Tsaritsyn and the War of Intervention – 1918-1922

The Defence of Red Tsaritsyn

The Defence of Red Tsaritsyn

More on the USSR

Tsaritsyn and the War of Intervention – 1918-1922

The area around what was then the town of Tsaritsyn (now Stalingrad – sometimes erroneously referred to as ‘Volgograd’) was a major battle area during the war perpetrated against the nascent Workers’ State by the combined forces of the capitalist and imperialist countries. At times called the Civil War it was more a War of (Foreign) Intervention in support of the reactionary and monarchist ‘White’ forces. After four years of trying to destroy each other the members of the ‘opposing’ armies (during what came to be known as the First World War) fourteen imperialist powers found common ground when it came to the attempt to destroy the first Socialist state in the world.

These attempts were eventually defeated and by 1922 the country that was soon to call itself the Union of Socialist Soviet Republics had eradicated these forces from the territory of the workers’ Republic. However, this was not the final battle as the country had to contend with internal enemies (fought against during the 1930s) and then had to contend with the next imperialist effort to destroy Socialism in the form of the German Nazi invasion in 1941. At that time the city of Stalingrad again showed itself as prepared to sacrifice anything to defeat the invader.

JV Stalin was one of the leaders of the Bolshevik Party who was sent to this part of the front and his involvement can be read about in Stalin and the Armed Forces of the USSR, by KE Voroshilov.

There are three locations in modern Stalingrad where the tumultuous events of 1918-1919 are commemorated.

Monument to the Heroes of the Defence of Red Tsaritsyn

Monument to the Heroes of the Defence of Red Tsaritsyn

Monument to the Heroes of the Defence of Red Tsaritsyn

The first is the Monument to the Heroes of the Defence of Red Tsaritsyn located on Metallurgov Square in the Krasnooktyabrsky district. The sculpture was installed in 1961 on a pedestal lined with polished dark gray, granite slabs. The monument is dedicated to the heroes of the War of Intervention, including the workers of the local factories who took an active part in the defence of Tsaritsyn against the White Guards in 1918-1919.

The sculpture is made up of six figures. In the centre, standing, is what appears to be an officer. He has his right arm outstretched to his side, angled slightly behind him, with an open palm. This gesture normally signifies a call for others, unseen, to come and join the fight. Strangely, he is wearing a long sword, the scabbard of which he is grasping in his left hand.

To his left are two figures that have a connection, both emotionally and physically. The first is an older woman and she is probably the mother of the other figure, a young male. He looks somewhat nervous but his mother is trying to calm him with her hand on his right shoulder, saying that this is what he must do to protect her and the city of his birth. He is not in uniform so represents the young factory workers who joined the fight when the city was under siege. They are further united in that both of them have a hand gripping a rifle which has its butt on the ground.

Going around to the back of the sculpture the next figure is a male in a naval uniform. He has a rifle slung over his right shoulder which he is in the process of making it ready for use as his gaze is into the distance with the impression it is from there that the enemy is approaching.

Next to him is a soldier in the uniform of the newly formed Red Army. He is looking in the same direction as the sailor and his right hand is on the trigger mechanism of a Maxim machine gun.

The final figure of the group is the only one who is not standing. This is a worker (in civilian clothing) and his head is bandaged signifying he has been wounded. However, his left hand rests on body of the machine gun and he is holding his rifle in his right. He might be wounded but he is still prepared to take part in the fight.

The plaque on the front of the plinth reads (in Russian);

героям обороны Красного Царицына Вечная слава

meaning

Eternal Glory to the heroes of the Defence of Red Tsaritsyn

The plaque on the back threatens criminal charges against anyone who causes damage to the monument but this appears to have been installed soon after the monument was inaugurated as it makes reference to the Communist Party of the Russian Federation

Location;

Prospekt Metallurgov, 1А

GPS;

48.76612 N

44.56121 E

How to get there:

Nearest Metro/tram station is Zavod Krasny Oktyabr and it’s a few minutes walk, going out of town, on the opposite side of the road to the tram line.

Mass Grave of Sailors of the Volga Military Flotilla and Factory Workers

Mass Grave of Sailors of the Volga Military Flotilla and Factory Workers

Mass Grave of Sailors of the Volga Military Flotilla and Factory Workers

The second monument is close to the group sculpture above, being only a few hundred metres closer to the Metro stop and in the park area that separates the housing from the major road leading north out of the city. This is the Mass Grave of Sailors of the Volga Military Flotilla and Factory Workers.

The monument for this grave consists of a single individual – a sailor from the recently formed Socialist navy based in Tsaritsyn. He is sitting on the ground, his body twisted slightly to his right as he props himself up with his right forearm and has his left hand on the ground to give him further support. As is the individual in the main group sculpture he appears to be wounded but the fact that he still has his right hand on his rifle shows his willingness to fight on – however debilitated he might be.

