Edzna – Campeche – Mexico

Posted on 25/06/2023 by Michael

Edzna

Edzna – Campeche

Location

This site is situated barely 60 km south-east of the city of Campeche, on the road to China, Pocyaxum, Nohacal and Nohyaxche. The archaeological area extends across the northern part of a broad valley in the shape of a horseshoe, with the open section in the south. Several floodable areas were modified before the Common Era, when dams, embankments and wide canals several kilometres in length were built as part of a system of hydraulic works. The present-day name was probably coined in the Postclassic as a reference to a ruling lineage: the Itzas. The actual place name may have been Ytzna, Ytz, to refer to the Itzas, Na, house, ‘house of the Itzas’. During the Classic period (AD 250-900) the city had its own emblem glyph and also used another hieroglyph to identify the territory under its control.

Pre-Hispanic history

The earliest findings date from 600 BC and the preHispanic occupation ended around 1450. This timeline is documented by the ceramics, architecture and sculpture. Towards 600 BC, a small farming community laid down the foundations for a settlement that would gain masonry buildings a few centuries later. The political and social organisation permitted the development of a society governed by a small group of families who professed to have ties with the ancestors and gods. The orderly division of labour led to the construction of efficient hydraulic works that drained large sections of the valley, subsequently used for residential purposes, and generated farming surpluses. The earliest monumental architecture recorded at Edzna is of the Peten variety, which flourished simultaneously throughout the Yucatan Peninsula and the north of Guatemala and Belize. The images of the rulers were represented on stelae, tablets and altars, often incorporating dates, names and important events. Around AD 550 the method of construction began to change, giving rise to buildings with larger interior spaces and more carefully cut veneer stones, which we now identify with the Puuc style. Almost at the same time, buildings with features now known to be typical of Chenes architecture also emerged. These works were replaced around AD 950 by constructions that denoted a new era in which the Chontals appear to have played an important role. The final centuries of occupation witnessed expansions to the principal constructions, with the new wings borrowing materials from abandoned buildings. This architecture is known as Late or Postclassic.

Site description

Situated in the core area of the settlement is a large plaza measuring approximately 16,000 sq m and aligned with the cardinal points. On the north side stands the Platform of the Knives; the west is bounded by the Nohoch Na (‘Great House’); the Ball Court and South Temple occupy the south side; and the east side is taken up by the Great Acropolis, an architectural mass measuring 160 x 160 m and standing 6 m high. Other monumental structures stand on top of it. Nearby lie 20 or so large architectural groups, mainly covered by vegetation. The most important of them are the Fortress, just south of the Great Acropolis, groups 2, 3 and 4, north of it, and the Old Sorceress Group, which has been partly excavated and restored. Explorations of the constructions have revealed that the builders aligned the axes of symmetry with astronomical phenomena and used modules or average measurements, especially multiples of 20, such as 80 m and 160 m. This practice, common in the Maya region, was previously used by the Olmecs and in other societies in ancient Mexico.

Great acropolis.

This is the result of the efforts of many generations of Maya labourers. The earliest buildings, now buried beneath later constructions, were erected just before the Common Era. The main buildings on the Great Acropolis today are the Temple of Five Storeys, the North Temple, the House of the Moon, and the South-West and North-West Temples. All these buildings had religious and ceremonial functions, although during the end of the Classic period and in the Postclassic there were probably elite residences on the west side of Five Storeys. Other spaces that were important in the daily life of the people associated with the government can be seen in the Puuc Courtyard, in the north-west section of the complex. The main entrance to the Great Acropolis is on the west side, where a stairway composed of large stone steps requires a certain effort to reach the top. Just below the upper courtyard, on the left or north side, is a small square-shaped entrance that led to a steam bath or pibna (temazcal in Central Mexico). This probably corresponds to the Postclassic, although one of the jambstones bears a fragment of an inscription from the Classic period.

Temple of the five storeys.

The clearest example of gradual expansion is the Peten pyramid platform nowadays partly covered by this building. On its east side it had nine sections crowned by a temple. In the middle, flanking the central stairway, are convex taludes or slopes, which can also be seen on the north side. These are the mouldings corresponding to the platform sections. In Peten times (the early centuries before the Common Era) ‘apron’ mouldings were ypically used, like the ones that can be seen in the lower sections of the east side and on certain recessed parts of the upper sections on the north side. Around the 9th century these mouldings were covered by better-cut and better-assembled blocks, with less use of wedges but creating a wide curve to achieve the type of enormous balustrades which to date have only been found at Edzna. The five-storey construction with corbel vaulted rooms on the west side of the building also corresponds to the Terminal Classic (AD 900-1000). Viewed in all their detail, the differences reveal a combination of Puuc and Chenes features. The lower part of the stairway is also an addition, made from recycled blocks with hieroglyphics that once formed part of two Peten stairways. The fifth level is occupied by a temple which had a tall roof comb, part of which can still be seen today; it once had painted stucco pieces but these have all but disappeared. Not counting the temple, the west side of the building comprises 20 rooms that may have been dwellings for officials. This elite residential complex is similar to the ones that have been reported at other Maya cities in the peninsula, such as the Acropolis at Ek’ Balam and the ‘palaces’ at Santa Rosa Xtampak, Xkipche, Labna and Sayil.

