Autogrill Self-Service Restaurant, Bergamo

 

Autogrill - Piazza Vittorio Veneto

Autogrill – Piazza Vittorio Veneto

More on Bergamo

Autogrill Self-Service Restaurant, Bergamo

For lunch on my first full day in Bergamo (out of three) I decided to travel down into the new town and see what was on offer there. It gave me a chance to have another look at the Monument to the Partisan and, perhaps, take some pictures of the Città Alta from below – that didn’t work out well as the day was, and remained, overcast with even a dramatic thunder and lightning show accompanying torrential rain in the evening. Just as the bus approached the Porta Nuova junction, my planned alighting place, I noticed a sign for the Autogrill Self-service restaurant on the left hand side.

(To get from Città Alta to the new town there are two alternatives. If you find yourself at the north-west of the town then you can go for the No 1 bus which has its terminus at Largo Colle Aperto. All the versions of the No 1 go at least to the railway station. If at the southern end of the old town you can take the funicular down to the main road – it’s only a few minutes ride. On getting off wait for the next No 1 to come down the hill. These are all free with the Bergamo Card.)

It’s not that it’s hidden, there are big signs everywhere, including around the open air terrace on the first floor (not used the day I was there as it was a bit cool) but when you go through the door you have to go up a relatively narrow staircase and it appears you’re going into an office building rather than a restaurant. However, at the top of the stairs there’s an extensive menu, as well as the first part of the self-service – the trays.

There’s a beauty of self-service restaurants in a foreign country in that you can get by without understanding the language, that’s if you choose with your eyes and are prepared to experiment. The down side is that they can often offer down market but I don’t think that was the case here.

I arrived before 13.00 when most restaurants would start to get busy as the normal lunch time for workers tends to be between 13.00 and 14.00. Arriving early meant it was possible to take in all that was on offer, going back and forth, without creating too much havoc.

I was in Italy so the first section, and the only one that was offering hot food being prepared as you wait, was the pasta and risotto section. The risotto was being prepared in a pan and was advertised with pesto so thought that would be a good choice. When I requested the risotto I was asked a question – that’s always the problem when you are weak in a language, however much you prepare there will always be a question you had not taken into account. The questions was ‘Bis?’. I didn’t have a clue what it meant until I’d answered a couple of more questions with a ‘Si’.

‘Bis’ basically means half and half – i.e., half risotto and half pasta (of a choice of two). And that turned out to be quite a substantial plate in itself, especially when this was supposed to be a starter. So on a reasonably large oval dish I had a portion of risotto with pesto and king prawns together with spaghetti with a meat and black olive sauce topped with a generous scattering of grated Parmesan cheese. (I thought it was a no-no to have Parmesan cheese with seafood but obviously no one had told the woman serving the food nor the young man who was in the queue in front of me.) The cost? €5.70.

There was a salad bar but I’m not really into salads but what was on offer looked fresh and it was up to you to choose the number of the combination and the size of the portion, the price of all clearly marked up.

There was a small dessert counter and they looked good so I went for a tart I hadn’t seen before, Torta della Nonna (Grandma’s tart) which was a custard in a pastry base topped with chopped almonds. (There are a lot of almonds in Italian cookery but now, more than likely, they come from California. This has led to the destruction of many thousands of almond trees in Europe as a consequence of cheap imports but with the present drought in California that supply might be under threat and with no alternative close to home the price of almonds might be set to rocket.) Also on offer was cheesecake and fruit. The cost of my tart? €2.70.

To drink I chose a half bottle of of Chinati. One of the big downsides of eating in the Città Alta is the huge mark up on booze and didn’t think that the €4.20 for what was a quite pleasant and full-bodied wine was too excessive and, after all, May 7th was the 60th anniversary of the victory of the Vietnamese over the French at Dien Bien Phu so anything less would have been an insult on such an auspicious day.

