Maxim Gorky in Chișinău – Moldova

Maxim Gorky - Chișinău - 01

Maxim Gorky – Chișinău – 01

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Maxim Gorky in Chișinău – Moldova

There are a lot of advantages of walking around post-Socialist cities looking for statues and other monuments to VI Lenin – and other revolutionary, Bolshevik leaders. One is that you end up in parts of cities you would never think to visit if not on the search for an elusive statue. The other is that you are very likely to come across another monument/bas relief/statue of which you had no previous knowledge.

That was the case in one of the walkabouts in Chișinău.

Maxim Gorky - Chișinău - 02

Maxim Gorky – Chișinău – 02

Just looking to make sure I wouldn’t be run over by some careless driver I looked into what turned out to be student accommodation of the agricultural academy. There, directly opposite the entrance, was a statue of the Soviet writer Maxim Gorky – erected in 1977.

It is not in the best of conditions and its surrounding have a lot to be desired but he was there nonetheless. Perhaps not cared for but not desecrated either. Indicating to me that there was some sort of respect to the person as a writer – in a country (that is, all the post Socialist countries) where literacy (and education in general) was considered something to be treasured.

Maxim Gorky - Chișinău - 03

Maxim Gorky – Chișinău – 03

The privatisation of education (especially at University level) might have challenged some of those precepts by now but the power of the word and the book (although now, perhaps digital) has not gone away. In Tirana, for example, when the rest of the society was falling apart there was still an annual book fair and the country was publishing books, in the Albanian language, in numbers relative to population levels, which major English speaking countries could only envy.

Hence more than 30 years after the dissolution of the Soviet Union a statue of the great Soviet writer still stands in a housing complex on the edge of Chișinău city centre.

Maxim Gorky - Chișinău - 04

Maxim Gorky – Chișinău – 04

But this is not a unique piece of art. Some of the more expensive (granite or marble) statues of the top leadership might have been individually made but many statues (including some of those of Comrades Lenin and Stalin) would have been massed produced.

So it is with the writer Maxim Gorky. The statue in Chișinău is exactly the same as the one in Family Park in Almaty, Kazakhstan.

For anyone interested in Soviet Literature, including some of the works of Maxim Gorky, visit Culture, science, literature and art in the USSR.

Location;

Strada Constantin Tănase 7

GPS;

47.02846 N

28.83934 E

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VI Lenin in Comrat – Gagauzia – Moldova

VI Lenin in Comrat

VI Lenin in Comrat

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VI Lenin in Comrat – Gagauzia – Moldova

The monument to VI Lenin in Comrat, Gagauzia, stands in a square that’s in front of the building of the Executive Committee of the Autonomous Territorial Unit of Gagauzia.

It’s different from many I’ve seen as there’s an element of movement in his stance. He has a document case clasped in his right hand and it is pressed against his body. The bottom edge of his overcoat on the left hand side is flowing slightly behind him and as he is also leaning forward you get the impression he is in a hurry to get to a meeting. Not that he would be late. Vladimir Ilyich had a reputation for also being one of the first at any meeting and he would use the extra time on making note of any last minute thoughts he might have had.

Location;

Strada Lenin, 194

GPS;

46.29888 N

28.65557 E

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Soviet Mosaics – Bălți – Moldova

Girl drinking from a stream

Girl drinking from a stream

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Soviet Mosaics – Bălți – Moldova

Below you can find information and images, together with locations, of some of the mosaics (so far identified) in the northern Moldovan city of Bălți.

Lenin Factory

Lenin Factory

Mosaic on the ‘Lenin Factory’

By far the best mosaic in Bălți, is, unfortunately, season specific – meaning that when the trees are in full leaf it is almost impossible to see it from any distance or to get an idea of its story as the trees are basically a green, blocking curtain. In the winter the conditions aren’t perfect but at least you can get an idea of the images and what they represent.

The mosaic is at the edge of the building fronting on to the main road of what I understand was a factory. Producing what and whether it is still functioning I don’t know. At the top of the mosaic is a large image of Vladimir Ilyich’s face, which is the height of the two top floors of the five storey building. It is a serious and unsmiling image. (I don’t know why but this is the image that is normally presented of the great Communist leader – as if he didn’t know how to have fun. The exception to this (in the images I have had the privilege to have witnessed) is the sculpture outside the factory in Karacharovskaya Street in Moscow – where Vladimir Ilyich is being carried aloft by jubilant workers.)

Below Lenin is a line of five stalwarts, mainstays, of the Socialist Revolution. From left to right we have an older male, armed peasant – perhaps representing those who stormed the Winter Palace in 1917 and initiated the October Revolution; next a Red Navy sailor – possibly from the Cruiser Aurora that fired the shot to begin the attack on Tsarism; in the middle a male Bolshevik, the Communist leadership of the Revolution; followed by a female collective farm worker who is holding a huge sheaf of wheat – this is a very common image to represent collective/State farms in the Soviet Union and also demonstrates the active involvement of women and their role in the construction of Socialism; and, finally, on this row, the image of a male steel worker – representing industrialisation.