Solar platform.

This stands opposite the west facade of the Temple of Five Storeys, almost at the very centre of the plaza. Used for observing astronomical phenomena in the east and west, it shares the same east-west orientation as the Temple of Five Storeys, the Nochoch Na and Structure 501.

North temple.

This defines the north side of the courtyard. Construction commenced at the beginning of the Common Era but it was subsequently modified on several occasions. Nowadays, we can see a mixture of Peten features at the base, stairways with balustrades leading to small shrines, emulating Rio Bee architecture, recessed panels with Puuc-style veneer stones, and capstones and the foundations of temples at the top, from the Postclassic period.

North-west temple.

Situated west of the North Temple stands a pyramid platform with several tiers, crowned by three rooms. The top of the platform leads down to the Puuc Courtyard, a space defined by the west side of the North Temple and by other low constructions with rooms, in the manner of a palace. Between the North Platform and the Solar Platform lie the ruins of a low, C-shaped platform that bears no relation or symmetry to the surrounding architecture. It was built in the Postclassic for residential purposes and is made out of recycled materials from constructions that had either collapsed or been abandoned.

House of the moon.

The structure popularly known as the House of the Moon stands on the south side of the courtyard. Excavated in the 1960s by Roman Pina Chan and restored by Raul Pavon Abreu, it evokes the style of a Cubist work. Large lateral taludes or slopes were erroneously incorporated as part of the architectural restoration works, erasing the traces of several tiers. Unfortunately, it was restored at a time when little heed was paid to the evidence furnished by excavations. Nearby, to the west, is a three-tier pyramid platform surmounted by five rooms. This structure is known as the South-West Temple.

Platform of the knives.

This seals the north side of the site’s Great Plaza and has stairways on all four sides. At the east and west ends it once comprised masonry rooms in the classic Puuc style, while the middle section was subsequently used to build several smaller and poorer-quality rooms. It owes its name to the discovery of flint knives during the excavation and restoration of the east section by Pina Chan in the 1970s. The central and west sections of the platform were explored in the 1980s by Luis Millet and Heber Ojeda from the INAH.

Courtyard of the ambassadors.

Situated west of the Platform of the Knives is a small plaza, approximately 900 sq m, surrounded by low constructions, mainly from the Early and Late Postclassic (AD 1000-1250- 1450). Two buildings in the south-west section have several entrances formed by columns. South of these constructions is a partly restored ramp. South of the courtyard, behind the balustraded stairway, is what appears to be an arch but is in fact a sub-structure minus its lateral walls. The name of the courtyard was coined in the 1990s as a show of goodwill to the ambassadors of the European countries that provided funding for several excavation campaigns at Edzna with refugees from Guatemala.

Nohoch na.

The west side of the Great Plaza is dominated by this large building 135 m long, 30 m wide and 9 m high. Four long galleries on the top of the building were accessed by 12 entrances formed by masonry pilasters. It once had a vaulted ceiling but none of this has survived. It also had wide stairways (120 m long) on both sides and was possibly used for storing, exhibiting and redistributing the rulers’ wealth: farming products, textiles, animal skins, ceramics and miscellaneous utensils. The east side was excavated by Luis Millet and Florentino Garcia in the mid-1980s.

South temple.

The south side of the Great Plaza at Edzna is defined by the Ball Court and this building, a large four-tier pyramid platform in the Peten style with recesses and stone tenons at the corners. Viewed from the plaza, it is possible to see the rear section, a large talud running the entire length of the central axis of symmetry. The stairway facade constitutes the south side. The temple at the top was built between AD 600 and 800 with the carefully cut blocks typical of Puuc architecture.

Ball court.

Like all the great regional capitals of the day, Edzna had a specific building for the practice of the life and death ritual that we now know as the ball game. The court provided a stage for the enactment of the mythical confrontation between opposing deities and essences (light and dark, east and west, etc.) and was the focal point around which daily life revolved. It was not so much a sport as the celebration of a constant cycle of renewal. The axis of the Ball Court runs north-south and displays the veneer stones typical of Puuc architecture. Embedded into the vertical walls, on both slopes, are small fragments of the stone rings. In terms of its size, the court is comparable to the one at Coba (Coba Group) and two of the courts at Chichen Itza, all of which also have a north-south axis.