I was just about to pay when I saw that the person in front had gone for the salmon, so I went out of the queue to do the same, in the process almost doubling my bill. Salmon with potatoes cost €8.90 but it, again, was a substantial dish. Both the fish and the potatoes (dauphinoise) were cold and that might be a problem for some Brits as, over the years, I’ve met many who consider that food should always be piping hot. If you’re one of them then this place might not be for you – if you want to go for the main meals.

That came to a grand total of €21.50, more than I was thinking of paying, but truthfully that would have been at the bottom end of the prices for any meal in the Città Alta and I don’t think I would have had half the quantity, whatever the quality might have been.

I had a bit of a struggle, I wasn’t going to waste it, but I had to take my time. There was no pressure as it’s a large place and I wasn’t taking up a potentially valuable table. On the other hand no museums or the like would be open again until 15.00 and I’d been walking around for more than three hours in the morning. It also gave me an opportunity to people watch, as the overwhelming majority of the other customers were local people on their lunch break from work or college.

The decoration was exactly what you’d expect of such a ‘workers canteen’ but clean and things that people didn’t take to the tray stands were collected as soon as they built up. Not as plush as some of the places in Città Alta but then there you’re often paying for the linen tablecloths and napkins, as well as the supercilious waiting staff, more than for the food.

I had learnt years ago that Italians go into a bar, drink, pay and leave much quicker than is the norm in other countries and as I sat taking my time over my meal it was confirmed that they have that same attitude to food, at least in a public place at lunchtime, tables close to me filling up and emptying a number of times during my stay.

Watching what other people were eating I was also able to learn, something I hadn’t picked up when selecting my food, that the restaurant takes orders for full 10/12 inch pizzas, which get cooked to order and then brought to the table – so that’s another option at the Autogrill.

This was a good find and I wouldn’t have a qualms going to this place if I were to find myself hungry in Bergamo in the future.

Location:

Autogrill, Piazza Vittorio Veneto, 15

This is the big square close to the Porta Nuova and the restaurant is across the road from the Torre dei Caduti, on the edge of the town’s banking district.

More on Bergamo

Partisan Monument – Giacomo Manzù

Monument to the Partisan - Bergamo

Monument to the Partisan – Bergamo

More on Bergamo

Partisan Monument – Giacomo Manzù

In the Piazza Matteotti, just a few metres from the Porta Nuova in Bergamo’s New Town you come across the very moving and poignant Partisan Monument by the local, Bergamo born, sculptor Giacomo Manzù (the pseudonym of Giacomo Manzoni (22nd December 1908 – 17th January 1991).

It depicts a nearly naked, young anti-Fascist Partisan fighter hanging upside-down, having been tortured to death by the Italian Fascists or the German Nazis. Alongside him stands a young woman – presumably his girlfriend/bride – looking sadly at the broken body but unable to do anything to help him. The work of art was presented to the city by the sculptor and unveiled on 25th April 1977

On the reverse of the obelisk from which he is hanging is a short poem, by Manzù, a translation of which says:

Partisan!

I saw you hanging.

Unmoving.

Only your hair moving

gently on your forehead.

It was the evening breeze

that subtly crept,

in silence,

and stroked you

as I wanted to do.

Monument to the Partisan - Bergamo

Monument to the Partisan – Bergamo

Manzù was one of those hybrids which you find in Catholic countries, a believing Roman Catholic as well as calling himself a Communist. It’s been difficult, in the short time available, to find out a great deal of his life but whatever he may have called himself politically he was able to survive, even thrive, during the period of Mussolini’s dictatorship.

He was appointed to the chair of sculpture in the prestigious Accademia de Brera in Milan, a position he held until 1954. During the war he concentrated on religious sculptures, drawing the parallel between the suffering of Christ on the Cross with those who were suffering during the Second World War and but even this attracted the ire of some of the Fascists in 1942.

