Hungarian Railway History Park, Budapest

Hungarian Railway History Park

Hungarian Railway History Park

Hungarian Railway History Park, Budapest

To the north west of the city centre, situated in what used to be the principal maintenance and repair workshop for the Hungarian National Railways in Budapest, is a railway ‘theme park’ giving visitors a glimpse of the development of the railway system in the country.

Obviously a mecca for train enthusiasts it also is a place for anyone with an interest in industrial history in general. There are many examples of early East European steam engines as well as redundant passenger, goods and maintenance units. In many ways it also appears to be a bit of a dumping ground for one of every working vehicle from the relatively recent past of the Hungarian railway system. That means that some of the exhibits are in a sorry state of disrepair and whether they will ever be returned to their former glory is debatable (or really very unlikely) considering how long it takes, and how much it costs, to get these massive pieces of machinery back to their original condition.

Hungarian Railway History Park - 01

Hungarian Railway History Park – 01

Some of the things that stood out to me;

  • the two locomotive turntables, both of which, I think, are still in working order and one of which, the one furthest from the entrance, is regularly used to turn engines around as part of the entertainment of visitors;
  • a couple of statues of railway workers, near the entrance, which during Hungary’s Socialist period would have been display in a more communal space and not relegated to a museum;
  • the distinctive shape of the steam engine funnels;
  • and the way that some of the components were outside the frame of the engine;
  • an old snowplough, which was attached to a the front of a steam locomotive, with a huge bladed fan which would throw the snow to the sides of the tracks, all encased in a wooden frame. It would have been a wonder to have worked in it – but also, I would think, a bit like working in Hell;
  • getting up and close to the only regularly working steam engine which, I thought, strangely was one made for the US Army in the 1940’s, incongruously, sports a large Red Star on the front of the boiler. You don’t normally get that close to these spitting and sometimes angry wonders, the result of the first industrial revolution;
  • the smells of the cinders in the air when the steam engine is in motion, for those old enough to remember, a smell that indicated you were getting close to the museum;
  • the ability to get a relatively close view of the maintenance and refurbishment workshops, the smells and all that it entails to get locomotives up and running again;
  • the distinctive style of mid to late 20th century local passenger trains of Eastern Europe (all such modern units are homogenised);
  • as in all transport museums the class difference displayed in the comfort of the passengers in the various short and long distance carriages.
Hungarian Railway History Park - 02

Hungarian Railway History Park – 02

I went there on a Saturday, which meant crowds of children, but at the same time there was probably much more going on due to the fact there were many people in the park. For example, I don’t think the demonstration of the workings of the turntable would have been so extensive on a quieter day in the week.

Apart from the demonstration of the turntable it is also possible, for an extra payment, to ride on the footplate, and at the ‘controls’, of a steam or diesel engine, something that would be totally unacceptable in anal fixated Britain.

Hungarian Railway History Park - 03

Hungarian Railway History Park – 03

One slight drawback for a non-Hungarian was the fact that there was little information about the exhibits in English.

It is hoped the slide show below will provide a taste of what’s on offer.

Location;

Tatai út 95, Budapest

GPS;

47.54243064388407º N

19.095641067204674º E

How to get there by public transport;

From outside the Keleti palyaudvar (railway station) take the blue bus number 30 or 30A and get off at the Rokolya Ucta bus stop – indicated on the scree, and announced over the speaker, in the bus. Walk in the direction the bus was going and at the first junction turn right. Two blocks down come to a T-junction and the entrance to the park is across the road in front of you.

Opening times;

Tuesday to Sunday 10.00-18.00. Closed Monday.

Entrance;

Adult; 2,700 HUR (advertised price but I was charged 3,000 HUR for some unknown reason)

Various pricing arrangements for children and families.