This group are, more or less, the height of one floor of the building – as are the next row of five representatives of Socialist construction.

Separated from their comrades above by a row of geometric designs and colourful sunbursts is another group of five. They carry the story of the construction of Socialism forward from the line above.

I’m not exactly sure what the two males on the left represent. I assume engineering and technology, moving on from the heavy industry of the steel worker at the end of the line above. Then we have a contemporary Red Army man, with the Red Star proudly displayed on his helmet. He is followed by a woman holding a glass Erlenmeyer flask (as we have seen before in the mosaic on the Palace of Culture in Ribniţa) – representing the sciences and finally a male who I think represents atomic/space exploration, taking the country into the 21st century.

As far as I could see the mosaic is in an amazingly good condition. I’m assuming this is only by chance and not by any conscious effort on behalf of the Bălți authorities. The trees which effectively hide the mosaic from view in the summer also protect it in the winter. They are not so close as to create a hostile environment in difficult climatic conditions but close enough to provide protection when the conditions become harsh.

Location;

Strada Decebal 13

GPS;

47.76051 N

27.91581 E

Primary school

Primary school

Primary School Mosaic

This is a one panel mosaic (as opposed to the multi-panels of the kindergarten in Cahul) which provides a colourful backdrop to the play area of the children of this small school close to the centre of Bălți.

What we have is a young girl skipping on the left hand side and a boy and a girl building a structure with wooden building blocks on the right. This small group is surrounded by geometric designs to add more colour to the art work.

Apart from a missing panel (on the bottom left) and a black graffiti scrawl below the skipping girl the mosaic seems to be in a good condition.

Location;

Mikai Eminescu Primary School, Strada Pushkin 27-29

GPS;

47.75667 N

27.91924 E

Bus station

Bus station

Bus station Mosaic

I’ll never understand why so much infrastructure in the previous Soviet Republics was just left to go to rack and ruin after the collapse of the Soviet Union in 1991. This is the case in Bălți where the bus station is still the arrival/departure point for many parts of the country but the large building, which would have originally provided services for passengers, has been abandoned and concern for the welfare of the passengers has gone with it.

However, even though the building upon which it was placed might be a rotting ruin the mosaic on the façade has fared better. To me we have an abstract representation of some flowers under a large sun with the head of a bird on the right hand side – the beak and an eye all that is depicted. When the building was functioning as designed all passengers going into the building would have passed this mosaic and would have been aware of it. However, now entrance to departing buses is by the road at the left hand side of the building I wouldn’t be surprised if, when asked about the art work the reply would be ‘what mosaic?’

Location;

Strada Stefan cel Mare 2

GPS;

47.76972 N

27.94195 E

Girl in traditional dress

Girl in traditional dress

Apartment buildings mosaics

There are a number of mosaics (or fragments of) spread over a large area of housing estates in what is known as District 9 in Bălți so it makes sense to lump them all together.

The first is on the side of a wall which is on the edge of the city on the road that comes south from Chișinău. I’m not sure who the character is supposed to represent but as he is riding the wave over the letters БЭЛЦЪ = Bălți, I assume he is basically saying ‘Welcome to Bălți’.

The next to be found in this area is a few hundred meters up the road in the direction of the bus station. This is of a young woman, in profile, dressed in the traditional folk costume of the region. However, we don’t know the full story of the image. Ceramic tiles were the rendering of choice on these buildings and it was obviously decided that to enhance the location artists would be commissioned to create mosaics from these tiles.

But all rendering will take a battering from the elements and after the end of central control (and I have no idea of who is responsible for what when it comes to previously state owned properties and now, presumably, privately owned) any repairs to the ends of these buildings do not take into account the work of artists 40 or more years ago. That has meant that repairs are carried out in the cheapest and most effective manner possible which, it seems, doesn’t include ceramic tiles.

As can be seen in the photos the end walls of the buildings were in sections and if one section is causing a leak into the property then its replacement obliterates whatever might have been originally in place. So, in the case of the image of the young women, we don’t know what she is holding or at what she is looking.

Other mosaics in this area have suffered a similar fate by being partially destroyed by renovation and a couple have been hidden by the construction of more modern buildings.

The other mosaic so far identified in Bălți is at the end of an apartment block just off the main street of Stefan cel Mare, this is one of a girl drinking water from a stream.

The location information below is just approximate but it should get anyone interested more or less to the right place. Just take a look around when you get to the GPS point.

Location;

In apartment complexes fronting on to Strada Nicolae Iorga. There’s one at No 30 (1) and the others are in the complex that is across the road from Plaza shopping centre (2) and another on Strada Stefan cel Mare opposite, more or less, Andy’s Pizza (3)

GPS;

1)

47.75729 N

27.94077 E

2)

47.76321 N

27.94079 E

3)

47.76603 N

27.93663 E

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