He is wearing his sailors cap, with the ribbon hanging down which tells us he’s a sailor but, for a reason I don’t understand, he is shirtless

The inscription, on the plinth of the statue, reads in Russian;

Здесь похоронены моряки и рабочие, побшие в боях за Царицын в сентябре 1919 г[ода]

which translates as;

Sailors and workers who died in the battles for Tsaritsyn in September 1919 are buried here

Location;

Prospekt Imeni V.I. Lenina

GPS;

48.76355 N

44.56966 E

How to get there;

Almost directly across the road from the Zavod Krasny Oktyabr metro/tram stop.

Memorial History Museum

The Hammer and the Plough

The Hammer and the Plough

The third location dedicated to the battle for Red Tsaritsyn during the War of Intervention is the what is now known as the Memorial History Museum. I say ‘dedicated to the battle for Red Tsaritsyn’ but that, now, isn’t strictly true. The museum, located in an early 20th century estate house, was originally opened in 1937 as the Museum of the Defence of Tsaritsyn and was dedicated to JV Stalin – due to his role in the battles here in 1918 and 1919.

However, at some unknown time in the past it was decided that the museum should also recognise the White forces that fought against the young Bolshevik, Socialist state. At one time there was a statue of JV Stalin in front of the main entrance to the building but that’s long gone and now there’s even a large, stone Orthodox Cross by the entrance.

Museum of the Defence of Tsaritsyn

Museum of the Defence of Tsaritsyn

Inside there’s been a half-hearted attempt to represent the White (reactionary and monarchist forces supported by the European imperialist countries) in a ‘BBC inspired’ ‘give both sides of the story’ manner. This makes the whole concept of the museum somewhat ludicrous. No one in Stalingrad would ever contemplate presenting the invading Nazis in a favourable light in the Battle of Stalingrad Panoramic Museum, just a kilometre or two up the road, but the reactionary authorities got away with it in this museum.

The museum, nonetheless, is still worth a visit if not for;

  • the mock up of an armoured train – something I hadn’t seen before;
  • the horse drawn carriage with a Maxim machine gun mounted at the back;
  • some impressive, original banners;
  • a collection of posters from the period; and
  • an example of a small badge with an image of the Hammer and Plough. I assume this was what was considered before the Hammer and Sickle was adopted (but, so far, I haven’t been able to find out anything more about how the now famous symbol of the Soviet Union was eventually accepted as being representative of the country’s construction of Socialism.)

Location;

Ulitsa Gogolya, 10,

GPS;

48.71138 N

44.51438 E

How to get there;

The museum is in the same square as Stalingrad/Volgograd 1 railway station, just across the car park and the road from the main station entrance.

Opening hours;

Every day between 10.00 and 18.00.

Entrance;

₽ 150 (about £1.40)

More on the USSR

Frunze Museum – Bishkek – Kyrgyzstan

Frunze Museum - Bishkek

Frunze Museum – Bishkek

Frunze Museum – Bishkek – Kyrgyzstan

The Frunze museum was originally opened in December 1925, centred on the small house where he was born. This house is now a feature on the ground floor of the modern building.

The present building was constructed after the 50th Anniversary celebrations of the October Revolution in 1967. The murals that surround the exterior of the building were the work of Alexei Kamensky and Alexander Voronin. The murals depict events and personalities from the Civil War in which Mihkail Frunze played such an important role, especially in the Central Asia front, that part of the future Soviet Union from where he originated.

There are two exhibition floors (plus the family house on the ground floor). At the time of my visit in the summer of 2025 only the top (second floor) was open to the public. I have no idea why the first floor was closed or how long it will remain so.

The floor that is open tells the story of Frunze through photographs and documents, with an obvious emphasis on the period following the Revolution and the battle against the White (reactionary) Russian forces – assisted by the imperialist powers.

The sculptors of the large statue of Frunze at the end of the room were A Muhutdinov and V A Shestopal.

Although interesting for those who might know little about Frunze what is more impressive, I believe, and which is probably overlooked by many people who visit the museum, are the murals on the outside of the building. These include a profile image of Frunze just above the main entrance and scenes representing the Red Army in its struggle to defend the Revolution between 1918 and 1922. Unfortunately, in places the trees are starting to obscure some of the images but it is still possible to follow the story being presented.

Related articles;

Bishkek Revolutionaries – Lenin – Marx – Engels – Dzerzhinsky – Frunze – Red Guards – Revolutionary Martyrs

Location;

364, Frunze Street, Biskek

GPS;

42.88068 N

74.60514 E

Entrance;

125 Kz Som (which has to be paid by card)

Opening;

Monday; closed

Tuesday-Friday; 10.00-17.00

Saturday and Sunday; 10.00-16.00

Central Museum of the Armed Forces of the USSR/Central Armed Forces Museum – Moscow

Glory to the Soviet Union!

Glory to the Soviet Union!

Central Museum of the Armed Forces of the USSR/Central Armed Forces Museum – Moscow

The main reason I wanted to go to the Central Museum of the Armed Forces of the USSR/Central Armed Forces Museum in Moscow was because I had learnt that it was there that the Nazi banners that had been thrown into the mud at the base of the Lenin Mausoleum (with Comrade Stalin accepting them on behalf of the Soviet people) on the first Victory Day on May 9th, 1945, were presently on display.