He survived this, possibly due to his relationship with the Catholic Church in Rome – many of his works were commissioned by the Vatican – and also his close personal friendship with Angelo Giuseppe Roncalli, who was later to become Pope John XXIII (who was also born close to the city of Bergamo).

After the war he continued to produce works for religious buildings, the most important of which were the doors for Saint Peter’s in Rome and Salzburg Cathedral.

And the religious influence that coloured all of his work can be seen in this representation of the young partisan – who could well have been an atheist Communist. He’s hanging upside-down but this is to all intents and purposes a crucifixion scene with the young woman standing in for one of the two Marys.

Monument to the Partisan - Bergamo

Monument to the Partisan – Bergamo

Fêted by the Vatican Manzù was also hailed in the Revisionist Soviet Union, being awarded the Lenin Peace Prize in 1965.

This is a very moving monument commemorating those who fought against Fascism and won’t be visited by many tourists even though it’s in the centre of the new town and not that far from the Teatro Donizetti. Anyone close to the important transport intersection of the Porta Nuova and with a few minutes to spare could do much worse than visit this quite unique modern sculpture.

Being a local boy there’s a small collection of some of Manzù’s smaller sculptures in the Galleria d’Arte Moderna e Contemporanea.

More on Bergamo

The Campanone, Museum of the Venetian Age and Roman Archaeological Discoveries

Campanone

Campanone

More on Bergamo

The Campanone, Museum of the Venetian Age and Roman Archaeological Discoveries

The Campanone, the Museum of the Venetian Age and the Roman Archaeological area are all accessed by the same door, what would have been the main entrance of the Palazzo del Podestà (the Governor’s Palace) and so it makes sense to allow time to visit all three at the same time.

The information on the Palazzo bemoans the fact that, for some time in the past, it ‘became used for purposes which were not in keeping with its historical importance’ but when it was decided to renovate the building for tourist purposes important archaeological finds were made. As the Christians always built over, and very often using the worked stone from, older Roman buildings it wasn’t a real surprise when Roman remains were found.

Together with the excavations made underneath the Cathedral (which can be seen by visiting the Museum and Treasury) these, more recent discoveries give a fuller picture of what would have been the most important area in the Roman settlement, the Forum.

Roman Archaeological Site

Roman Archaeological Site

This is only a relatively small area but a lot can be seen and deduced about the city known as Bergomum, a name it held for close on 800 years. A fine section of wall was almost certainly part of the Forum and other walls indicate workshops and taverns, as well as gutters and sewers. What I found particularly interesting were a couple of lengths of lead piping used to supply clean water – I couldn’t understand why something so valuable had not been looted hundreds of years ago. Mixed in with the Roman ruins were remains of buildings from Mediaeval times – but no water supply pipes or sewers – the Renaissance period might be important for its artistic development but there was little in the way of civilising everyday life.

Information boards on the walls supply more details, in both Italian and English.

There are a few places where you can get a ‘bird’s eye’ view of the town but the Campanone/Civic Tower is one of the best (rivalled only by the Gombito Tower) as this looks down on both the Piazza Vecchia, with its 18th century Contarini fountain as well as the Piazza del Duomo with the Cathedral, the Basilica de Santa Maria Maggiore, the Colleoni Chapel and the Baptistery.

Colleoni Chapel and Maria Maggiore

Colleoni Chapel and Maria Maggiore

The name Campanone means Big Bell and comes from the biggest of the three bells at the top of the tower. This was originally used to sound the curfew in Mediaeval times and is still sounded at 22.00 each night to try to get the tourists out of the bars in the square below.

Campanone 'Big Bell'

Campanone ‘Big Bell’

There’s now a modern lift to take the pain out of the walk. I’m not sure how they got away with that. It’s all very well making these places accessible to as many people as possible but I’m not in favour of that if it means the destruction of parts of an ancient structure. You can still walk up and down but on modern, concrete steps and not the originals that would have been worn down over the centuries. It really changes the atmosphere as you go to the top.

