the enemy and gave their lives for the freedom and happiness of our people!

[Personally I would have liked Comrade Stalin to have added;

Long Live Socialism,

Long Live Marxism-Leninism.]

Soviet Victory Parade

Soviet Victory Parade

Victory Parade, 24th June 1945

The Moscow Victory Parade of 1945 was a held by the Soviet army (with a small squad from the Polish army) after the defeat of Nazi Germany in the Great Patriotic War. It took place in the Soviet capital, mostly centring around a military parade through Red Square. The parade took place on a rainy June 24, 1945, and it was during this parade that the Nazi standards were definitely thrown on the ground in front of the Lenin Mausoleum, with Stalin and other Soviet leaders of the podium.

The fate of Nazism

The fate of Nazism

Some of these standards were, for many years, inside a huge glass case on the floor of one of the rooms of the Revolution Museum in Moscow, close to the then Pravda offices and the Mayakovsky Metro station.

After 1991 this museum went through a number of changes and has little to merit a visit today (or at least it didn’t at the end of 2017). I understand that some (or all) of these standards are currently in the Central Armed Forces Museum in Moscow. If or how they are displayed would be interesting. When I saw them in the early 1970s I liked the idea they were in a jumble (thought well organsiaed jumble) on the floor – as they were at the Victory Parade in 1945. ‘Trophies of war’ are often displayed in the way they would have been when in the hands of their original producers – that was not the fate for the Nazi symbols in the Soviet Union.

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