Hungarian Railway Museum website

Memento Park, Budapest

Memento Park

Memento Park

Memento Park, Budapest

This is a collection of statues, bas reliefs and busts that used to be located in public spaces in the city of Budapest during the period of the countries Socialist construction. This is similar (but not an exact equivalent) of the Park of the Fallen/Muzeon Art Park, Moscow, and the Museum of Socialist Art – Sofia, Bulgaria. It consists of 41 items, spread out over three sections, in the open air. The collection consists of what might be called the seminal works that were on display in the city but the curation also seems to have chosen some of the exhibits based upon the uniqueness of their design. Hungarian sculptors seemed to have followed a slightly different path in representing individuals and events from some of the other countries in Eastern Europe. Here you will see figures that are almost abstract, still ‘figurative’ but a shift away from the norm of the time.

What to look for;

  • a couple of good Lenins – although one of them looks slightly different from what we’re used to – and one of which Vladimir Ilyich holds his scrunched up cap in his left hand;
Memento Park - 01

Memento Park – 01

  • an interesting, stylised, made of stone, ‘the only Cubist-style monument of Karl Marx and Frederick Engels in the world’ to the right of the main entrance;
Memento Park - 07

Memento Park – 07

  • a truly monumental statue of a Soviet Red Army man – who used to be placed at base of the memorial to Freedom in present day Liberty Square;
Memento Park - 02

Memento Park – 02

  • the large statue group as a monument to Bela Kun and the short-lived Hungarian Soviet Republic, a late statue (1986) its composition is quite unique and seems to be open to a whole number of interpretations;
Memento Park - 03

Memento Park – 03

  • a couple of monuments to Georgi Dimitrov, the Bulgarian leader of the Communist (Third) International;
Memento Park - 04

Memento Park – 04

  • the two bas relief panels that were originally planned to be part of the decoration of one of the Budapest metro system;
Memento Park - 05

Memento Park – 05

  • the robotic forms of the three Hungarian volunteers of the International Brigades in the Spanish Civil War;
Memento Park - 06

Memento Park – 06

  • the wall to commemorate the defeat of the Hungarian Counter-Revolution of 1956.
Memento Park - 08

Memento Park – 08

More information about all the statues in the Park can be found in the official guide book, In the shadow of Stalin’s boots.

It’s a bit of a mixed message. It thinks it’s critical of the Socialist past – which the narrative puts down to be one only of Soviet occupation – but, from time to time, has to acknowledge that it was the Soviet Red Army that liberated the country from the Nazis. The only country that threw out the fascists, first the Italian and then the Germans, without the direct intervention of the Red Army, was the Albanians. The rest of Eastern Europe didn’t do it by themselves.

Perhaps one of the most telling statements made in the book is on page 4, second paragraph. Here it states ‘Hungary finished the Second World War in 1945 on the losing side’. By December 1944 the Red Army had surrounded Budapest but it took them 50 days to destroy the resistance of the German Nazis and their Hungarian collaborators. The remnants of this support for fascism obviously were not totally destroyed throughout the country and it was from this seed that the counter-revolution of 1956 grew – nurtured by the capitalist ‘West’.

Location;

To the south west of the city centre, just outside the official city limits.

1223 Budapest XXII. district, Balatoni út – Szabadkai utca corner

GPS;

47.42671015031753º N

18.999903359092098º E

How to get there by public transport;

From central Budapest take the Metro line No. 4 to Kelenfold, the end of the line. Once out of the metro system and in the passageway under the railway lines of the mainline station look for a sign pointing you to Örmezö which will take you to the bus station (blue buses) where you want to catch either the 101E, 101B or the 150. There’s an electronic information board as you come up from the underpass indicating how long before they depart. This is an express bus with few stops and Memento Park is the second of these, indicated on a screen as well as being announced. The second time the voice mentions a stop it is imminent. The entrance is just behind the bus as you get off, look for the black boots.