I’m sure the lift wasn’t there when I first went up 4 or 5 years ago but couldn’t get the exact information as the lad in the ticket office wasn’t sure. World Heritage Status (which I don’t think Bergamo has) isn’t enough to protect the past – as I’ve mentioned elsewhere – but there surely has to be a limit to what can be done in the name of accessibility. And I’m cynical enough to think that these works are carried out more for the potential tourist Euros than anything else.

Piazza Vecchia

Piazza Vecchia

Try to go up and down on the steps, it’s probably better for your health, even if you take it slowly. At the top you get a fine view of the major buildings in the centre of Città Alta as well as the newer town in the valley and the snow-capped – there was still a fair amount of snow on some of the tops when I was there during the first week of May – Alps to the north.

The third place to visit in the Palazzo del Podestà is the very new and high-tech Museum of the History of the Venetian Age. To me this was a huge disappointment. It advertises itself as ‘interactive’ but I found myself being assaulted by information in a way I’ve not experienced at any other museum I’ve ever visited.

It uses the most modern aspects of computer graphics, it’s imaginative, it’s very clever but it did nothing for me. The interactivity comes from: moving your hands over different names; opening drawers to operate a projector to show contents; placing blocks into slots to initiate information about the development of printing during the height of Venetian economic and political power. There’s also a very clever presentation about the sort of recipes that were created with the arrival of all the new foods and spices in Europe from the Orient due to Venice’s role in international trade.

Museum of Venetian Age

Museum of Venetian Age

There’s a audio-video presentation which follows a timeline from 1450 to 1600 showing how the rest of the world became known to the Europeans with the travels of Marco Polo by land and then Megellan, Vasco de Gama, Columbus and Vespuccio, amongst others, by sea. This is informative and does provide a visual picture of how the world seemed to be getting bigger for the Europeans.

When it comes to the victory of Cortes over the Aztecs and Pizarro’s over the Incas it becomes more political than I’ve seen in any such presentation in what would be considered a museum for general consumption. Central America becomes splattered with blood as does the north-west Pacific coast of South America. This trail of blood then goes back across the Atlantic to land on Spain’s door step, with the commentary that this was all due to the thirst for gold.

Now that’s all true and it’s good to see it being presented as such. However, I doubt whether that would have been presented in the same way if it were the Italians who had first landed on Hispaniola. By holding a virtual monopoly over trade with the Far East Venice had, more or less, encouraged other countries to get into the world exploration game. Instead of investing in the future Venice stuck with what it knew and controlled and therefore not going out into the unknown.

There’s also an element of sour grapes as this gold, paid for with so much indigenous American blood, was what eventually kicked started the economic development (and ultimately the industrial revolution) in the UK and northern Europe – aided in a not insignificant manner by the activities of ‘El Pirata’ Francis Drake.

However interesting that particular section might have been I honestly felt there was a lot missing. To have gained much more you would have had to have invested a lot of time and energy in playing with the technology. Perhaps someone brought up on computer games might find it interesting, it was probably designed by such people, but it left me cold.

Also everything was in Italian although English language tablet computers and earphones are available.

Practical Information:

Opening times:

November to March

Tuesday – Friday 09.30 – 13.00 and 14.30 – 18.00

Weekends and public holidays 09.30 – 18.00

April – October

Tuesday – Friday 09.30 – 18.00

Weekends and public holidays 09.30 – 20.00

Closed: Mondays, except for holidays.

Entrance:

Archaeological Area – Free

Campanone

General €3

Under 18 – free

Museum of History of the Venetian Age

General €5

Under 18 – free

There’s a Joint Ticket that covers these three locations as well as the La Rocca – the museum of the 19th century; the Donizetti Museum; and the Former Convent of San Francesco which costs €7.

Entrance to all these places are free with the Bergamo card.

More on Bergamo