Small acropolis.

This is situated just south of the Great Acropolis but has only a quarter of the latter’s volume (70 x 70 m and 5 m high). The main entrance is situated at the middle of the west side, where the ancient Maya concentrated most of the stelae found at the site (now removed for their greater preservation and future display; some of them can be seen at the entrance to the archaeological site). Four buildings arranged around a courtyard have been excavated at the top of the acropolis. Most of the buildings have Peten sub-structures, but the builders of Postclassic times added reliefs and blocks with varying motifs to the structure on the east side to create a stairway. This explains why many of the cants display reliefs of standing or seated figures, crouched jaguars, heads and geometric and curvilinear geometric shapes.

Temple of the masks.

A large guano palm roof protects the polychrome stucco features that represent the sun god at two important moments for the preHispanic world view: dawn and dusk. The sun god is depicted with a human form and with the ornaments and accessories (ear spools, nose rings, headdresses, etc.) used by pre-Columbian dignitaries. Although framed by light blue bands, the sun god is mainly painted red, which was a sacred colour. The east side of the building displays the god of the sunrise and the west side displays the god of the sunset. These masks have been dated to the early centuries of the Common Era (Early Classic). Masks in general had been common features at numerous Maya sites since the Preclassic, nearly always flanking the stairways of temples and shrines dedicated to K’inich Ahau, the sun god.

Structure 512.

This is situated north-west of the Great Plaza, on the path leading to the Old Sorceress Group. Its architecture is reminiscent of Chichén Itzá, with a lower sloping wall, simple moulding and a low wall around the perimeter. This construction is unusual in that the main facade displays two drum columns and there are two monolithic columns inside. It therefore represents a combination of Puuc architecture and the Terminal Classic architecture that succeeded it. The similarity with Chichén Itzá must not be taken as proof of proliferation or conquest. The distance between the two sites as the bird flies is 210 km, a journey of 12 to 14 days by land. We believe that the similarities are due to the fact that both sites embraced the same new construction ideas that emerged in the Terminal Classic and were manifested in architecture and sculpture. As more sites in the north of the peninsula are excavated, we will surely find more similar ruins from that period, well-known already in eastern Yucatan but poorly represented in the archaeological findings in other regions.

Old sorceress group.

This is situated 800 m west of the Great Plaza. It was built in 300 or 400 BC on a large level piece of land with a surface area of nearly one hectare. Six buildings arranged around a courtyard of approximately 1,500 sq m have been recorded. The two buildings on the east side contained small spaces for rituals. A square altar stands at the centre of the courtyard. On the north and south sides are elongated mounds of rubble as yet unexplored. On the east side we can see a large pyramid platform, standing just over 20 m high; only the lower eastern section has been excavated and restored. Most of the visible buildings in this group were erected in the Peten style. The principal platform has rounded, recessed corners and a central stairway with enormous blocks of limestone. Similar elements can be seen on the stairways of the buildings on the east side.

Resting at the foot of the pyramid platform are large blocks of stone corresponding to the ‘apron’ moulding on the first tier of the construction. One of them was used at the beginning of the 20th century as a table for depositing offerings to a legendary figure. The peasants who passed by on the way to the fields would leave coins and water. On their way home, they would find food in exchange for what they had left. One day an inquisitive young boy decided to hide to see who the mysterious person was. The peasants tried to persuade him not to, but he would not listen. After a long wait, he saw an old woman, but a black dog accompanying her saw him and followed him. The boy ran home, fell seriously ill and confessed his mischief. A few days later he died and the old sorceress stopped trading with the peasants. The legend recalls an ancient Maya legend in which a woman helps people. With certain differences, the tale evokes that of the old woman of Uxmal whose dwarf son, hatched from an egg, came to rule the land. The Popol Vuh also makes reference to an old woman who looked after two twins. In short, the old sorceress and the grandmother personify the ancient moon goddess, who according to the ancient Maya helped human beings in a number of ways, being linked to weaving, predictions, medicine and childbirth. However, wrongful behaviour could cause the moon goddess to bring about floods, drowning and death.

