Britain and poverty – a case of Munchausen Syndrome by Proxy

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Britain and poverty – a case of Munchausen Syndrome by Proxy

The covid pandemic didn’t cause poverty in Britain – though it didn’t help. However, many thousands of people would have been pushed over the established line and many thousands of others would have been forced into debt which makes their future prospects looking rather bleak.

What the pandemic has certainly done is to expose what had been previously hidden, by government intention and a general reluctance in Britain for too many of the population to accept that poverty exists – as they would then have to face the moral dilemma about what to do about it.

Anecdotal evidence shows that donations to food banks have increased in the last 18 months or so and it will be interesting to see how those levels are maintained now that there is a general sense that Britain is returning to ‘normal’ with those who can returning to work. But the changes that are taking place at the beginning of October 2021 also have a sting. The furlough scheme is coming to an end and in a few days the extra £20 given to those on Universal Credit will also be withdrawn.

(An interesting statistic from the past year is that under the furlough scheme people could claim up to £2,500 per month. Those on Universal Credit are now set to lose £1,040 PER YEAR. Even in the worst days of the pandemic, when millions were not able to work, it was the most wealthy in the population who were getting the greatest percentage of government assistance.)

Much has been said, by many, that once the country is out of the pandemic that it should ‘build back better’. If we take this (which I think is a meaningless sound bite) at face value what will it mean when it comes to poverty in Britain, with all that goes with it such as homelessness/expensive and poor rental accommodation? What track record do any of the parties that seek power in Westminster have to make us think that there will be anything radical that will seek to eliminate poverty?

The answer to that question is none.

Poverty is a direct consequence of capitalism. Capitalism needs poverty in order to be able to frighten, manipulate and control the working masses.

As this is the ‘Conference Season’ (when all the major political parties have their annual get-togethers) many promises will be made to be conveniently forgotten at the first opportunity or when ‘reality’ kicks in.

The very recent publication of the millions of leaked papers about how the ‘super-rich’ are able to maintain their wealth (and the political control that goes with it) in the so-called Pandora Papers (which, amazingly, have seemed to dropped out of the news very quickly) only goes to show what has been obvious for years (if not decades) and that is that the rich and powerful are becoming more so. With that increase in wealth comes an ‘entitlement’ for them to control so much wealth they could never really spend it. Some of the comments that were made by those exposed by the investigation over the last two years demonstrate that none of the respondents think they had done anything wrong.

And, legally they probably haven’t. They come from and create the sort of society which forces the vast majority to pay their ‘fair share’ of the tax burden but which provides ‘loopholes’ so that if you have enough to buy an accountant/lawyer or other form of shyster what you pay is vastly disproportionate to the amounts involved. This all comes after a number of years where major companies have been shifting addresses around the world so that they pay the minimum to stay ‘within the law’.

None of these individuals or companies will ever be prosecuted and they won’t even feel any shame of being caught out.

However, ordinary people have to wake up to the facts and realise that they are as much part of the problem as they are of the solution.

One of the first posts on this blog, when Left side of the road was started in the summer of 2012, was about food banks. That post was prompted by an article in which the Trussell Trust, the charity which runs the biggest number of food banks in the UK, stated that it wanted to see food banks in every city and town in the country. That, to me, was a ludicrous goal to set. Surely the aim is to see no food banks as society is sufficiently developed and cultured to have abolished poverty and the need for such charity.

Within Britain, and the same goes for much of the rest of the world, there seems to be an acceptance of the existence of poverty (dire and extreme as it is in some countries) and that the rich and the powerful have the right to accumulate vast fortunes and live an obscenely wasteful lifestyle – right next to people who never know where the next meal is coming from.

The only reason I can see for this acceptance of such an unjust system is that people who have the ability to change the situation somehow get a kick out of the existence of poverty, can make themselves fell good if they are in the fortunate position of having a bit of slack they can give in the form of charity and continue to look up to the celebrities, whether they be ‘royalty’ or just some pop singer.

This is akin to the mental disease, Munchausen Syndrome by Proxy.

Vaccination programme in Britain …..

Freshers’ week drive to give covid jabs to students in England.

Compulsory vaccination: what does human rights law say?

Covid vaccine effects wane over time but still prevent death and severe illness.

Covid vaccine boosters – who will receive them and why are they being given?