Memento Park website

Opening times;

Everyday from 10.00 – 18.00

Entrance;

Adults; 3,000 HUF

Students; 1,800 HUF

Children (under 14) 1,200 HUF

Guide book available at the ticket counter;

2,000 HUF

Related;

Park of the Fallen/Muzeon Art Park, Moscow

Museum of Socialist Art – Sofia, Bulgaria

Paintings, murals and sculptures of Socialist Albania

The Albanian Cultural Revolution

‘Death to Fascism’

More on Albania …..

Art as a means of promoting Socialism in Albania

Socialist mosaics and bas reliefs in Albania

The Albanian Cultural Revolution

Paintings, murals and sculptures of Socialist Albania

As with the mosaics and bas reliefs there are still many other examples of Socialist Realist art which it is possible to appreciate throughout the country. Sometimes they are on permanent show as they are out in the open air, others are in museums and art galleries. Many of these public areas of exhibition were vandalised post 1990 but there seems to be a trend, slow and often partial, to renovate some of these old exhibition spaces and to show what had been shown in pride of place in the past.

There are also a few reprints of articles published during the Socialist period. These have been reproduced in an attempt to give a wider view of the role of art in a Socialist society.

The Revolutionary Spirit in Albanian Painting and Sculpture.

This article first appeared in issue No 6, 1969 of the bi-monthly magazine New Albania which reported on the biennial exhibition of Figurative Art that was held in the National Art Gallery in Tirana earlier in the year.

1971 National Exhibition of Figurative Arts – Tirana

This article was first published in New Albania, No 6, 1971. It discusses the general idea of art in a socialist society, how the Albanians saw ‘Socialist Realism’ with mention of a handful of works (out of 180) that were displayed at the National Exhibition of Figurative Arts in Tirana in the autumn of 1971.

A Reflection of the Progress of our Figurative Arts

This article first appeared in New Albania, No 6, 1976. The bi-annual Figurative Arts Competition and Exhibition seemed to have been postponed from 1975 and instead took place in 1976 to coincide with the 35th Anniversary of the Founding of the Party of Labour of Albania.

Traditional Wedding Mural in Peshkopia

There’s a perception by some (normally the ignorant and anti-socialist) that any work of art created during the construction of Socialism is necessarily ‘Socialist Realist’ art. They don’t understand, or refuse to accept, that the construction of Socialism is a long task. When it comes to art this involves asking the people to challenge their view of what is going around them and to look at artistic works in a critical and thoughtful manner and that this involves the unmasking of the hidden messages in a painting, sculpture, film or any other creative endeavour. One such work that needs to be seen in this light is the Wedding Mural which covers one of the walls of the Korabi restaurant in the hotel of that name in the town of Peshkopia.

‘Death to Fascism’ Mural in the National Historical Museum, Tirana

The mural that covers the whole of one wall in the room of the National Historical Museum in Tirana that’s devoted to the War of Liberation against the invading fascists of 1939 to 1944 is one of the few which can still be appreciated at leisure by any visitor.

National Art Gallery ‘Sculpture Park’ – Tirana

Each time I’ve been to Tirana I’ve made it a point to visit the impromptu ‘sculpture park’ that has been created behind the National Art Gallery, just down from the main Skanderbreu Square in the centre of Tirana.

No, Vladimir Ilyich and Uncle Joe, you shall not go to the ball

No, Vladimir Ilyich and Uncle Joe, you shall not go to the ball seems to be the message given out by the pro-Western government in Albania. Vladimir Ilyich Lenin and Joseph Stalin are covered up by the Albanian reactionaries in an attempt to prevent them from spoiling their Independence party at the end of the month.

A new look, and a new resident, to the National Art Gallery ‘Sculpture Park’, Tirana

The ‘Sculpture Park’ behind the National Art Gallery in Tirana, has a new resident. Well, not so much a new resident but one who has been there for a few years but it is only recently that the authorities at the Art Gallery have decided to, literally, take off the wraps and reveal his presence to the world. The new resident is none other than Enver Hoxha, up to his death in 1985, First Secretary of the Party of Labour of Albania, Chairman of the Democratic Front of Albania and Commander-in-Chief of the Armed Forces.