Monuments

Thirty-two stelae or fragments have been recorded at Edzna. The earliest date is AD 652, which has been deciphered on Stela 22 and on the hieroglyphic stairway at the bottom of the west side of the Temple of Five Storeys. The latest date inscription found is AD 869 (Stela 9). Older stelae (from batkun 8) have also been found; these were probably carved in the early centuries of the Common Era but they have yet to be dated. The principal motif represented on the stelae at Edzna is the powerful ruler of the city, with rich garb and a variety of necklaces, bracelets and religious and political symbols. He is nearly always standing and usually has his eyes fixed on a space to observer’s left. His hands are only empty when he is seated on a throne. He usually carries a sceptre, a warrior’s mace (a trefoil element) or a shield. Several stelae graphically depict the victory of the ruler of Edzna standing over one or more captives either with their hands tied or in an uncomfortable position. The epigraphic and iconographic analysis conducted by Carlos Pallan Gayol (INAH) indicates that to date we have the images of at least ten rulers of the ancient Maya city, stretching from AD 633 to 869 (not including the Early Classic rulers). Future research will undoubtedly shed more light on these and other rulers of Edzna, because the ceramic and architectural timelines suggest that there were more high-ranking officials. Other stone monuments found during the excavations include lintels, serpent heads, tablets and altars. The best sculptures and some of the stelae from Edzna are exhibited at the entrance to the archaeological area.

Importance and relations

Edzna was one of the principal capitals in the western peninsula for several centuries, during the beginning of the Common Era and up to just after the 10th century. It was a contemporary of other great settlements in this part of the Maya region, such as Oxkintok, Uxmal, Jaina, Acanmul, Itzimte, Santa Rosa Xtampak, Dzibilnocac and Champoton. As time passed, the trading of products and man-made objects increased. Items made of shell and conch from the Gulf of Mexico and the Caribbean reached Edzna. Obsidian from El Chayal, Guatemala, has also been reported, arriving throughout most of the Classic period. Other obsidian objects and various basalt and andesite objects travelled to Edzna from the Chiapas Highlands, Veracruz, Hidalgo and Michoacan. The jadeite pieces came from the River Motagua valley. Throughout the centuries, the pottery traditions also changed, giving way to vessels produced in the region and the importation of polychrome vessels and plates from Peten, the Campeche coast, Northern Yucatan and Belize.

From: ‘The Maya: an architectural and landscape guide’, produced jointly by the Junta de Andulacia and the Universidad Autonoma de Mexico, 2010, pp293-299.

Edzna

Great Plaza; 2. Great Acropolis; 3. Temple of the Five Storeys; 4. Solar Platform; 5. North temple; 6. North-west Temple; 7. Puuc Courtyard; 8. House of the Moon; 9. Platform of the Knives; 10. Courtyard of the Ambassadors; 11. Nonoch Na; 12. South temple; 13. Ball Court; 14. Small Acropolis.

Getting there;

From Campeche. Combis leave from Calle Chihuahua, east of the main market. Actually enters the parking of the site. On the return wait for the next combi. It will take you, first, to the end of the line at Bonfil but then returns directly to Campeche, this time missing out the archaeological site. M$45 each way.

GPS:

19d 36′ 10″ N

90d 13′ 53″ W

Entrance;

M$90

More on the Maya

Calakmul – Campeche – Mexico

Posted on 25/06/2023 by Michael

Calakmul

More on the Maya

Calakmul – Campeche

Location

The site lies 155 km from Escarcega. Take Federal Road 261 to Conhuas and then, a few kilometres further on, the turn-off to Calakmul in the south. On this road there is a toll to enter the Biosphere Reserve and another one to enter the archaeological area. The journey from Campeche is approximately 310 km. This major Maya city is situated inside the Calakmul Biosphere Reserve. The Calakmul archaeological area was declared a UNESCO world heritage site in 1999. The name is a neologism composed of Yucatec Maya words meaning ‘mounds together’ or ‘mounds adjacent’. The name is a reference to the largest structures on the site, visible from the air or a distance as two great protruberances looming above the surrounding green landscape.

Timeline, site description and monuments

The earliest evidence of the site dates from the Late Preclassic, several centuries before the Common Era. The city reached its peak between the 6th and 8th centuries AD, before gradually losing its political influence and population, which migrated to other places. During the Postclassic, Calakmul was occasionally visited by pilgrims bearing offerings in recognition of its former glory.

Great plaza.

The tour of this site begins at the heart of the ancient metropolis. This plaza is 200 m long (north-south) and 60 m wide, and is delimited by Structures IV (east), II (south), VI (west) and VII (north). Structure V stands inside the plaza. Buildings IV and VI form a single structure used for astronomical observations, especially at the solstices and equinoxes. Building V is surrounded by 12 stelae that record important events in the life of various 7th-century-AD rulers, which suggest that it was used for the ritual celebration of commemorative ceremonies. Building VII measures approximately 40×47 m at its base, has an average height of 25 m and is surmounted by a shrine with three parallel rooms. The excavations uncovered the first tomb and grave goods of one of the Calakmul rulers, Yuknoom Took Kawiil, who was buried around AD 735. His jadeite mosaic mask, with its shell and obsidian eyes, became an emblem of the site.

Structure II.