Trials begin on Covid booster jab hoped to protect against new variants – but will these new ‘super’ vaccines be given to those who have already been vaccinated or to those still to receive the first dose?

….. and in the rest of the world (or not)

Covax misses its 2021 delivery target – what’s gone wrong in the fight against vaccine nationalism?

In hindsight there was no foresight: how Australia bungled its Pfizer Covid deal.

England’s Covid travel rules spark outrage around the world. Refusal to recognise vaccines given across Latin America, Africa and south Asia has been denounced as ‘discriminatory’.

Vaccine Apartheid’: Africans tell UN they need vaccines.

Hospital admissions – September 2021

‘A bit of a mystery’: why hospital admissions for covid in England are going down.

The wearing of masks

Evidence shows that, yes, masks prevent covid-19 – and surgical masks are the way to go [although these researchers have obviously never observed the manner that people, in all countries, don’t wear the masks as they ‘are supposed to’. If they don’t follow correct practice does not mask wearing cause a potential threat rather than a preventative in transmission?

The future of covid

Coronavirus unlikely to become more deadly because it’s run out of ‘places to go’.

Following the science?

No 10 [Downing Street – the office of the Buffoon] accused of side-lining behaviour experts on latest Covid measures.

‘Long covid’

Technical article: Updated estimates of the prevalence of post-acute symptoms among people with coronavirus (COVID-19) in the UK: 26 April 2020 to 1 August 2021.

Double vaccination halves risk of developing long-lasting symptoms’

‘Collateral damage’

Britain’s covid-era university students may suffer ‘impostor syndrome’.

NHS backlog disproportionately affecting England’s most deprived.

Resolution Foundation warns of cost of living crisis.

Who is benefiting from the pandemic?

Private hospitals profit from NHS waiting lists as people without insurance pay out.

A year that changed the world – and medical companies’ fortunes.

Evil Doers: The Pharmaceutical Industry and the Pandemic – written about the US context but applicable anywhere in the world.

The world gone mad

If the world was working in concert it would have been a different matter.

Russia slams New York’s vaccine requirement for UN general assembly.

Ministers told to bar European Union from UK trial data in vaccines row.

Poverty in Britain

Who’s paying for the government’s plan to fix social care? A podcast.

Universal credit cut will push 800,000 people into poverty.

Child poverty now costs Britain £38 billion a year.

Social care plan will help just a tenth of UK’s older people in need.

The next three articles are mainly focussed on Scotland – but the figures will be mirrored in the rest of the UK.

Almost 300,000 people missed rent or mortgage payment in last year.

Child Winter Heating Assistance eligibility extended.

Energy crisis and price cap rise ‘could force 150,000 more Scots into fuel poverty’.

Buffoon refuses to say if he could live on basic universal credit pay.

Ending universal credit boost will hit sickest areas the hardest.

How (if) will it all end?

How will the covid pandemic end?

What kind of inquiry do we need to learn the right lessons?

More on covid pandemic 2020-2?

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Restoration of ‘The Albanians’ – National Historical Museum, Tirana – or not

Facade - National Historical Museum - Tirana
Facade – National Historical Museum – Tirana

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Restoration of ‘The Albanians’ – National Historical Museum, Tirana – or not

For the second time in less than a decade the facade of the National Historical Museum in Tirana is obscured by scaffolding and sheeting. As on the previous occasion (in 2012) the reason is, supposedly, for the renovation of the ‘The Albanians’, the huge mosaic that celebrates and commemorates the struggle for independence through the ages, the victory over Fascism and the construction of Socialism.

Under normal circumstances such work would be a cause for celebration. The mosaic is a wonderful example of Socialist Realist Art and captures the spirit of the nation at the time it was created in 1982. However, this Albania in 2021 and nothing is that simple.

The present work in progress also asks a number of questions. If, indeed, there was work done in 2012 to repair the damage caused by time and the weather why was it so badly done that it has to be done again nine years later? Was the ‘restoration’ of 2012 nothing more than an excuse to cover up the revolutionary work of art at the time the country was ‘celebrating’ the hundredth anniversary of Independence from Ottoman rule? Events would have taken place in Skenderbeu Square and for the present capitalist rulers of Albania the image of the mosaic as a backdrop to the sham celebrations would have been an ‘inconvenience’.