On my first visit to Moscow (way back in 1972) these banners were in a huge glass case which covered the whole floor of a room in what was then the Museum of the Revolution. This was up by Pushkin Square and close to the Izvestia offices. However, following the collapse of the Soviet Union and the chaos that followed in the 1990s anything which smacked of revolution was a no-no and that particular museum went through a number of manifestations. In the process much that had been on display pre-1990 disappeared and it is only relatively recently that some of it has begun to be, yet again, on display to the general public.

(What used to be the Museum of the Revolution is now called the Museum of the Modern History of Russia – Muzey Sovremennoy Istorii Rossii. Although there are some interesting and valuable artefacts which help in the telling of the history of the Soviet Union following the October Revolution it is generally a poor shadow of what it once was. The final section, ‘bringing things up to date’, is more like something you’d expect at an international exhibition than a museum.)

However, I think the Central Museum of the Armed Forces of the USSR/Central Armed Forces Museum has much more to offer than just the Nazi banners on the floor. There is a manner in which to display objects to show utter contempt for what they represent. From my memory that was achieved in the original location in the centre of the city but there’s less of that impression (to my mind) in their present location, even though they are still displayed in cases on the floor.

From my experience Russian museums are crammed full of artefacts. Sometimes so many that very soon you feel assaulted by so many different objects. That being the case the best approach is to ‘skim’ what you pass, taking more time on anything, perhaps more unusual, that might catch your eye.

The starting point in the first room is the War of Intervention or the Civil War. This was when the Red Army was formed, first out of Bolsheviks and irregulars who volunteered to defend the Revolution from the reactionaries, both national and international. However, within a very short time this army took on the aspects of a fully organised and structured army which eventually was able to defeat all attempts to strangle the Revolution from birth.

Later rooms go through the events of the Great Patriotic War and into later, sometimes not well chosen wars (such as that in Afghanistan) and through to the present with a small room dedicated to the Special Military Operation in the Ukraine.

In the slide show at the end of this post you will see that I have concentrated on the various banners and standards under which those fighting to defend the Revolution fought, as well as artistic representations of those battles and achievements. There’s a limited depiction of military hardware as, with a few exceptions, these are more or less generic and were used by all fighting forces in any particular epoch or conflict. I find what is unique to the Soviet Union (the way it presented itself; the battle of ideas through posters and other types of propaganda; and how the struggles were presented to the masses to be much more interesting.

In any visit to the museum here are a few suggestions of what to look out for;

  • the large bust of VI Lenin at the top of the stairs immediately facing the main entrance;
  • the whole wall covering mosaic on the wall on the first floor landing – depicting on the right the struggle to maintain the Revolution during the civil war into the 1920s and on the other the Great Patriotic War and the defeat of German invading Nazism;
  • the large painting in the second room (on the left had side on entering the room) which depicts the members of the Central Committee of the Bolshevik Party at the time of the October Revolution. This is an unusual way to present the individuals who were the leading cadres of the Revolution. I foolishly didn’t take note of the artist or when the painting was created but note Trotsky skulking at the extreme left hand side;
  • the many banners, representing factories and places of work, of the volunteers who went to fight against the Whites and the fourteen, intervening imperialist powers;
  • the propaganda posters produced by both sides in the conflict;
  • the machine gun fitted to the back of a horse drawn buggy;
  • the various sculptures demonstrating the unity of the workers and the peasants;
  • the make-shift armoured vehicles;
  • the multi-ethnic and multi-national extent of the revolutionary forces;
  • the distinctive uniform of the first Red Army;
  • the ceramic vase with an image of Joseph Stalin, Mikhail Frunze and other civil war military commanders;
  • the huge, wooden fist with the words ‘пролстарский кулак врагм ссср’ which translates as ‘the proletarian kulak is an enemy of the USSR’;
  • the images of VI Lenin and JV Stalin on the banners of the Great Patriotic War;
  • the porcelain statue of an embrace and a kiss;
  • images of heroism;
  • ‘the battle in the rear’;
  • the Nazi standards on the floor in the Victory Room;
  • the Iron Crosses;
  • the shattered eagle that used to stand on top of the Reichstag in Berlin;
  • Hitler’s personal standard;
  • the image of Marshal Zhukov riding his horse over the Nazi standards in Red Square on May 9th 1945;
  • the fine bust of JV Stalin, together with his military dress uniform;
  • the shattered remains of the U2 American spy plane;
  • the Red Army and and women flanking the main entrance to the museum;

among much more.

Location;

Soviet Army Street, Moscow

GPS;

55.78503 N

36.61708 E

How to get there;

The museum is a little over a five minute walk from the Dostoyevskaya Metro station on the Line 10 (Green). Leave by the exit that leads to the Red Army Theatre. Go past the right hand side of the theatre and at the road junction/pedestrian crossing take the right, once on the other side go left and the museum is about 100 metres on the right.