This is an enormous pyramid platform measuring approximately 140 m around the base and 50 m in height. It contains several sub-structures, having been added to over the course of 10 centuries to become the highest and largest construction on the site. At its base is a group of stelae dating from the AD 702 to 731. These are followed by several buildings and then three stairways, two at the sides and one in the middle. Flanking the latter stairway are the remains of four giant anthropomorphic masks, whose stucco cladding has now been lost. Two thirds of the way up is another tier, on which stands a large room with three entrances. The pyramid continues after this, again with three stairways, culminating in a flat section where a great temple must once have stood. Excavations inside Structure II have dated the earliest construction phase to the Late Preclassic (250 BC-AD 100). It contains a platform 107 m long (north-south), 75 m wide and approximately 8 m high, on which stood several buildings, all of them approximately 5 m high. One of them acted as the entrance to the inner precinct and its frieze still displays a stucco mythical allegory: two supernatural birds with human faces accompany a deity, possibly the rain god, who descends or advances towards the building entrance. The scene is covered and framed by a light blue band at the ends of which we see the head of a crocodile, the Celestial Monster. This representation has iconographical connections with monuments at Izapa, Takalik Abaj and Nakbe. Another later construction hidden inside Structure II revealed the tomb of the ruler known as Fire Claw (Yuknoom Yichaak Kahk), who was wrapped in a shroud, placed on a wooden dais and accompanied by rich grave goods comprising pieces of jade, ceramic, shell, feathers, stucco and jaguar claws.

Structure III.

Situated 50 m north-east of Structure II, this was an elite dwelling with a broad stairway on its west side leading to 12 rooms. It is further enhanced by a platform 36 m long (north-south), 32 m wide and 5 m high. Both its architecture and narrow interior spaces confirm that it was built during the Early Classic, perhaps between AD 370 and 400. Some of the rooms had small windows and holes in the jambstones to hang curtains. The excavations also revealed a rich burial with three jadeite mosaic masks, one for the face and the others for the waist or breast, jadeite necklaces, shells, pearls, a stingray spine and a number of vessels. The remains of a piece of wood covered with stucco were also found.

Structure I

To the south of Structures II and III a path leads to the second-highest pyramid platform at Calakmul, measuring 100 m along each side and 40 m in height. Its main facade faces west and at its base and on several levels there are various stelae, some of which were mutilated in the mid-20th century. Fortunately, at the foot of the structure it is still possible to see three large monolithic altars forming a triangle; these symbolise the Uxte Tuuri (literally, Three Stones) or ‘primordial hearth’, one of the ancient names for Calakmul. At the top of the building is a shrine with a small room. The central stairway also appears to have been flanked by giant stucco masks; two examples were found but have been covered to preserve them.

Ball court.

Situated in the west group at Calakmul, in the section known as the Great Acropolis, is a ball court (Structure XI) of modest proportions and a north-south axis, built around AD 750 with materials recycled from a previous construction, possibly during the reign of Bolon Kawii.

Structure XIII.

This is visible before you get to the Ball Court and is situated to the north of the latter structure. It takes the form of a pyramid platform, 43 m long and just over 8 m high. Its four tiers are fronted by a broad stairway. At the top is a two-storey building corresponding to two different construction periods. The associated stelae and altars indicate that it was built in the 8th century AD. To the west is a gallery with seven entrances formed by pilasters, erected before the platform, which now partly covers it.

Altar of the prisoners.

Just west of the Ball Court, the pre-Hispanic sculptors used an outcrop of limestone to form part of the urban design of the settlement. They gave it a semicircular shape (approximately 5 m in diameter) and carved the images of seven kneeling individuals with their hands tied, no doubt defeated in battle. Nowadays, the scene no longer visible, having been covered up to preserve it. It may have been used in the nearby Ball Court, where two teams competed and the losers were decapitated.

Structure XIV.

This stands east of the Ball Court with its main facade facing west. It contains several rooms from the 8th century AD and clearly marks the difference in height (approximately 3 m) between the east section and this structure, which was the entrance to the Great Acropolis.

Structure XV.

This is situated south of the former structure and is the product of several construction phases in the 7th century AD. The archaeological excavations revealed three funerary chambers. One of them seems to have contained the remains of the wife of Yuknoom Cheen the Great (600-686), also the mother of Fire Claw, who ruled Calakmul between 686 and 695. Her grave goods included numerous jadeite objects, shells and ceramics. The corpse was wrapped in strips of chicle or gum, which explain why it is exceptionally well preserved and also why it so fascinating to us today.

Structure XVI.

This is situated opposite the previous structure, facing west of the latter. The platform measures 100 m long (north-south) and 80 m wide, and behind it is a large courtyard with various rooms. A palatial complex with restricted access, it has only been partly excavated and to date only eight stelae have been associated with it. Some of the dates inscribed on these go back to the end of the 7th century and beginning of the 8th century AD.