What was certainly the case was that chunks of the mosaic seemed to be dropping off at an alarming rate and the more pieces that fell the weaker the the rest of the structure would become. Structural damage was obvious as soon as the scaffolding was removed short after November 2012, adding credence to the ‘conspiracy theory’. This situation was pointed out in a post on this site two years ago in September 2019.

As with many of the monuments that were identified in the Albanian Lapidar Survey (many of which have already been described on this blog) ‘The Albanians’ has suffered from both conscious neglect as well as episodes of political and cultural vandalism.

Then

The Albanians Mosaic - National History Museum, Tirana

The Albanians Mosaic – National History Museum, Tirana

and up to 2020

'The Albanians' - Mosaic on the National History Museum, Tirana

‘The Albanians’ – Mosaic on the National History Museum, Tirana

At the beginning of this century one of the five original creators of the mosaic (Agim Nebiu) was paid to destroy his own creation. So much for the integrity of the artist. During that act of destruction Nebiu changed three significant aspects of the original design. He removed; the large, gold outlined five pointed star that was behind the head of the central female figure; the small golden star that was situated between the heads of the doubled-headed eagle (that being the official flag of the Peoples’ Socialist Republic of Albania); and the book from the right hand of the central male figure, replacing it with what looks like a sack (the book would have represented both education and the written works of Enver Hoxha). In the process Nebiu created the most amazingly shaped flag.

So the question I’m posing here is ‘What sort of restoration will be carried out this time?’ The chances of the original imagery and intention being re-created is only marginally more likely than that of an ice cream surviving very long in Hell.

But there are further possibilities of ‘re-writing’ history. The War of National Liberation against the invading fascists, first Italian then the German Nazis, was led by and principally carried out by Albanian Communists. This fact is indicated by the images of the red star on the headgear of the figures on the right of the mosaic. As has happened on a number of lapidars these red stars could be made to ‘disappear’ and therefore ‘deny’ the Communists the victory.

There’s obviously a change going on in the official approach to the Socialist Period in Albania. The present (September 2021) ‘Archive’ exhibition of Socialist Realist paintings and sculptures in the National Art Gallery, the covering up of those paintings that have, for years, formed the permanent exhibition in the gallery and the closure of all the rooms and galleries devoted to the National Liberation War in the National Historical Museum itself all seem to indicate that the involvement of the Communists in the war is going to be completely obliterated.

More on Albania …..

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The ‘Archive’ Exhibition at the Tirana Art Gallery

The singing partisan

The singing partisan

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The ‘Archive’ Exhibition at the Tirana Art Gallery

At present (September 2021) the ‘exhibition’ at the National Art Gallery in Tirana seems to be virtually everything that has been in storage over the last 30 years. But calling it an exhibition is a bit of a misnomer. The word exhibition gives the impression that a bit of thought and consideration had been put into the mounting and display of a collection of art. That is supposed to be the art of a curator – although that has been neglected in this case.

What is, in theory, a good idea – and something welcomed by anyone with an interest in the art of the Socialist Period in Albania – just turns out to be a mess. Virtually all available wall space has been used to mount the pictures and the sculptures take up virtually all available space on the floors.

But its all placed without any context, without any information, without any chronology, without any order or logic.

Paintings of pre-revolutionary times are displayed next to some of the last paintings produced under socialism. The works of particular artists can be found anywhere on the two floors which the exhibition occupies. It’s so chaotic that you are never able to understand any development in the ideas of socialist realism in what was Albania’s Cultural Revolution – which started at about the same time as the more famous one in China (the mid-60s) but which lasted longer, going into the 1980s.

This is the situation with the paintings but this is mirrored with the sculptures. Many are ‘displayed’ on the same storage racks that would have been used in the building’s basement, many more are just placed on the floor. This means you can’t appreciate any one sculpture in itself as it is so close to another, either to its side or behind. A number of the sculptures have an original label attached so you get discover the name of the artist and work title but little more. The fact that so many of them have even those labels missing gives the impression that even the gallery itself probably doesn’t know for certain the artist, date or subject matter.

And you can’t appreciate a sculpture if the only way to get a decent view is to lie on the floor (if that was indeed possible without knocking over its neighbour).

To add to the ad hoc feel of the exhibition a number of the paintings are lacking a proper frame and are just as they would have been after the artist had completed the task.

One important matter is clear from the taking of these works of art from storage is that no one employed by the art gallery really cares at all about this part of the country’s heritage. As with the lapidars throughout Albania many of the sculptures show signs of damage, presumably due more to lack of care rather than deliberate cultural and political vandalism but the results are the same.