Socialist Realist Paintings and Sculptures in the National Art Gallery, Tirana

This post will consist of images of the paintings (and a few sculptures) from the Socialist period of Albania’s past. The first floor of the National Art Gallery is almost now solely (with one notable exception, which I’ll come to later) devoted to the period before 1990 when things fell apart.

The ‘Archive’ Exhibition at the Tirana Art Gallery

This exhibition (that took place during the latter part of 2021) at the National Art Gallery in Tirana seemed to include virtually everything that had been in storage over the last 30 years. But calling it an exhibition was a bit of a misnomer. The word exhibition gives the impression that a bit of thought and consideration had been put into the mounting and display of a collection of art. That is supposed to be the art of a curator – although that was totally neglected in this case with all items placed in the room with consideration of context. This included works of art that had been damaged for whatever reason in the past.

Mother Albania Expelling The Priest and The Military

There are fine examples of Socialist Realism in the Armaments Museum in the Castle in Gjirokastra, but you might have to ask to go upstairs to enter this older part of the museum – especially out of the summer season. ‘Mother Albania Expelling The Priest and The Military’ is one such sculpture.

Emblem over Party HQ, Peshkopia

Originally my project to describe, in detail, the magnificent examples of Socialist Realist Art that are embodied in some of the lapidars throughout the country has now expanded as I’ve encountered other incidences of the unique manner used in Albania in its attempt to impart the message of Socialism. Whereas some of these are truly monumental in all senses of the word, such as the Drashovice Arch, many others are, if not actually hidden, difficult to find unless you are looking for them or, as in this case, are directed towards it by a knowledgeable local. The emblem over what used to be the Headquarters of the Party of Labour of Albania, in the mountain town of Peshkopia in the north-east of the country, is one such example.

Liri Gero and the 68 Girls of Fier

Many monuments, statues and lapidars from Albania’s Socialist period have suffered over the years, through outright political vandalism or just neglect. However, there has been a bit of a sea change in recent years but this has not come without its own problems. Here I want to develop the ideas of Albanian Socialist Realist art by looking at two works produced to commemorate the life of a young partisan woman, Liri Gero, and also a work in commemoration of 68 young women who also left their home town of Fier to join the partisans fighting the Fascist invaders.

The ‘Hanged Women’ of Gjirokastra

Tucked away at the top end of Sheshi Çerçiz Topulli (Square) in the old part of Gjirokastra is a small statue which you could easily miss. Next to the potted plants in front of the Tourist Information Office is a white stone statue, of the upper body, of two women. This is a representation of Bule Naipi and Persefoni Kokëdhima who were executed by the German Nazis in 1944. From that time they became known as the Hanged Women of Gjirokastra.

Traditional Musicians and Dancers

Although there are many monuments and statues that are overtly political, in that they commemorate events or people involved in national liberation struggles (whether that be against the Ottoman Empire or the Italian and German Fascists of World War Two) other aspects of Albanian life are also represented in various locations throughout the country. As Gjirokastra, in the Socialist period, had become the centre for periodic folklore festivals it’s not surprising to find a frieze depicting traditional musicians and dancers located there.

Enver Hoxha returns to Tepelene

…. although he probably never left, just ‘hiding’ for a while.

Almost thirty five years after his death and thirty years since the reaction was able to gain control in Albania it is very difficult to come across public images of Enver Hoxha, the leader of the country for just over forty years. In the 1990s the reactionaries needed to personalise any difficulties in the country and someone who had been dead for five years was an ideal candidate – even to the extent that Comrade Hoxha was considered responsible for events that had happened after his death. So he had to disappear from view.

More on Albania …..

Art as a means of promoting Socialism in Albania

Socialist mosaics and bas reliefs in Albania

The Albanian Cultural Revolution