Structure XVII.

We are now in the south-east section of the Great Acropolis, in a partly excavated building, approximately 50 m in length with a broad stairway leading to a two-room construction. An associated stela is inscribed with the date AD 790.

Structure XX.

This lies west of the Ball Court and the Altar of the Prisoners. It is approximately 36 m long and almost 4 m high. The excavations have uncovered evidence to suggest that this section of the Great Acropolis has a long history, commencing in the early centuries of the Common Era and with successive modifications virtually until the city was abandoned. The view from the top provides a good idea of the control exercised by the few families who had access to the Great Acropolis.

Structure XIX.

Situated north of the previous structure, this has been excavated and partly restored. It contains several rooms, some of them with benches. The main facade has a broad stairway and faces north, which suggests that it was the main entrance to the Great Acropolis from this side.

Wall.

To the north of Structure XIX a path leads to the remains of an ancient wall, just over 6 m high when viewed from the outside and approximately 2 m thick. There is no evidence to suggest that it was a defensive structure as it does not surround the core of the site. It may well have acted as a boundary for the city’s ceremonial precinct, to control access from the northern sections.

Residential units.

The north-east and north-west sections of the Great Acropolis offer an overview of the housing occupied by the families closest to the rulers. The unit known as the House of the Owner of the Sky (Utsial Caan) has a small open space at the centre, approximately 75×50 m, with an underground tank for rain water (chultun); its only access is via two narrow entrances on the south and west sides (the east side was open to facilitate the flow of people). The space comprises 13 rooms, many of them with benches, arranged around three interior courtyards. The entire complex was surrounded by a wall some 4 m high. A little further to the west is the residential unit known as the House of the 6th Ahau (Wac Ahau Nah), a similar but smaller complex, thus called because of the discovery of a capstone inscribed with the date 6 Ahau. This unit has a 65 sq m courtyard surrounded by eight large rooms and a smaller one, possibly a storeroom, each with its own entrance. The rooms have a surface area of between 10 and 15 sq m, mainly taken up by benches. Their occupants may have obtained water from an open tank or the aguada situated some 300 m from the Great Acropolis.

Chiik Naab acropolis.

This group of buildings lies 150 m north-west of Structure VII. Many of the buildings face the cardinal points, and all of them surround an irregular quadrangle which for a time functioned as a market. The excavations have shown that several of these buildings were actually residences. Another interesting find was a construction that seems to be half-walkway and half-bench. Over 200 m in length, it displayed traces of mural paint in the sections that had been covered by subsequent works. The motifs represented show an aquatic setting: small waves, herons, turtles, snakes, fish and water lilies. There are also large hieroglyphic cartouches inscribed with the toponym Chiik Naab or water lily, a term that appears to refer to the core area of Calakmul. In another building in the eastern section traces of mural paint were detected on a construction that had been carefully covered in ancient times. This is a small three-tier pyramid platform whose walls display various scenes in a naturalistic style, like that of many polychrome plates and vases. Different people are depicted participating in a festivity at which atole is drunk, tamales are eaten and tobacco is smoked. The associated glyphs confirm these activities. There may also be scribes and a bearer with a large cooking pot on his back. Like the vessels depicted in the paintings, the analysis of the associated ceramic materials suggest that they date from the 7th century AD. Outside the core area of Calakmul there are thousands of remains from more modest dwellings, which must have once had stone foundations and walls and roofs of perishable materials. These correspond to the population at large, the people responsible for providing water, food and labour to those of a higher social rank.

Importance and relations

The kingdom of Kaan or the Serpent was one of the most powerful polities in the Classical period. During AD 500 to 800, it eclipsed Tikal, its great rival. Calakmul also boasted two emblem glyphs: one to denote its territorial power, Kaan, symbolised by a serpent’s head, and another to refer to the core area of the city, Chiik Naab, which means something along the lines of ‘place of the water lily’. Like the serpent and its mythical connotations, the water lily (Nymphaea ampla) is a flower typically associated with the Maya world and it had an important symbolic role, evoking the waters that provided access to the underworld. The water lily was often represented in the grave goods or the headdress of high-ranking dignitaries. The importance of Calakmul lies not only in its monumentality and vast surface area (over 30 sq km), but also in the rich history contained in its material remains. It boasts several jadeite mosaic funerary masks, vessels inscribed with hieroglyphic texts and symbolic images and mural paintings, all of which have outstanding aesthetic and cultural merits, as well as enriching our knowledge of the Maya civilisation. Calakmul is the site with the largest number of registered stelae: 117 in the year 2000. Some of them were smooth (25), others mutilated or stolen in the first half of the 20th century, and others with inscriptions and images that have enabled us to reconstruct most of the dynastic history of Calakmul and other places associated with it. Numerous vessels have been found in funerary contexts at Calakmul, as well as a variety of elements that formed part of the attire of the officials interred: jadeite masks, breastplates, ear ornaments and necklaces; pieces of shell and conches, objects made of obsidian, stucco, etc. Most of these materials are now on display in the Archaeology Museum in Campeche City.