The pictures in the gallery/slide-show below are in an as chaotic order as the exhibition itself. Some are not as I would have liked as the lighting was so harsh in places that to avoid the reflection the photo had to be taken from an angle. Also the pictures that were mounted high up on the walls have obviously been taken from below and hence a certain amount of distortion. And the general ‘crush’ of the exhibits prevents any true appreciation from a distance.

One of the reasons for making such an extensive record of this exhibition is I fear that these objects are very unlikely to be ever displayed again – certainly as a whole representation of Socialist Realist Art. My greatest fear is that some of the more seriously damaged sculptures will move from the exhibition space to the nearest skip to end up in landfill. The State won’t pay for the time and effort that would be needed to return them to something akin to their original state and as such will just take up valuable space. The same could be the fate of the damaged paintings.

These fears are reinforced by decisions which now seem to being made in some other aspects of the depiction of the country’s Socialist past. Not only are those examples of socialist art that have for many years formed part of the permanent exhibition in the sme gallery now covered – for some inexplicable reason – but also the rooms devoted to the anti-fascist struggle in the National Historical Museum are presently closed to the public.

Perhaps the answer will be partly given when The Albanians (the name given to the huge mosaic on the facade of the Historial Museum) which is currently undergoing ‘restoration’ is unveiled. The word ‘restoration’ implies repairing and returning to an original state. However, the mosaic had much of its political significance removed by one of the original five artists (Agim Nebiu) sometime at the beginning of this century – still haven’t been able to find out exactly when – who was willing, for his equivalent of ‘thirty pieces of silver’, to remove the stars from the flags carried by the central characters. A few red stars remained after this act of political and artistic vandalism but whether they will survive the present ‘restoration’ is another matter.

As well as the examples of socialist realist art there were a considerable number of paintings that represent the past struggles of Albanians for independence. Such imagery played a role during the Socialist period as the country was constantly under threat of invasion (or intervention) from either neighbouring Yugoslavia or any of the imperialist nations who couldn’t reconcile themselves to the fact that this small, yet strategically situated, Balkan country had chosen a future not under the control of capitalism.

But even during the 1970s and 1980s this glorification of a 15th century aristocrat was a little over the top. Banging the nationalist drum whilst attempting to construct socialism will always have its dangers as that nationalism can distract from the principal task in hand. And this very nationalism, that was used to reinforce the idea of independence under socialism, is what the present capitalist leaders of the country rely on to give them some sort of historical credibility – as they certainly have no interest in independence, fighting each other in deciding to which imperialist force to sell the country.

What to look out for

  • a bust of Chairman Mao Tse-tung
  • busts of Karl Marx, Frederick Engels, Vladimir Ilyich Lenin and Joseph Stalin – most of these would have previously been displayed in the Lenin and Stalin Museum (the building now used as a government office, next to the big, new mosque in the centre of Tirana, just behind the Art Gallery itself)
  • at least four busts of Comrade Enver Hoxha, all in ‘good’ condition and without having been vandalised (as is the example in the ‘Sculpture Park’ at the back of the building, on the right hand side)
  • maquettes of a number of sculptures that were later made into much larger structures which can still be seen in various parts of the country such as the ‘Thirsty Partisan’ (ALS10) and Pickaxe and Rifle – one of the sculptures in the ‘Sculpture Park’
  • those images show the lives of working people, using their efforts to create a different type of society to the one devoted to capitalist profit – the art that makes Socialist Realism so radically different (and advanced) than all the art that has gone before
  • the many images, in both the paintings and in the sculptures, where women are presented as being armed and prepared to make the ultimate sacrifice in the achievement of victory against the Fascist invaders or in the construction of Socialism
  • and generally the preponderance of ordinary working people in all the images rather than the ‘celebrities’ and the ‘rich and famous’ which dominate in capitalist society.

NB From the end of 2021 the gallery has been closed. I have no information about exactly why but there had long been signs of the need for structural repairs. When it will reopen I have no idea. There didn’t seem to be much activity when I was in Tirana in the summer of 2022. Neither do I have any idea of what will be exhibited. There is, I’m sure, a possibility that the items that were part of the permanent exhibition, works of Socialist Realist Art, might well be confined to the depths and the gallery will become a centre of decadent capitalist ‘art’.

More on Albania …..

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