From: ‘The Maya: an architectural and landscape guide’, produced jointly by the Junta de Andulacia and the Universidad Autonoma de Mexico, 2010, pp339-344.

Calakmul

1. Central Plaza; 2. Structure II; 3. Structure III; 4. Structure I; 5. East Group; 6. Great Acropolis; 7. Ball Court; 8. West Group; 9. Acropolis Chiik Naab.

Getting there:

There is basically no way you can get to Calakmul either without your own transport or by taking one of the many versions of an organised tour. There are presently no places to stay any closer than about 60 kilometres (although a very expensive resort is in the process of being constructed – as part of the Tren Maya project).

GPS:

18d 06′ 23″ N

89d 49′ 01″ W

Entrance:

M$270 – the combined cost of entrance to the National Park and entrance to the archaeological site, paid in two parts, the first just off the main road 60 kilometres from the site, the second at the site itself.

More on the Maya

Becan – Campeche – Mexico

Posted on 25/06/2023 by Michael

Becan

More on the Maya

Becan – Campeche

Location

This is situated 130 km east of Escarcega, on Federal Road 186 to Chetumal. It is some 300 km from Campeche. To the immediate north-west of the modern community of the same name, the main buildings at Becan are protected by a moat and a perimeter wall, which enclose an area of approximately 12 ha. The moat is 1,890 m long, 16 m wide and 2.5 m deep, while the perimeter wall is as high as 3.6 m in certain sections. It was only possible to cross the moat at seven bridges located at different points around it. Nowadays, access is via one of these bridges, situated in the east section. In the late 20th century certain specialists attributed a defence function to the moat, but the subsequent study and physiographic analysis of both the exterior and interior areas have led to the conclusion that it was used for channelling and draining rain water, thus avoiding flooding. Outside the area delimited by the moat a large number of lesser constructions have been found; these served as dwellings, granaries, shrines, cultivation terraces, stone walls, etc., used by the vast majority of the population who maintained the governing family at Becan. These ruins are similar to those of the nearby sites of Chicanna, 2 km to the south-west, and Xpujil, 8 km to the east. The name Becan has only recently been coined and is formed from Yucatec Maya words meaning ‘serpent path’. It is also the name for the groove worn away by the rain water, and some people therefore believe that it is simultaneously a metaphor for the moat and its curved course.

Timeline, site description and monuments

The oldest remains date from 600 BC, while the concentration of population and resources turned it into a regional capital between AD 600 and 900. During the Postclassic period (AD 1000-1450), the central government gradually disintegrated and its place was occupied by other sites with greater political influence. By the time the conquistadors arrived, Becan was completely covered by rainforest. The site contains monumental constructions in the Rio Bec architectural style, which is characterised by high twin towers, near-vertical non-functional stairways, rounded corners and false temples atop the pyramids. On some buildings, the main facade is adorned with the face of Itzamnaaj, a powerful terrestrial deity. Its open jaws served as the central entrance to the building. The tour of this site commences at Plaza A or the East Plaza, composed of structures I, II and III.

Structure I.

This is distinguished by its monumentality, with two solid lateral towers that rise 15 m above the plaza. The top of each tower has four openings – now sealed for protection from the rain – which were used for astronomical observations. Immediately south of the structure, the Maya architects constructed vaulted, two-storey buildings with 15 rooms on the ground floor and another six on the top floor. Construction commenced around AD 300 and the latest remodellings occurred in AD 1000.

Structure II.

This is situated on the west side of Plaza A. The only part that has been explored is the facade on this side, which is 43 m long and approximately 15 m high, and parallel rooms. The rooms at the back have masonry benches, denoting their residential function. The facade was richly decorated with vertical panels displaying a chessboard pattern or small high and low-relief squares, and Ik symbols (second day in the Tzolkin Calendar) along the bottom of the walls. The stonemasonry is exquisite, and can still be appreciated today over 12 centuries later. Two tombs were found in the central bay, both elaborately made and covered with corbel vaults although never occupied.

Structure III.

This is situated opposite the previous structure, occupying the east side of the plaza, and is approximately 50 m long. It was constructed in several stages and the final modification included a broad stairway leading to the second tier and directly facing a circular altar in the plaza, which measures 6 m in diameter and stands just over one metre high. The irregular inclusion of the latter element, which is neither in keeping with the axes of symmetry nor the monumentality of the surrounding constructions, suggests that it corresponds to the Terminal Classic (AD 900-1000).

Structure IV.

This is an interesting example of Rio Bec architecture: it has rounded corners and once sported non-functional stairways on its east and west facades. It seals the north side of the plaza and its entrance leads to a courtyard surrounded by rooms of varying sizes. The wall decoration includes stylised stone-mosaic zoomorphic masks. The north facade contains other constructions that once had vaulted roofs and were distributed on three levels, the terrain descending only just over 6 m. Further north is another annexe comprising six rooms with benches. Just beyond this is a long corridor, almost 60 m in length. Part of the vaulted roof can still be seen. The west end of this corridor leads to Plaza B, where structures VIII, IX and X are open to visitors.

Structure VIII.

This is another of the monumental works in the city, with towers at its north and south ends, as well as the remains of a magnificent mask on the central facade. It once had nine rooms at the top and from the middle section it is possible to make out the buildings of the nearby Xpujil in the east. Beneath the platform (45×20 m), ten high-ceilinged (8 m) narrow chambers were found, none of which had stucco cladding, ventilation or natural light. It has been suggested that these were used for a variety of rituals, such as fasting, praying and auto-sacrifices or bloodletting; another suggestion is that they were used for storing surplus goods. Whatever the case may be, their practical purpose was to save many tons of construction material.

Structure IX.

This is the highest one on the site (42 m). It displays three architectural phases. The first dates from the Late Preclassic (100 BC-AD 250), when four vast stepped volumes were built, their only access on the south side, and a temple at the top. The platform displayed masks combining human and feline features. A second construction stage during the Early Classic (AD 250-600) is confirmed by the architecture of the top temple and a rich offering of 15 vessels with extraordinary archaeological merits in terms of their timeline, epigraphy and symbolism. The third phase occurred during two specific points of the Late Classic (AD 600-900), when several rooms were added at both sides of the stairway at the middle of the front facade. In Postclassic times (AD 900-1400), anthropomorphic incense burners were placed amid the ruins of the top temple.

Structure X.

This pyramid platform is smaller than the previous one, standing 14 m above the plaza, and has a stairway on its east side. At the top of it are several rooms arranged in pairs, and at both sides, on a lower tier, another series of rooms which once had corbel-vault ceilings. The excavations conducted on the west side revealed a palatial complex containing close on 70 rooms distributed around courtyards to the north and south. Most of these rooms have benches, niches in the walls and interior accessories (a type of curtain rod) for hanging fabrics or animal skins to filter the sunlight. The gradual completion of the buildings, the creation of open and closed areas, access control and an evident restriction on the use of the space all occurred between AD 750 and 1000, during the height of Becan’s splendour.

Stucco frieze.

This polychrome stucco frieze was found to the south of Structure X, in one of the rooms in the aforementioned courtyards. It appears to be the portrait of a high-ranking official wearing nose rings made of round beads and large ear ornaments. The face rests on a small mask and the headdress displays another two masks, superimposed. Behind it, on both sides, it is possible to discern the profile image of the Earth Monster, with blazing eyelashes and open jaws. The figure is situated beneath the 01 symbol, or entrance to the underworld, characterised by a cavity with four lobes. This evidently represented his sojourn in the other world. The comparison of this motif with similar stucco motifs found at Balamku, Placeres and Kohunlich suggest that it dates from around AD 400.

Ball court.

The west section is occupied by Plaza C, whose east side is delimited by the main ball court at Becan. This is composed of two parallel north-south constructions which form a play area 32 m long and 9 m wide. No rings or stone markers were found during the exploration of this space. There are traces of various stelae at Becan, but little is known about their inscriptions or reliefs because some of them were smooth and others were in an advanced state of decay. An interesting offering of Teotihuacan pieces found at Structure XIV is on display at the Yucatan Archaeology Museum (Merida).Other pieces found at Becan can be viewed at the Campeche Archaeology Museum.

Importance and relations

The concentration and quality of the monumental architecture at Becan prove its status as a political, economic and religious capital in ancient times. It was the most important city in the Rio Bec archaeological area, which is situated in the middle of the base of the Yucatan Peninsula, midway between the Gulf of Mexico and Chetumal Bay

From: ‘The Maya: an architectural and landscape guide’, produced jointly by the Junta de Andulacia and the Universidad Autonoma de Mexico, 2010, pp326-331.

Becan

Plaza A; 2. Structure I; 3. Structure IV; 4. Plaza B; 5. Structure VIII; 6. Structure IX; 7. Stucco Frieze; 8. Plaza C; 9. Bal court.

Getting there:

From Xpujil. It’s possible to take colectivos that are heading toward Conhuas or the SUR bus heading towards Puerto Escárcega. Flag anything that looks like a colectivo to get back.

Entrance:

M$75

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